At the Lapin Agile
Artwork Details
- Title: At the Lapin Agile
- Artist: Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
- Date: 1905
- Medium: Oil on canvas
- Dimensions: 39 in. × 39 1/2 in. (99.1 × 100.3 cm)
- Classification: Paintings
- Credit Line: The Walter H. and Leonore Annenberg Collection,
Gift of Walter H. and Leonore Annenberg, 1992,
Bequest of Walter H. Annenberg, 2002 - Object Number: 1992.391
- Rights and Reproduction: © 2026 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
- Curatorial Department: Modern and Contemporary Art
Audio
46. Music: At the Lapin Agile
Jacques Tessereach, Étude
GARY TINTEROW: The owner of the bistro that Picasso shows here – Fredé – sits in theback corner playing the guitar. Most bistros at this time would have featured this kind of musical entertainment, with guitar players performing improvisations as well as ballads and simple songs. For example, a visitor to the Lapin Agile might have heard a piece like this Étude you’re hearing now by Jacques Tessereach. Tessereach was an eminent guitarist, composer and teacher. His principle residence was in the Montparnasse section of Paris, near the Lapin Agile. Picasso, who appears here dressed as Harlequin, one of his favorite alter egos, might have run in to Tessereach on one of his strolls through Paris. The mood of this music seems consonant with this painting.
Listen to more about this artwork
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.
