Frédéric (Frédé) Gérard, Paris (1905–12; acquired from the artist in 1905; sold in 1912); Alfred Flechtheim, Düsseldorf (1912–14; sold in August 1914 for 7,000 marks, through Nils Dardel, to de Maré); Rolf de Maré, Hildesborg, Sweden, and Paris (1914–52; sold on June 10, 1952, for $40,000, to de Hauke and Brame); [César Mange de Hauke, New York and Hector Brame, Paris, 1952; sold on August 5, 1952 to Knoedler]; [Knoedler and Co.,
New York, 1952; sold in September 1952, reportedly for $60,000, to Payson]; Joan Whitney (Mrs Charles Shipman) Payson, Manhasset, New York (1952–d. 1975); her daughter, Mrs. Vincent (Lorinda) de Roulet, Manhasset (1975–89; sale, Sotheby's, New York, November 15, 1989, no. 31, sold to Annenberg); Walter H. and Leonore Annenberg, Rancho Mirage, California (1989–92; owned jointly with MMA, 1992–his d. 2002; his bequest to MMA)

Munich. Moderne Galerie (Heinrich Thannhauser). "Ausstellung Pablo Picasso," February 1913, no. 15.

Cologne. Rheinische Kunstsalon (Otto Feldmann). "Pablo Picasso," March–April 1913, no. 15.

Berlin. Ausstellunghaus am Kurfürstendamm. "Herbstausstellung," December 1913, no. 163.

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Marseilles. Musée Cantini. "Picasso," May 11–July 31, 1959, no. 6.

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Knoedler and Co., New York. "Picasso, an American Tribute: Benefit Exhibition for the Public Education Association," April 25–May 12, 1962, no. 16.

Dallas Museum of Fine Arts. "Picasso: Two Concurrent Retrospective Exhibitions," February 8–March 26, 1967, no. 8.

New York. The Metropolitan Museum of Art. "New York Collects: Paintings, Watercolors, and Sculpture from Private Collections," July 3–September 2, 1968, no. 148.

New York, Wildenstein & Co. "Modern portraits: The Self and Others; an Exhibition Organized by the Department of Art History and Archaeology of Columbia University in the City of New York," October 20–November 28, 1976, no. 94.

Wellesley, Mass. Wellesley College Museum, Jewett Art Center. "One Century: Wellesley Families Collect," April 15–May 30, 1978, no. 53.

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Wilhelm Michel. "Schwankungen und Entscheidungen." Deutsche Kunst und Dekoration 33 (October 1913–March 1914), p. 374, ill.

[Maximilian] K. Rohe. "Pablo Picasso." Die Kunst für Alle 28 (1913), pp. 381–82, ill.

Elisabeth Luther Cary. "Art at Home and Abroad: News and Comment." New York Times (January 24, 1915), p. SM11.

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The Dial (September 1927), p. 6, ill.

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La Biennale di Venezia. Vol. no. 13–14, Venice, 1953, p. 10, ill.

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Roland Penrose. Picasso Himself. Exh. cat., Institute of Contemporary Arts. London, 1956, p. 33, under no 101, fig. 71.

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Lothar Günther Buchheim. Picasso: A Pictorial Biography. New York, 1959, pp. 43–44.

Raymond Cogniat. Picasso: Figures. Lausanne, 1959, p. 54, frontis.

Anthony Blunt and Phoebe Pool. Picasso, the Formative Years: A Study of His Sources. London, 1962, pp. 22, 32, fig. 137.

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Pierre Daix and Georges Boudaille. Picasso: The Blue and Rose Periods: A Catalogue Raisonné of the Paintings, 1900–1906. Greenwich, Conn., 1967, pp. 253, 263, 336, no. XII.23, ill.

Douglas Cooper. Picasso Theatre. New York, 1968, pp. 16, 34, 342, pl. 35.

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Ronald Alley. Picasso: The Three Dancers. London, 1986, pp. 20–21, 27 n. 36, fig. 35.

Martin Green and John Swan. The Triumph of Pierrot: The Commedia dell'Arte and the Modern Imagination. New York, 1986, p. 167.

Pierre Daix. Picasso créateur: La Vie intime et l'oeuvre. Paris, 1987, pp. 42, 55, fig. 14.

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Rita Reif. "A Rose Period Picasso Is to Be Auctioned." New York Times (September 8, 1989), p. C16, ill.

Rita Reif. "Walter Annenberg Buys a Picasso Painting for $40.7 Million." New York Times (November 16, 1989), p. C23, ill.

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Gary Tinterow. "Miracle au Met." Connaissance des arts, no. 472 (June 1991), pp. 36, 39, ill.

Christine Poggi. In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. New Haven, 1992, pp. 32, 261 n. 10.

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