This work is part of a series created between 1924 and 1927 known as "peinture-poésie" (painting-poetry), which combines text with enigmatic symbols and reflects his interest in dreams and the subconscious. Only three elements float on the empty white canvas: the word "Photo," the patch of blue, and the phrase "ceci est la couleur de mes rêves" (this is the color of my dreams). The black letters sit on barely visible pencil lines that serve as guides for their size, as in a child’s writing primer.
This image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed and dated (lower right): Miró / 1925
[Jacques Viot of Galerie Pierre (Pierre Loeb), Paris, from 1925; acquired from the artist in late October or early November 1925; probably to Ernst]; Max Ernst, Paris (by 1927; probably to Oppenheim); Meret Oppenheim, Paris (in 1930s); James Johnson Sweeney, New York (by 1964–68; sold in December 1968 to Pierre Matisse Gallery); Pierre Matisse, New York (1968–d. 1989; stock no. 7649); his widow, Maria-Gaetana Matisse, née von Spreti, New York (1989–d. 2001); Pierre and Maria-Gaetana Matisse Foundation (2002; gift to MMA)
New York. Solomon R. Guggenheim Museum. "Joan Miró: A Retrospective," May 15–August 23, 1987, no. 35.
Los Angeles County Museum of Art. "The Dada and Surrealist Word-Image," June 15–August 27, 1989, no. 25.
Saint-Paul-de-Vence. Fondation Maeght. "Joan Miró: Rétrospective de l'œuvre peint," July 4–October 7, 1990, no. 20.
Barcelona. Fundació Joan Miró. "Joan Miró, 1893–1993," April 20–August 30, 1993, no. 66 (as "Ceci est la couleur de mes rèves," lent by a private collection).
Museum of Modern Art, New York. "Joan Miró," October 17, 1993–January 11, 1994, no. 42 (lent by Private Collection).
Haus der Kunst München. "Elan vital oder Das Auge des Eros," May 20–August 14, 1994, no. 454.
Kunsthalle Vienna. "Das grausame Spiel: Surrealismus in Spanien, 1924–1939," May 12–July 16, 1995, no. 119 (lent by a private collection).
Martigny. Fondation Pierre Gianadda. "Miró: Ceci est la couleur de mes rêves," June 6–November 11, 1997, no. 9.
Mexico City. Centro Cultural Arte Contemporáneo. "Joan Miró, la Colección del Centro Georges Pompidou, Musée National d'Art Moderne y otras colecciones," February 12–May 24, 1998, no. 7.
Humlebaek. Louisiana Museum of Modern Art. "Joan Miró," September 18, 1998–January 10, 1999, no. 11.
Paris. Centre Georges Pompidou. "Joan Miró, 1917–1934: La Naissance du Monde," March 3–June 28, 2004, no. 83.
New York. The Metropolitan Museum of Art. "The Pierre and Maria-Gaetana Matisse Collection," May 18, 2004–June 26, 2005, no catalogue (checklist no. 43).
Paris. Mona Bismarck Foundation. "Pierre Matisse, passeur passionné: Un marchand d'art et ses artistes," October 20, 2005–January 14, 2006, unnumbered cat. (p. 128).
Museo Picasso Málaga. "La Colección Pierre y Maria-Gaetana Matisse en The Metropolitan Museum of Art, Nueva York," March 26–June 24, 2007, no. 47.
New York. The Metropolitan Museum of Art. "The Philippe de Montebello Years: Curators Celebrate Three Decades of Acquisitions," October 24, 2008–February 1, 2009, online catalogue.
Paris. Centre Pompidou, Galerie 2. "La Subversion des Images. Surréalisme, Photographie, Film," September 23, 2009–January 11, 2010, unnumbered cat. (pp. 2–3).
Fotomuseum Winterthur. "Subversion der Bilder–Surrealismus, Fotografie und Film," February 27–May 23, 2010, unnumbered cat.
New York. The Metropolitan Museum of Art. "Miró: The Dutch Interiors," October 5, 2010–January 17, 2011, no catalogue.
Vancouver Art Gallery. "The Colour of My Dreams: The Surrealist Revolution in Art," May 28–September 25, 2011, unnumbered cat. (pp. 72–73; as "Photo: Ceci est la couleur de mes rêves").
Madrid. Museo Thyssen-Bornemisza. "Surrealism and the Dream," October 8, 2013–January 12, 2014, no. 59.
Paris. Galeries nationales du Grand Palais. "Miró. La couleur de mes rêves," October 3, 2018–February 4, 2019, no. 21.
Oslo. Munch Museum. "The Savage Eye," February 12–May 8, 2022, unnumbered cat. (p. 77; as "Photo: This Is the Colour of My Dreams").
Jacques Dupin. Joan Miró. Paris, 1961, pp. 158, 494, no. 125.
