James N. Rosenberg. New Pictures and the New Gallery. New York, 1923, unnumbered pl., calls it "Jeune fille"; states that it was purchased by Charles Iklé from the New Gallery sometime between November 14, 1922 and June 30, 1923.
Arthur Pfannstiel. Modigliani. Paris, 1929, catalogue présumé, p. 33, as "Le Col marin," 1917.
Adolphe Basler. Modigliani. Paris, 1931, pl. 17, as "Le Col marin," 1917.
Pierre Descargues. Amedeo Modigliani, 1884–1920. Paris, 1951, pl. 29, as "Le Col marin," 1917.
Arthur Pfannstiel. Modigliani et son œuvre. Paris, 1956, p. 121, no. 202, as "Le Col marin," 1917; erroneously locates it in a private collection, Paris.
Charles Sterling and Margaretta M. Salinger. French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 3, XIX–XX Centuries. New York, 1967, p. 240, ill., call it "Portrait of a Young Girl," noting that although it has been called "Le Col marin," the collar does not resemble a sailor collar; identify the same model in the full-length portrait "The Young Servant Girl" (Albright-Knox Art Gallery, Buffalo; Patani 1991, no. 260; Parisot 1991, no. 10/1918); note that the Albright model has been identified as Marie Feret, a servant painted when Modigliani was in Cagnes in 1918.
Ambrogio Ceroni. I dipinti di Modigliani. Milan, 1970, pp. 100–101, no. 249, ill. [French ed., 1972], as "Busto di giovane donna con colletto alla marinara, in fronte"; erroneously locates it in a private collection, U. S. A.
J[oseph]. Lanthemann. Modigliani, 1884–1920, catalogue raisonné: Sa vie, son œuvre complet, son art. Barcelona, 1970, p. 126, no. 278, ill. p. 234, as "Jeune fille au col marin".
Jeanne Modigliani. Racconta Modigliani. Ed. Giorgio and Guido Guastalla. Livorno, 1984, ill. p. 232 (color), as "Ritratto di giovane donna".
Christian Parisot et al. Modigliani. Ed. Giorgio and Guido Guastalla. Livorno, 1988, ill. p. 183 (color), as "Ritratto di giovane donna".
Lowery S. Sims in Treasures from The Metropolitan Museum of Art: French Art from the Middle Ages to the Twentieth Century. Exh. cat., Yokohama Museum of Art. Tokyo, 1989, p. 203, no. 165, ill. (color), tentatively identifies the sitter as Marie Feret; notes that the collar appears to be "more of a lace confection" than a sailor collar.
Osvaldo Patani. Amedeo Modigliani: Catalogo generale. Vol. 1, Dipinti. Milan, 1991, p. 265, no. 261, ill. (color), as "Busto di giovane donna con colletto alla marinara, in fronte".
Christian Parisot. Modigliani: Catalogue raisonné. Ed. Giorgio and Guido Guastalla. Vol. 2, Peintures, dessins, aquarelles. Livorno, 1991, p. 332, no. 33/1918, ill. p. 217 (color), as "Jeune fille au col marin".
Christian Parisot et al. Modigliani. Paris, 1991, ill. p. 136 (color) [English ed., 1992], as "Jeune femme au col marin".
Marc Restellini in Exposition Amedeo Modigliani au Japon. Exh. cat., Tobu Museum of Art. Tokyo, 1992, pp. 116–17, 204, no. 32, ill. (color), remarks that it is typical of works from 1917–18, and that it reprises the theme of a girl in a sailor's collar.
Joachim Pissarro in Les Peintres de Zborowski: Modigliani, Utrillo, Soutine et leurs amis. Exh. cat., Fondation de l'Hermitage. Lausanne, 1994, p. 165, no. 14, ill. (color).
Marie-Christine Decroocq in Amedeo Modigliani. Exh. cat., Museo d'Arte Moderna, Lugano. Milan, 1999, pp. 107, 196, no. 45, ill. (color and bw) [catalogue entry erroneously published under no. 43].