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5,303 records
American Paintings and Sculpture x
Mr. and Mrs. I. N. Phelps Stokes
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1897
Medium: Oil on canvas
Accession Number: 38.104
Panorama Landscape of Nebi Samouel (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Medium: Graphite on paper
Accession Number: 50.130.150rr verso
Study of a Fern
Aaron Draper Shattuck
(1832–1928)
Date: ca. 1856
Medium: Graphite on white-wove paper
Accession Number: 65.280.1
Head of a Boy
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date:
Medium: Conté crayon and white chalk on brown wove paper
Accession Number: 40.91.5 verso
High Point
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Medium: Pastel on gray paper
Accession Number: 58.21.63
Trees and Fields
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Medium: Pastel on blue-gray Japanese paper
Accession Number: 58.21.56
Mother and Child (Baby Getting Up from His Nap)
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1899
Medium: Oil on canvas
Accession Number: 09.27
Panorama Landscape of Nebi Samouel (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Medium: Graphite on paper
Accession Number: 50.130.150ss recto
William Charles Macready as William Tell
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1826–27
Medium: Oil on canvas
Accession Number: 06.195
The Watchman's Daughter
Boardman Robinson (American
(born Canada), Nova Scotia 1876–1952 Stamford, Connecticut)
Date: ca. 1920
Medium: Pen and ink, wash on paper
Accession Number: 29.46.2
Pine Tree, Dogwood, and Sailboat
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Medium: Pastel on gray Japanese paper
Accession Number: 58.21.27
Study of the Horse for the Statue of Major General George Henry Thomas
John Quincy Adams Ward
(American, Urbana, Ohio 1830–1910 New York)
Date: 1879, cast after 1910
Medium: Bronze
Accession Number: 17.90.3
Sculptor's Studio
Louis Moeller
(1855–1930)
Date: probably 1880s
Medium: Oil on canvas
Accession Number: 67.70
F. Ambrose Clark
Robert Henri
(American, Cincinnati, Ohio 1865–1929 New York)
Date: 1904
Medium: Oil on canvas
Accession Number: 1982.218
Omnia Vincit Amor, or The Power of Love in the Three Elements
Benjamin West
(American, Swarthmore, Pennsylvania 1738–1820 London)
Date: 1809
Medium: Oil on canvas
Accession Number: 95.22.1
From Faulhorn (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: September 3, 1870
Medium: Watercolor and graphite on off-white wove paper
Accession Number: 50.130.146ss verso
A Cosey Corner
Frank Millet
(1846–1912)
Date: 1884
Medium: Oil on canvas
Accession Number: 87.8.3
Miramar, 1904 (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Medium: Graphite on paper
Accession Number: 50.130.151a recto
Ideal Head of a Boy (George Spencer Fuller)
George Fuller
(American, Deerfield, Massachusetts 1822–1884 Brookline, Massachusetts)
Date: ca. 1867–73
Medium: Oil on canvas
Accession Number: 87.8.4
Denise at Her Dressing Table
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1908–9
Medium: Oil on canvas
Accession Number: 2005.129
Sketchbook of Hudson River and Shawangunk Mountain Subjects
Daniel Huntington
(American, New York 1816–1906 New York)
Date: ca. 1870
Medium: Drawings in graphite on off-white wove paper, bound in a buckram-covered cardboard cover
Accession Number: 36.124
Corridors
Maurice Brazil Prendergast
(American, St. John’s, Newfoundland 1858–1924 New York)
Date: ca. 1893–94
Medium: Watercolor wash, brown ink, and charcoal on off-white wove paper
Accession Number: 65.249
The Susquehanna at Nanticoke (River Walk on the Susquehanna)
Thomas Addison Richards
(1820–1900)
Date: 1852
Medium: Graphite on off-white wove paper
Accession Number: 1974.197.2
John St. Clair
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Medium: Oil on copper
Accession Number: 2012.355a, b
Last Page of Handwritten Journal (from Sketchbook)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854
Medium: Pen and ink on paper
Accession Number: 1970.121.88
Tea Leaves
William McGregor Paxton
(American, Baltimore, Maryland 1869–1941 Boston, Massachusetts )
Date: 1909
Medium: Oil on canvas
Accession Number: 10.64.8
Fort Monekton (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date: 1834, 1838
