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2,067 records
Aquatint x
Siesta I, from the series Radierte Skizzen
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: n.d.
Medium: Etching and aquatint; third or fourth state of four
Accession Number: 52.594.17
Descriptive Account of The Mansions And Gardens of White-Knights, A Seat of His Grace The Duke of Marlborough
Written by Mrs. Barbara Hofland
(British, 1770–1844)
Date: 1819
Medium: Aquatint
Accession Number: 24.66.139
Studies of Seated Figures in Drapery, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof before aquatint
Accession Number: 41.97.286(27a)
Las Meninas and Gentlemen in the Sierra, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Medium: Sugar-lift aquatint
Accession Number: 1985.1165.28
Cape and Sword: Pursuit I, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Medium: Aquatint
Accession Number: 1985.1165.19
Nana
Hugh Botts
(American, New York 1903–1964 Cranford, New Jersey)
Date: 1935–40
Medium: Etching, Aquatint
Accession Number: 40.111.52
Venados
Francisco Toledo
(Mexican, born Juchitán, 1940)
Date: 20th century
Medium: Color engraving and aquatint
Accession Number: 1985.1139
The Old Mogul Tavern, Drury Lane
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: 1908
Medium: Etching and aquatint; second state of three
Accession Number: 2007.49.640
Afternoon Tea Party
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Medium: Drypoint and aquatint, printed in color from three plates; fifth state of five (Mathews & Shapiro)
Accession Number: 16.2.1
Adoration of the Angels (L’Adoration des anges)
Jean-Baptiste Le Prince
(French, Metz 1734–1781 Saint-Denis-du-Port)
Date: ca.1770
Medium: Etching and aquatint, printed in brown ink
Accession Number: 2012.220
A la pintura: Red 4 – 7
Robert Motherwell
(American, Aberdeen, Washington 1915–1991 Provincetown, Massachusetts)
Date: 1972
Medium: Aquatint, lift-ground etching and letterpress
Accession Number: 1973.665(14)
Portrait of Toulouse-Lautrec (from L'Estampe Originale, Album I)
Charles Maurin
(French, Le Puy 1856–1914 Grasse)
Date: 1893
Medium: Aquatint printed in brown ink
Accession Number: 22.82.1-6
Plate 12 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 30.54.42
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.9
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1792
Medium: Etching and aquatint hand-colored with watercolor
Accession Number: 59.533.567
Plein Air Painter at an Easel
Anonymous, German, 19th century
Date:
Medium: Recto: aquatint and engraving; verso: red chalk
Accession Number: 69.524.47
Blue Clown
Augustus Hamilton Peck
(American, 1906–1975 Frederick, Maryland?)
Date: 1935–40
Medium: Color Etching, Aquatint
Accession Number: 40.111.101
Revenge
Willem de Kooning
(American (born The Netherlands), Rotterdam 1904–1997 East Hampton, New York)
Date: 1960
Medium: Etching, aquatint, black Ink
Accession Number: 67.507
Study of Trees and Shrubs with Seated Figure, from Specimens of Polyautography
William Havell
(British, Reading 1782–1857 London)
Date: 1804–6
Medium: Pen lithograph on yellow aquatint mount
Accession Number: 31.69.1(4)
Into the Woods, Winter, from "Into the Woods"
Howard Hodgkin
(British, born London, 1932)
Date: 2001–2
Medium: Lift-ground, aquatint, and carborundum etching on 2 sheets of paper
Accession Number: 2010.217.4a, b
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, printed before 1877
Medium: Etching and burnished aquatint; posthumous proof on China paper, before 1877
Accession Number: 22.63.146
Manhattan Sentinels
Harry LeRoy Taskey
(American, Rockford, Indiana 1892–1958 Flemington, New Jersey)
Date: 1934
Medium: Etching and Aquatint
Accession Number: 34.104.45
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.32
Rising Shadows
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Medium: Aquatint, second state (slightly retouched with roulette)
Accession Number: 54.647.11
Cephalus and Aurora
Leon Kossoff
(British, born 1926)
Date: 1998
Medium: Etching and aquatint
Accession Number: 1999.409.10
Cup Defenders
Max Mougel
(American, New York 1895–1988)
Date: 1935–43
Medium: Etching, Aquatint
Accession Number: 43.33.371
Noctes Ambrosianae
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: ca. 1908
Medium: Etching and aquatint; third state
Accession Number: 23.49.18
Designs for the Pavillon [Pavilion] at Brighton
Designed by Humphry Repton
(British, Bury St. Edmonds, Suffolk 1752–1818 Romford, Essex)
Date: 1808
Medium: Etching, aquatint with some hand and plate color.