Jacques Dupin. Joan Miró: Life and Work. New York, [1962], pp. 168, 510, no. 125.
Roland Penrose. Miró. New York, 1969, pp. 44, 208, no. 27, ill. p. 46.
Herta Wescher. Collage. New York, 1971, p. 190.
William Rubin. Miró in the Collection of the Museum of Modern Art. New York, 1973, pp. 125, 126, n. 3, fig. 47.
Jean Leymarie. "Joan Miró [excerpts from Exh. Paris 1974 catalogue]." Le petit journal des grandes expositions no. 11 (1974), p. [2].
Giovanni Lista. "Tre mostre a Parigi; gli 81 ani di Miró." [Unidentified journal] (Summer 1974), p. 38.
Margit Rowell. Joan Mirò: Peinture=poésie. [Paris], 1976, pp. 161, 163, 171, 189 n. 55, p. 203, ill. p. 160.
Angelica Zander Rudenstine. The Guggenheim Museum Collection: Paintings 1880–1945. New York, 1976, vol. 2, p. 522.
Simon Wilson. Surrealist Painting. London, 1976, p. 42, ill. (1982 ed., no. 7, ill.).
Joan Miró. "Ceci est la couleur de mes rêves": Entretiens avec Georges Raillard. Paris, 1977, pp. 69, 81, ill. p. 21.
Pere Gimferrer. Miró, catalan universel. Paris, 1978, p. 122.
John Russell. "Miró's Impact in America." New York Times (June 13, 1982), p. H48.
Roland Penrose. "Enchantment and Revolution–Joan Miró." Artforum 22 (November 1983), pp. 56–57, ill.
Georges Weelen. Miró. Paris, 1984, p. 12, no. 11.
Margit Rowell. "Bleu II, 1961, de Joan Miró." Cahiers du Musée national d'art moderne 15 (March 1985), p. 56, fig. 12, ill. p. 55.
Margit Rowell, ed. Joan Miró: Selected Writings and Interviews. Boston, 1986, p. 90.
Christa Spatz. "Schwarzer Stern in kinderbunten Träumen: Joam Miró in Kunsthaus Zürich. Die erste Retrospektive nach seinem Tod." Frankfurter Rundschau (December 27, 1986), p. 2.
Christopher Green. Cubism and Its Enemies: Modern Movements and Reaction in French Art, 1916–1928. New Haven, 1987, p. 289.
Michael Brenson. "Art: Miró Revisited in Guggenheim Show." New York Times (May 15, 1987), p. C26.
Paul Depondt. "Eerste overzichtsexpositie sinds zijn dood; Woord en teken vloeien bij Miró in elkaar over." Die Volkskrant (March 18, 1987), unknown page number.
Amine Haase. "Joan Miró in Düsseldorf: Eine Ausstellung verändert den Blick auf die Bilderwelt." Kölner Stadt-Anzeiger (February 14, 1987).
Bruce Duff Hooton. "Major Miró Exhibit at the Guggenheim." Art/World, Latest Museum and Gallery Guide 11 (May 15–June 15, 1987), p. 6, ill. p.1.
Marion Leske. "Joan Miró-Retrospektive in der Kunsthalle Düsseldorf; Vom Lächeln der Sterne." General Anzeiger Bonn (February 21, 1987).
Gisela Linder. "Bildgedichte-von aller Erdenschwere losgelöst; Bei der Zürcher Miró-Ausstellung liegt ein Hauptakzent auf dem Frühwerk des Spaniers." Schwäbische Zeitung Leutkirch (January 7, 1987).
Bertram Müller. "Miró-Ausstellung in der Düsseldorf Kunsthalle; Landschaften der Erregung." Rheinische Post (February 14, 1987).
Peter Winter. "Die Farbe der Träume: Ein Rückblick auf das Werk Joan Mirós in der Düsseldorfer Kunsthalle." Frankfurter Allgemeine Zeitung (March 24, 1987).
Georges Raillard. Miró. Paris, 1989, pp. 7, 80–81, ill.
Judi Freeman inThe Dada and Surrealist Word-Image. Exh. cat., Los Angeles County Museum of Art. Los Angeles, 1989, p. 43.
Victoria Combalía. El Descubrimiento de Miró: Miró y sus críticos, 1918–1929. Barcelona, 1990, unpaginated, ill.
Maïten Bouisset. "La ferme de Monsieur Miró." Beaux arts no. 82 (September 1990), p. 129.
Roland Penrose. Joan Miró. New York and Paris, 1990, p. 46, no. 27, ill.
Rosamond Bernier. Matisse, Picasso, Miró As I Knew Them. New York, 1991, pp. 236–37, ill.
Pere Gimferrer. The Roots of Miró. Barcelona, 1993, p. 341, no. 224, ill.
