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2,062 records
Aquatint x
Tahiti Washwomen
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1925
Medium: Etching, sandpaper, and roulette (written on print as "Dry Point & Aquatint on Copper"
Accession Number: 23.71.7
Seascape at Dawn
Francis Picabia
(French, Paris 1879–1953 Paris)
Date: n.d.
Medium: Aquatint
Accession Number: 1970.649.1
The Woods at L'Hermitage, Pontoise
Camille Pissarro
(French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)
Date: 1879
Medium: Softground etching, aquatint, and drypoint on china paper; sixth state (per Shapiro)
Accession Number: 21.46.1
Portrait of Fernand
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1876
Medium: Etching and aquatint; third state of three
Accession Number: 22.1.4
Handlung (Action) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate II. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Medium: Etching, drypoint and aquatint on chine collé; first edition
Accession Number: 2009.46
Quarry on the Hudson
Lois Mailou Jones
(American, Boston, Massachusetts 1905–1998 Washington, D.C.)
Date: ca. 1939
Medium: Etching, aquatint, and drypoint
Accession Number: 1999.529.99
R4
Hans Hartung
(French (born Germany), Leipzig 1904–1989 Antibes)
Date: 1953
Medium: Etching and aquatint, edition 81/100
Accession Number: 2005.484.12
Conversation, 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Medium: Sugar-lift aquatint
Accession Number: 1985.1165.39
The Public Promenade
Louis Philibert Debucourt
(French, Paris 1755–1832 Paris)
Date: 1792
Medium: Etching, engraving, and aquatint printed in color
Accession Number: 61.531
Deerstalking
Henry Guest
(British, active 1843–53)
Date: May 1, 1840
Medium: Etching, aquatint and mezzotint. Hand-colored, including additions not in print
Accession Number: 1974.672.10
Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814
Frederick Calvert
(British, active London, 1811–44)
Date: ca. 1814
Medium: Etching and aquatint with watercolor
Accession Number: 63.607.2
Interior of Lady Chapel, Warwick (in The Pictorial Album; or, Cabinet of Paintings for the Year 1837)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1837
Medium: Baxter process: aquatint key plate with oil colors printed from wood engraved blocks
Accession Number: 63.604.5(7)
The Capture of Selinus by Hannibal
Louis Jean Desprez
(French, Auxerre 1743–1804 Stockholm)
Date: n.d.
Medium: Etching and aquatint with drypoint, state II/II
Accession Number: 2002.155.1
Stag Taking Water
Edward Duncan
(British, London 1803–1882 London)
Date: February 1, 1834
Medium: Aquatint, colored by hand
Accession Number: 1974.672.5
Boa Ghaut (in The Pictorial Album; or, Cabinet of Paintings for the Year 1837)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1837
Medium: Baxter process: aquatint key plate with oil colors printed from wood engraved blocks
Accession Number: 63.604.5(8)
L'oiseau solaire l'oiseau lunaire etc.
Joan Miró
(Spanish, Barcelona 1893–1983 Palma de Mallorca)
Date: ca. 1960s
Medium: Lithograph and aquatint, edition 74/75
Accession Number: 2002.456.108
Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Medium: Etching, drypoint and aquatint on chine collé, with title-page with an etching; housed in original portfolio; first edition
Accession Number: 2009.44–.54
The rest on the Flight into Egypt
Andrea Scacciati
(Italian, 1725–1771)
Date:
Medium: Etching and aquatint imitating a chiaroscuro woodcut printed in green
Accession Number: 51.501.4260
Entry to the Bay of New York Taken from Staten Island
Salathé
(Swiss?, active 1839)
Date: 1839
Medium: Color aquatint
Accession Number: 54.90.1147
Artist Thinking of a Fighting Woman with Musketeer, Cupid and Small Characters, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Medium: Sugar lift and aquatint
Accession Number: 1984.1205.14
Observations relative chiefly to Picturesque Beauty, made in the year 1776, on several parts of Great Britain; particularly the High-lands of Scotland
Written and illustrated by William Gilpin
(British, Scaleby, Cumbria 1724–1804 Boldre, Hampshire)
Date: 1789
Medium: Aquatint and etching with wash
Accession Number: 66.735.2(1)
Night
Will Barnet
(American, Beverly, Massachusetts 1911–2012 New York)
Date: 1939
Medium: Etching, Aquatint
Accession Number: 1977.679.1
No. 6 Patch
Hugh Miller
(American, 1911–1988)
Date: 1935–43
Medium: Etching, Aquatint
Accession Number: 43.33.893
Ram, from Picasso: Original Etchings for the Texts of Buffon
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1936, printed 1942
Medium: Sugar-lift aquatint and drypoint
Accession Number: 1997.385.2
Helluones librorum (Bookworms)
Joshua Kirby Baldrey
(British, 1754–1828)
Date: November 10, 1786
Medium: Aquatint printed in brown ink
Accession Number: 67.503.65
The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibastic Poem in Eight Cantos by Quiz.