Medium: Graphite on wove paper
Accession Number: 1998.381.25 recto
Sea Cove
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1880–90
Medium: Oil on wood
Accession Number: 1979.490.4
Polyhymnia
Joseph Fagnani
(1819–1873)
Date: 1869
Medium: Oil on canvas
Accession Number: 74.45
Reclining Female Nude in Landscape; Two Architectural Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.15 verso
Mr. and Mrs. I. N. Phelps Stokes
John Singer Sargent
(American, Florence 1856–1925 London)
Date: 1897
Accession Number: 38.104
Panorama Landscape of Nebi Samouel (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Accession Number: 50.130.150rr verso
Study of a Fern
Aaron Draper Shattuck
(1832–1928)
Date: ca. 1856
Accession Number: 65.280.1
Head of a Boy
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date:
Accession Number: 40.91.5 verso
High Point
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Accession Number: 58.21.63
Trees and Fields
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Accession Number: 58.21.56
Mother and Child (Baby Getting Up from His Nap)
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1899
Accession Number: 09.27
Panorama Landscape of Nebi Samouel (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Accession Number: 50.130.150ss recto
William Charles Macready as William Tell
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1826–27
Accession Number: 06.195
The Watchman's Daughter
Boardman Robinson (American
(born Canada), Nova Scotia 1876–1952 Stamford, Connecticut)
Date: ca. 1920
Accession Number: 29.46.2
Pine Tree, Dogwood, and Sailboat
Arthur B. Davies
(American, Utica, New York 1862–1928 Florence)
Date:
Accession Number: 58.21.27
Study of the Horse for the Statue of Major General George Henry Thomas
John Quincy Adams Ward
(American, Urbana, Ohio 1830–1910 New York)
Date: 1879, cast after 1910
Accession Number: 17.90.3
Sculptor's Studio
Louis Moeller
(1855–1930)
Date: probably 1880s
Accession Number: 67.70
F. Ambrose Clark
Robert Henri
(American, Cincinnati, Ohio 1865–1929 New York)
Date: 1904
Accession Number: 1982.218
Omnia Vincit Amor, or The Power of Love in the Three Elements
Benjamin West
(American, Swarthmore, Pennsylvania 1738–1820 London)
Date: 1809
Accession Number: 95.22.1
From Faulhorn (from "Splendid Mountain Watercolours" Sketchbook)
John Singer Sargent
(American, Florence 1856–1925 London)
Date: September 3, 1870
Accession Number: 50.130.146ss verso
A Cosey Corner
Frank Millet
(1846–1912)
Date: 1884
Accession Number: 87.8.3
Miramar, 1904 (from Sketchbook)
Mary Newbold Sargent
(1826–1906)
Date: 1904
Accession Number: 50.130.151a recto
Ideal Head of a Boy (George Spencer Fuller)
George Fuller
(American, Deerfield, Massachusetts 1822–1884 Brookline, Massachusetts)
Date: ca. 1867–73
Accession Number: 87.8.4
Denise at Her Dressing Table
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: ca. 1908–9
Accession Number: 2005.129
Sketchbook of Hudson River and Shawangunk Mountain Subjects
Daniel Huntington
(American, New York 1816–1906 New York)
Date: ca. 1870
Accession Number: 36.124
Corridors
Maurice Brazil Prendergast
(American, St. John’s, Newfoundland 1858–1924 New York)
Date: ca. 1893–94
Accession Number: 65.249
The Susquehanna at Nanticoke (River Walk on the Susquehanna)
Thomas Addison Richards
(1820–1900)
Date: 1852
Accession Number: 1974.197.2
John St. Clair
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Accession Number: 2012.355a, b
Last Page of Handwritten Journal (from Sketchbook)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854
Accession Number: 1970.121.88
Tea Leaves
William McGregor Paxton
(American, Baltimore, Maryland 1869–1941 Boston, Massachusetts )
Date: 1909
Accession Number: 10.64.8
Fort Monekton (from Sketchbook)
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date: 1834, 1838
Accession Number: 1998.381.25 recto
Sea Cove
Albert Bierstadt
(American, Solingen 1830–1902 New York)
Date: ca. 1880–90
Accession Number: 1979.490.4
Polyhymnia
Joseph Fagnani
(1819–1873)
Date: 1869
Accession Number: 74.45
Reclining Female Nude in Landscape; Two Architectural Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.15 verso
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