Jacques Dupin. Miró. Paris, 1993, pp. 117, 128, 435–36, fig. 454.
Rosamond Bernier. "Miró en persona." Saber ver lo contemporaneo del arte no. 28 (May–June 1996), p. 36, ill. p. 35 (Spanish reprint of Ref. Bernier 1991).
Jacques Dupin and Ariane Lelong-Mainaud. Joan Miró: Catalogue raisonné. Paintings. Vol. 1, 1908–1930. [Paris], 1999, pp. 124–25, no. 147, ill.
Agnès Angliviel de la Beaumelle. Joan Miró: La collection du Centre Georges Pompidou, Musée national d'art moderne. Exh. cat., Musée d'art contemporain de Bordeaux. Paris, 1999, pp. 20–21, 185, ill.
Rosa Maria Malet, ed. Fundació Joan Miró, Guía. Exh. cat.Barcelona, 1999, p. 18 (installation view of Exh. Barcelona 1983).
Sabine Rewald in "Recent Acquisitions. A Selection: 2002–2003." Metropolitan Museum of Art Bulletin 61 (Fall 2003), p. 43, ill. (color).
Carol Vogel. "Met Gets Gift of 100 Works Collected by Son of Matisse." New York Times (February 27, 2003), p. B9.
William S. Lieberman in "Selections from the Pierre and Maria-Gaetana Matisse Collection." Metropolitan Museum of Art Bulletin 61 (Spring 2004), pp. 14–15.
Jacques Dupin and Ariane Lelong-Mainaud. Joan Miró: Catalogué raisonné. Paintings. Vol. 6, 1976–1981. Paris, 2004, p. 261.
Jacinto Lagueira. "Peintures-Poèmes." Miró: 1917-1934. Connaissance des arts no. 212 (2004), p. 30, ill.
Sabine Rewald. The American Matisse: The Dealer, His Artists, His Collection. The Pierre and Maria-Gaetana Matisse Collection. New York, 2009, pp. 123–124, 164, ill. (color).
Oliver Wick inSurrealism in Paris. Ed. Philippe Büttner. Exh. cat., Fondation Beyeler. Riehen/Basel, 2011, p. 56.
Dawn Ades inSurrealism and the Dream. Exh. cat., Museo Thyssen-Bornemisza. Madrid, 2013, pp. 75–77, 82, 86–90, 93, 343, no. 59, ill. (color) pp. 76, 175, 343.
Mary Ann Caws inSurrealism and the rue Blomet. Exh. cat., Eykyn Maclean, LP. New York, 2013, pp. 14, 26 n. 21, fig. 6 (color).
Jean-Louis Prat inMiró. La couleur de mes rêves. Ed. Jean-Louis Prat. Exh. cat., Galeries nationales du Grand Palais. Paris, 2018, pp. 14, 293, no. 21, ill. front cover (color detail), p. 65 (color).
Rosa Maria Malet inMiró. La couleur de mes rêves. Ed. Jean-Louis Prat. Exh. cat., Galeries nationales du Grand Palais. Paris, 2018, p. 24.
Caroline Edde inMiró. La couleur de mes rêves. Ed. Jean-Louis Prat. Exh. cat., Galeries nationales du Grand Palais. Paris, 2018, p. 64.
Shelley DeMaria inDalí: Poetics of the Small, 1929–1936. Ed. Mark A. Roglán and Shelley DeMaria. Exh. cat., Meadows Museum, SMU. Dallas, 2018, p. 30, fig. 17 (color).
Emmanuelle Lequeux. "Joan Miro, le rêve au bout du pinceau." Le Monde (October 7–8, 2018), p. 18.
Susan Laxton. Surrealism at Play. Durham, 2019, pp. 201, 204, fig. 4.10.
Guillermo Solana. La Máquina Magritte. Exh. cat., Museo Nacional Thyssen-Bornemisza. Madrid, 2021, pp. 27, 190, fig. 14 (color), calls it "Este es el color de mis sueños".
David Lomas inThe Savage Eye. Exh. cat., Munch Museum. Oslo, 2022, pp. 131, 304, ill. p. 77 (color).
Eric Robertson inJohn Miró: Feet on the Ground, Eyes on the Stars, Works from 1924 to 1936. Exh. cat., Luxembourg + Co., New York. London, 2022, pp. 25, 34 n. 17, fig. 4 (color), calls it "Painting-Poem (Photo: This Is the Colour of My Dreams)".
Hank Hine. The Shape of Dreams: Five Centuries of Painted Dreams from the Divine, Mythology & the Mind. Exh. cat., Dalí Museum. St. Petersburg, Fla., 2022, pp. 25, 101, 143, fig. 21, ill. (color).
Joan Miró (Spanish, Barcelona 1893–1983 Palma de Mallorca)
1944
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.
