Whiling Away the Summer at the Ink-Well Thatched Hut
In his inscription, Wu Li records that he painted this handscroll one clear morning after a rainfall, sitting alone in his studio thinking of an absent friend. There is a dreamlike quality about the painting: birds, trees, bamboo, mist, and even rocks dance joyously around the hermit-scholar, who sits quietly reading in his idyllic domain. Although he was an ardent admirer of Huang Gongwang (1269–1354), Wu transformed the Yuan painter's "hemp-fiber" texture strokes into a distinctly personal style: cool pale ink textures in intricate contrasting patterns, silhouetted and suspended in space, have been applied with both an athlete's vigor and a poet's gentle cadence.
In 1681, two years after he painted this work, Wu Li was baptized as a Christian, a most uncommon thing to do for a man of his background. Ordained in Macao as a priest in 1688, he was sent in 1689 to do missionary work in Shanghai, where he died in 1718.
In 1681, two years after he painted this work, Wu Li was baptized as a Christian, a most uncommon thing to do for a man of his background. Ordained in Macao as a priest in 1688, he was sent in 1689 to do missionary work in Shanghai, where he died in 1718.
Artwork Details
- 清 吳歷 墨井草堂消夏圖 卷
- Title: Whiling Away the Summer at the Ink-Well Thatched Hut
- Artist: Wu Li (Chinese, 1632–1718)
- Period: Qing dynasty (1644–1911)
- Date: 1679
- Culture: China
- Medium: Handscroll; ink on paper
- Dimensions: Image: 14 5/16 x 105 3/4 in. (36.4 x 268.6 cm)
Overall with mounting: 14 11/16 x 393 1/16 in. (37.3 x 998.4 cm) - Classification: Paintings
- Credit Line: Ex coll.: C. C. Wang Family, Purchase, Douglas Dillon Gift, 1977
- Object Number: 1977.81
- Curatorial Department: Asian Art
Audio
7595. Whiling Away the Summer
0:00
0:00
We're sorry, the transcript for this audio track is not available at this time. Please email info@metmuseum.org to request a transcript for this track.
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.