Accession Number: 52.519.159
Self-Portrait with Open Mouth
Avigdor Arikha
(Israeli (born Romania), Raduti 1929–2010 Paris)
Date: 1973
Medium: Sugar-lift aquatint, ed. 9/20
Accession Number: 1996.343
Charge, from Specimens of Polyautography
Robert Ker Porter
(British, 1777–1842)
Date: 1803–6
Medium: Pen lithograph on yellow aquatint mount
Accession Number: 31.69.1(13)
Siesta I, from the series Radierte Skizzen
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: n.d.
Accession Number: 52.594.17
Descriptive Account of The Mansions And Gardens of White-Knights, A Seat of His Grace The Duke of Marlborough
Written by Mrs. Barbara Hofland
(British, 1770–1844)
Date: 1819
Accession Number: 24.66.139
Studies of Seated Figures in Drapery, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(27a)
Las Meninas and Gentlemen in the Sierra, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Accession Number: 1985.1165.28
Cape and Sword: Pursuit I, from 347 Suite
Pablo Picasso
(Spanish, Malaga 1881–1973 Mougins, France )
Date: 1968
Accession Number: 1985.1165.19
Nana
Hugh Botts
(American, New York 1903–1964 Cranford, New Jersey)
Date: 1935–40
Accession Number: 40.111.52
Venados
Francisco Toledo
(Mexican, born Juchitán, 1940)
Date: 20th century
Accession Number: 1985.1139
The Old Mogul Tavern, Drury Lane
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: 1908
Accession Number: 2007.49.640
Afternoon Tea Party
Mary Cassatt
(American, Pittsburgh, Pennsylvania 1844–1926 Le Mesnil-Théribus, Oise)
Date: 1890–91
Accession Number: 16.2.1
Adoration of the Angels (L’Adoration des anges)
Jean-Baptiste Le Prince
(French, Metz 1734–1781 Saint-Denis-du-Port)
Date: ca.1770
Accession Number: 2012.220
A la pintura: Red 4 – 7
Robert Motherwell
(American, Aberdeen, Washington 1915–1991 Provincetown, Massachusetts)
Date: 1972
Accession Number: 1973.665(14)
Portrait of Toulouse-Lautrec (from L'Estampe Originale, Album I)
Charles Maurin
(French, Le Puy 1856–1914 Grasse)
Date: 1893
Accession Number: 22.82.1-6
Plate 12 from 'Los Caprichos': Tantalus (Tantalo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 30.54.42
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.9
Covent Garden Theatre
Thomas Rowlandson
(British, London 1757–1827 London)
Date: 1792
Accession Number: 59.533.567
Plein Air Painter at an Easel
Anonymous, German, 19th century
Date:
Accession Number: 69.524.47
Blue Clown
Augustus Hamilton Peck
(American, 1906–1975 Frederick, Maryland?)
Date: 1935–40
Accession Number: 40.111.101
Revenge
Willem de Kooning
(American (born The Netherlands), Rotterdam 1904–1997 East Hampton, New York)
Date: 1960
Accession Number: 67.507
Study of Trees and Shrubs with Seated Figure, from Specimens of Polyautography
William Havell
(British, Reading 1782–1857 London)
Date: 1804–6
Accession Number: 31.69.1(4)
Into the Woods, Winter, from "Into the Woods"
Howard Hodgkin
(British, born London, 1932)
Date: 2001–2
Accession Number: 2010.217.4a, b
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, printed before 1877
Accession Number: 22.63.146
Manhattan Sentinels
Harry LeRoy Taskey
(American, Rockford, Indiana 1892–1958 Flemington, New Jersey)
Date: 1934
Accession Number: 34.104.45
Two teams of picadors throw one after the other by a single bull, plate 32 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.32
Rising Shadows
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1915–54
Accession Number: 54.647.11
Cephalus and Aurora
Leon Kossoff
(British, born 1926)
Date: 1998
Accession Number: 1999.409.10
Cup Defenders
Max Mougel
(American, New York 1895–1988)
Date: 1935–43
Accession Number: 43.33.371
Noctes Ambrosianae
Walter Richard Sickert
(British, Munich 1860–1942 Bathampton, Somerset)
Date: ca. 1908
Accession Number: 23.49.18
Designs for the Pavillon [Pavilion] at Brighton
Designed by Humphry Repton
(British, Bury St. Edmonds, Suffolk 1752–1818 Romford, Essex)
Date: 1808
Accession Number: 52.519.159
Self-Portrait with Open Mouth
Avigdor Arikha
(Israeli (born Romania), Raduti 1929–2010 Paris)
Date: 1973
Accession Number: 1996.343
Charge, from Specimens of Polyautography
Robert Ker Porter
(British, 1777–1842)
Date: 1803–6
Accession Number: 31.69.1(13)
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