Springtime, with its associations of joyful new life, was a source of constant inspiration for Denis. This double-sided canvas presents two studies for his 1899 painting Virginal Spring (private collection), in which young women engage in a purification ritual evocative of Christian baptism and communion. The verdant setting is the Forest of Saint-Germain-en-Laye, near Paris, whose tree-lined glades and dainty wildflowers captivated Denis. He later reprised this composition in his mural series Eternal Spring (Musée départemental Maurice Denis, Saint-Germain-en-Laye), one of his most ambitious attempts at rejuvenating the practice of decorative painting in France.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed with studio monogram: M/D [in circle]
the artist (sold in 1899 or 1901 to Vollard); [Ambroise Vollard, Paris, from 1899 or 1901]; private collection, France; [Brame & Lorenceau, Paris, until 1999; sold in 1999 to Devrishian]; David Allen Devrishian, Fairfield, N. J. (1999; his gift to MMA)
Paris. Galerie "la Cave". "L'École de Pont-Aven: Peintures, pastels, dessins," April 20–June 17, 1978, unnumbered cat. (as "Virginal printemps," 1894).
National Museum of Art, Osaka. "Art Nouveau in Painting: Europe and Japan," October 10–December 7, 1980, no. 8 (as "Virginal Spring").
J. P. L. Fine Arts, London. "Private View: A Selection of Impressionist and Post-Impressionist Drawings, Watercolours, Pastels, and Paintings, Nineteenth and Twentieth Century French Sculpture," November 23, 1988–January 27, 1989, no. 46 (as "Virginal Printemps," ca. 1894).
Paris. Huguette Berès. "Au Temps des Nabis," May 29–July 20, 1990, no. 51 (as "Virginal Printemps").
Maastricht Exhibition and Congress Center. "European Fine Art Fair," March 8–16,1997, not in handbook (exhibited by the Berès Gallery).
New York. The Metropolitan Museum of Art. "Painters in Paris: 1895–1950," March 8–December 31, 2000, extended to January 14, 2001, unnumbered cat. (p. 58; dated ca. 1897).
Kyoto Municipal Museum of Art. "Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York," September 14–November 24, 2002, no. 2.
Tokyo. Bunkamura Museum of Art. "Picasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York," December 7, 2002–March 9, 2003, no. 2.
Xenia Muratova. "Exhibitions in Paris." Burlington Magazine 120 (July 1978), p. 480, fig. 49 (verso), calls it "Virginal Spring" and dates it 1894.
Anisabelle Berès, ed. Au Temps des Nabis. Exh. cat., Huguette Berès. Paris, 1990, unpaginated, no. 51, ill. (recto, color, and verso), dates it about 1894.
Anisabelle Berès, ed. Maurice Denis 1870–1943. Exh. cat., Huguette Berès. Paris, 1992, unpaginated, no. 48, ill. (recto, color, and verso), dates it about 1899.
Jean-Paul Bouillon. Maurice Denis. Geneva, 1993, p. 197 n. 9.
Jean-Louis Gaillemin. "Foire de Maastricht: Dix Ans." Connaissance des arts no. 537 (March 1997), p. 93, fig. 4 (color), calls it "Printemps virginal" and dates it about 1899.
"A Selection of 1999 Museum Acquisitions." Apollo 150 (December 1999), ill. p. 44 (color).
Lisa M. Messinger in "Recent Acquisitions. A Selection: 1998–1999." Metropolitan Museum of Art Bulletin 57 (Fall 1999), p. 48, ill. (color).
Grace Glueck. "When One City Was the Heart of Art's Youth." New York Times (March 10, 2000), p. E39.
William S. Lieberman inPicasso and the School of Paris: Paintings from The Metropolitan Museum of Art, New York. Exh. cat., Kyoto Municipal Museum of Art. [Tokyo], 2002, pp. 28, 166, no. 2, ill. p. 31 (color), dates it 1897.
Vanessa Lecomte inMaurice Denis: L'Éternel Printemps. Ed. Vanessa Lecomte. Exh. cat., Musée des Impressionnismes Giverny. Paris, 2012, pp. 51, 53 n. 74, calls it "Virginal printemps" and dates it 1899.
Maurice Denis (French, Granville 1870–1943 Saint-Germain-en-Laye)
1903
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
