Standing Female Nude

Inscription: Signed (on base): A.Archipenko/Guss V.Heinze - Barth

[art market, Berlin, until 1922; sold to Thayer]; Scofield Thayer, Vienna and New York (by 1922–d. 1982; his bequest to MMA)

Worcester Art Museum. "The Dial and the Dial Collection," April 30–September 8, 1959, no. 1 (as "Woman Standing").

New York. Downtown Gallery. "The Dial and the Dial Collection: A Special Loan Exhibition of Paintings, Sculpture & Graphics by Thirty American Artists," September 22–October 17, 1959, no. 1 (as "Woman Standing").

Worcester Art Museum. "Selections from the Dial Collection," November 13–30, 1965, unnum. checklist (as "Woman Standing").

Worcester Art Museum. "'The Dial': Arts and Letters in the 1920s," March 7–May 10, 1981, no. 2.

New York. The Ukrainian Museum. "Alexander Archipenko: Vision and Continuity," April 3–September 4, 2005, unnumbered cat. (fig. 30).

Northampton, Mass. Smith College Museum of Art. "Alexander Archipenko: Vision and Continuity," March 31–July 30, 2006, unnumbered cat.

Elvehjem Museum of Art, University of Wisconsin-Madison. "Alexander Archipenko: Vision and Continuity," September 16–December 3, 2006, unnumbered cat.

Dial 74 (May 1922), ill. opp. p. 504, listed as "A Figure by Alexander Archipenko. Courtesy of Der Sturm".

Scofield Thayer. Living Art: Twenty Facsimile Reproductions after Paintings, Drawings and Engravings and Ten Photographs after Sculpture by Contemporary Artists. New York, 1923, sculpture section, pl. 6, calls it "Female Figure".

Henry McBride. "Modern Art." Dial 76 (February 1924), p. 208.

"'Living Art' Folio and Originals Seen." Art News 22 (February 2, 1924), p. 5.

[Elisabeth Luther Cary]. "The World of Art: Modern Art of One Kind and Another." New York Times (January 27, 1924), p. SM10.

Nicholas Joost. "The Dial Collection: Tastes and Trends of the 'Twenties." Apollo 94 (December 1971), p. 494.