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Hotei

Kano Takanobu Japanese
Calligrapher Tetsuzan Sōdon Japanese
1616
Not on view
Hotei, a popular figure in the Zen pantheon, is often depicted as a rotund, good-humored monk carrying a large sack. A semihistorical figure, he is believed to have lived in southern China in the late ninth century and was eventually recognized as a manifestation of Miroku, Buddha of the Future. The poetic text here, from a eulogy for Hotei by the Chinese Daoist Bai Yuchan (1194–1229), was inscribed by Tetsuzan Sōdon, a leading monk-scholar who served as abbot of the Zen monastery Myōshinji in Kyoto.

Hotei’s sack encompasses
the Great Emptiness.
Holding a staff, he tramps
around three thousand worlds.
Miroku claps his hands, and laughs—
ha, ha! The bright moon shines,
the wind disappears.
—Translated by John T. Carpenter

Artwork Details

Object Information
  • 狩野孝信筆 布袋図
  • Title: Hotei
  • Artist: Kano Takanobu (Japanese, 1571–1618)
  • Calligrapher: Tetsuzan Sōdon (Japanese, 1532–1617)
  • Period: Edo period (1615–1868)
  • Date: 1616
  • Culture: Japan
  • Medium: Hanging scroll; ink and color on paper
  • Dimensions: Image: 27 1/2 x 15 in. (69.9 x 38.1 cm)
    Overall with mounting: 59 1/2 x 18 3/4 in. (151.1 x 47.6 cm)
    Overall with rollers: 59 1/2 x 20 1/2 in. (151.1 x 52.1 cm)
  • Classification: Paintings
  • Credit Line: Funds from various donors, 2006
  • Object Number: 2006.115
  • Curatorial Department: Asian Art
More Artwork
Hotei Admiring the Moon, Ikei Shūtoku 惟馨周徳  Japanese, Hanging scroll; ink on paper, Japan
Formerly attributed to Ikei Shūtoku 惟馨周徳
probably 19th century
Meeting between Emperor Wen and Fisherman Lü Shang, Kano Takanobu  Japanese, Pair of six-panel folding screens; ink, color, and gold on gilded paper, Japan
Attributed to Kano Takanobu
ca. 1600
Helmet (<i>Zukinnari Kabuto</i>), Iron, lacquer, Japanese
Japanese
16th century
Woods and Valleys of Mount Yu, Ni Zan  Chinese, Hanging scroll; ink on paper, China
Ni Zan
dated 1372
Women’s Kabuki, Kano Takanobu  Japanese, Six-panel folding screen; ink, color, gold, silver, and gold leaf on paper, Japan
Studio of Kano Takanobu
mid- to late 1610s

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