The bell-shaped cittern was a specialty of the city of Hamburg and is properly referred to as the Hamburger Cithrinchen. It was a fashionable instrument from about 1650 to 1750 from which time several examples survive. This particular example is lavishly decorated with ebony foliate decoration on a white ground. The cypress belly has three rosettes made of parchment and showing traces of an original green pigment. The pegbox has the head of a Moorish king.

Citterns are plucked stringed instruments, related to lutes and guitars, but strung with metal strings which produce a brighter and louder sound than gut strings. The cittern also has inlaid metal frets, as opposed to tied gut frets on lutes and early guitars. Players of the cittern use a plectrum to pluck the five or six courses of strings. Primarily a folk instrument that continues to be used in traditional musical styles, the cittern was elevated to the position of an art instrument by aristocrats in the sixteenth and seventeenth century, one of whom probably originally owned this extravagant instrument.

• Signatures, Inscriptions, and Markings

  Marking: (scratched on bass side of fingerboard [not original]) in Hamburg TIELKE fecit

• Provenance

  From the collection of W. E. Hill & Sons, London.
  
  

• References

  Ed. James R. Houghton. Philippe de Montebello and The Metropolitan Museum of Art, 1977-2008. The Metropolitan Museum of Art
  The Metropolitan Museum of Art. New York, 2009, pg. 74-75, 80, fig. 89, ill.
  
  J. Kenneth Moore. "Recent Acquisitions 1985-1986: A Selection: Musical Instruments." The Metropolitan Museum of Art Bulletin (1986), pg. 44, ill.
  
  
  
  

• Timeline of Art History (2000–present)
  Thematic Essays

  Joachim Tielke (1641–1719)

  Musical Terms for the Seventeenth and Eighteenth Centuries

  Timelines

  Central Europe (including Germany), 1600–1800 A.D.
• MetPublications
  Philippe de Montebello and The Metropolitan Museum of Art, 1977–2008 (2009)

  Recent Acquisitions: A Selection, 1985–1986 (1986)