No. 21
In the pivotal year of 1949, Rothko distanced himself from his Surrealist-inspired work of the 1940s and began to explore pure abstraction by painting soft-focus squares in diaphanous colors. 1949 is also the year that Matisse's 1911 painting The Red Studio, in which the artist's room is subsumed by a brilliant field of solid Venetian red, went on view at the Museum of Modern Art. The combination in No. 21 of a deep red with slate blue underpainting is close to Matisse's painting. As if to emphasize the process that occurs in his own work, Rothko said of The Red Studio—purportedly his favorite modern picture—"When you looked at that painting, you became that color, you became totally saturated with it."
Artwork Details
- Title: No. 21
- Artist: Mark Rothko (American (born former Russian Empire, now Latvia), Dvinsk 1903–1970 New York, New York)
- Date: 1949
- Medium: Oil and acrylic with powdered pigments on canvas
- Dimensions: 80 × 39 3/8 in. (203.2 × 100 cm)
- Classification: Paintings
- Credit Line: Gift of The Mark Rothko Foundation Inc., 1985
- Object Number: 1985.63.4
- Rights and Reproduction: © 2025 Artists Rights Society (ARS), New York
- Curatorial Department: Modern and Contemporary Art
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