Written by William Frederick Deacon
(British, London 1799–1845 London)
Date: 1816
Medium: Aquatint
Accession Number: 59.533.1622(1-28)
Neue und gründliche Art die Aqua-tinta oder Tuschmanier auf das Geschwindeste ohne alle Unterweisung für sich zu erlernen...
Designed by Paul Wolfgang Schwarz
(German, Nürnberg 1766–1815 Nürnberg)
Date: 1805
Medium: Aquatint, etching
Accession Number: 66.616
The Lamp
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Medium: Drypoint, soft-ground etching and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro)
Accession Number: 16.2.6
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(6)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(47)
Tahiti Washwomen
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1925
Accession Number: 23.71.7
Seascape at Dawn
Francis Picabia
(French, Paris 1879–1953 Paris)
Date: n.d.
Accession Number: 1970.649.1
The Woods at L'Hermitage, Pontoise
Camille Pissarro
(French, Charlotte Amalie, Saint Thomas 1830–1903 Paris)
Date: 1879
Accession Number: 21.46.1
Portrait of Fernand
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1876
Accession Number: 22.1.4
Handlung (Action) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate II. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Accession Number: 2009.46
Quarry on the Hudson
Lois Mailou Jones
(American, Boston, Massachusetts 1905–1998 Washington, D.C.)
Date: ca. 1939
Accession Number: 1999.529.99
R4
Hans Hartung
(French (born Germany), Leipzig 1904–1989 Antibes)
Date: 1953
Accession Number: 2005.484.12
Conversation, 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Accession Number: 1985.1165.39
The Public Promenade
Louis Philibert Debucourt
(French, Paris 1755–1832 Paris)
Date: 1792
Accession Number: 61.531
Deerstalking
Henry Guest
(British, active 1843–53)
Date: May 1, 1840
Accession Number: 1974.672.10
Peace of 1814 and Centennial of the House of Brunswick: A View of the Temple of Concord in Green Park, London, August 1, 1814
Frederick Calvert
(British, active London, 1811–44)
Date: ca. 1814
Accession Number: 63.607.2
Interior of Lady Chapel, Warwick (in The Pictorial Album; or, Cabinet of Paintings for the Year 1837)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1837
Accession Number: 63.604.5(7)
The Capture of Selinus by Hannibal
Louis Jean Desprez
(French, Auxerre 1743–1804 Stockholm)
Date: n.d.
Accession Number: 2002.155.1
Stag Taking Water
Edward Duncan
(British, London 1803–1882 London)
Date: February 1, 1834
Accession Number: 1974.672.5
Boa Ghaut (in The Pictorial Album; or, Cabinet of Paintings for the Year 1837)
George Baxter
(British, Lewes 1804–1867 London)
Date: 1837
Accession Number: 63.604.5(8)
L'oiseau solaire l'oiseau lunaire etc.
Joan Miró
(Spanish, Barcelona 1893–1983 Palma de Mallorca)
Date: ca. 1960s
Accession Number: 2002.456.108
Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Accession Number: 2009.44–.54
The rest on the Flight into Egypt
Andrea Scacciati
(Italian, 1725–1771)
Date:
Accession Number: 51.501.4260
Entry to the Bay of New York Taken from Staten Island
Salathé
(Swiss?, active 1839)
Date: 1839
Accession Number: 54.90.1147
Artist Thinking of a Fighting Woman with Musketeer, Cupid and Small Characters, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Accession Number: 1984.1205.14
Observations relative chiefly to Picturesque Beauty, made in the year 1776, on several parts of Great Britain; particularly the High-lands of Scotland
Written and illustrated by William Gilpin
(British, Scaleby, Cumbria 1724–1804 Boldre, Hampshire)
Date: 1789
Accession Number: 66.735.2(1)
Night
Will Barnet
(American, Beverly, Massachusetts 1911–2012 New York)
Date: 1939
Accession Number: 1977.679.1
No. 6 Patch
Hugh Miller
(American, 1911–1988)
Date: 1935–43
Accession Number: 43.33.893
Ram, from Picasso: Original Etchings for the Texts of Buffon
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1936, printed 1942
Accession Number: 1997.385.2
Helluones librorum (Bookworms)
Joshua Kirby Baldrey
(British, 1754–1828)
Date: November 10, 1786
Accession Number: 67.503.65
The Grand Master, or Adventures of Qui Hi? in Hindostan. A Hudibastic Poem in Eight Cantos by Quiz.
Written by William Frederick Deacon
(British, London 1799–1845 London)
Date: 1816
Accession Number: 59.533.1622(1-28)
Neue und gründliche Art die Aqua-tinta oder Tuschmanier auf das Geschwindeste ohne alle Unterweisung für sich zu erlernen...
Designed by Paul Wolfgang Schwarz
(German, Nürnberg 1766–1815 Nürnberg)
Date: 1805
Accession Number: 66.616
The Lamp
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Accession Number: 16.2.6
Plate 6 from 'Los Caprichos': Nobody knows himself (Nadie se conoce.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(6)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(47)
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