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58 records
Bristol board x
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook)
Thomas F. Hoppin
(1816–1872)
Date: 1841
Medium: Graphite on off-white Bristol board
Accession Number: 26.216.25 recto
The Wept of the Wish-Ton-Wish
After Felix Octavius Carr Darley
(American, Philadelphia, Pennsylvania 1822–1888 Claymont, Delaware)
Date:
Medium: Steel engraving and black ink on off-white wove card (Bristol-type paper)
Accession Number: 2003.544.2
Design for a stained glass window
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Medium: Watercolor, gouache, pen and red ink, and graphite on off-white lightweight Bristol board cut into shapes: five vertical lights; one large rosette; and eight circles mounted on original grey paper-faced matt
Accession Number: 67.654.238
Village Square with Figures, Doune, Scotland (?) (from Cropsey Album)
Jasper Francis Cropsey
(American, Rossville, New York 1823–1900 Hastings-on-Hudson, New York)
Date: 1847
Medium: Graphite on off-white Bristol board
Accession Number: 1970.9.20
Italian Scene (from Hosack Album)
Accession Number: 1994.187.22
Date:
Medium: Graphite on off-white Bristol board
Accession Number: 1994.187.22
Plums
John William Hill (American
(born England), London 1812–1879 West Nyack, New York)
Date: 1870
Medium: Watercolor, graphite, and gouache on off-white Bristol board
Accession Number: 82.9.1
Wooded Landscape with Lake and Mountains (from the Cropsey Album)
Paul Weber
(1823–1916)
Date: 1854
Medium: Graphite and sgraffito on prepared Bristol board
Accession Number: 1970.9.15
Hiro and the Virgin (after Paul Gauguin)
Henri de Monfried
(Le Franqui 1879–Ingrandes 1974)
Date: 1914–17
Medium: Watercolor, ink and graphite on off-white wove paper mounted on Bristol board
Accession Number: 1975.1.632
North Battery or "Red Fort"
Date: ca. 1835
Medium: Paste, gouache, and fixative on off-white Bristol board prepared with pumice ("sand paper")
Accession Number: 54.90.276
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin on His Horse Stampeding Back to London
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Medium: Graphite and gray ink on Bristol board
Accession Number: 1994.500.6
F. Shaw Brothers Tannery, Maine
John Martin
Date: 1882–83
Medium: Pen and black and red inks, graphite, watercolor, and white gouache on Bristol board
Accession Number: 1980.341.1
Battery Park, New York
Probably Christian Gottlieb Cantzlier
(1796–1887)
Date: 1849
Medium: Watercolor, graphite, and sgraffito on off-white Bristol board
Accession Number: 54.90.19
A Refuge from the Storm (Shadow from the Heat)
David Pell Secor
(ca. 1824–1909)
Date:
Medium: Pen and India ink on Bristol board
Accession Number: 89.24 recto
Swiss Chalet (from Hosack Album)
Accession Number: 1994.187.18
Date:
Medium: Graphite on off-white Bristol board
Accession Number: 1994.187.18
Holy Eyes (from McGuire Scrapbook)
Thomas Story Officer
(1810–1859)
Date: 1850
Medium: Graphite on white wove Bristol board
Accession Number: 26.216.65
Indians Visiting Their Old Hunting Grounds (from Hosack Album)
John Ludlow Morton
(1792–1871)
Date: ca. 1844
Medium: Pen and brown ink, ink washes, and graphite on off-white Bristol board
Accession Number: 1994.187.7
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": The Calenderer of Ware Offers John Gilpin His Hat and Periwig
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Medium: Graphite and gray ink on Bristol board
Accession Number: 1994.500.5
Albert Bridges
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1840–42
Medium: Watercolor on off-white Bristol board
Accession Number: 27.84.1
Interior (from McGuire Scrapbook)
Date: 19th century
Medium: Graphite on Bristol board
Accession Number: 26.216.80
Home Sweet Home
William Rimmer (American
(born England), Liverpool 1816–1879 South Milford, Massachusetts)
Date:
Medium: Graphite on dark buff-colored Bristol board
Accession Number: 65.12.18
Study of Rocks
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Medium: Graphite on off-white Bristol board
Accession Number: 1978.499.1 verso
Wildflowers (from Hosack Album)
Accession Number: 1994.187.10
Date:
Medium: Watercolor and gum arabic on off-white Bristol board
Accession Number: 1994.187.10
Design for peacock feather
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: 1902–10
Medium: Watercolor and graphite on smooth-surfaced off-white Bristol board
Accession Number: 67.654.419
Young Woman in Pink Dress with a White Collar (from Cropsey Album)
Accession Number: 1970.9.30
Date:
Medium: Watercolor and graphite on white laid paper, mounted on Bristol board
Accession Number: 1970.9.30
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin and His Wife Pledge to Renew Their Wedding Vows
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Medium: Graphite and gray ink on Bristol board
Accession Number: 1994.500.1
Mrs. Albert Bridges
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1840–42
Medium: Watercolor on off-white Bristol board
Accession Number: 27.84.2
A Forest Cascade at Hiram, Maine
Henry Hitchings
(1824–1902)
Date: 1859
Medium: Watercolor, gouache, and graphite on off-white Bristol board
Accession Number: 1996.183.1
Yellow Basket of Flowers
Date: 19th century
Medium: Watercolor and gum arabic on Bristol board
Accession Number: 66.242.4
Sketchbook
John Quincy Adams Ward
(American, Urbana, Ohio 1830–1910 New York)
Date: ca. 1860
Medium: Drawings in pen and brown and black ink, graphite, and Conté crayon on off-white wove paper, bound in black coated Bristol board
Accession Number: 1985.351
Holding it for a "Crack Shot!" (from Sketchbook)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Graphite, red watercolor and ink on off-white Bristol board
Accession Number: 1970.121.49
Landscape with Two Cows and a Broken Fence; Three Standing Figures (from McGuire Scrapbook)
Thomas F. Hoppin
(1816–1872)
Date: 1841
Accession Number: 26.216.25 recto
The Wept of the Wish-Ton-Wish
After Felix Octavius Carr Darley
(American, Philadelphia, Pennsylvania 1822–1888 Claymont, Delaware)
Date:
Accession Number: 2003.544.2
Design for a stained glass window
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: late 19th–early 20th century
Accession Number: 67.654.238
Village Square with Figures, Doune, Scotland (?) (from Cropsey Album)
Jasper Francis Cropsey
(American, Rossville, New York 1823–1900 Hastings-on-Hudson, New York)
Date: 1847
Accession Number: 1970.9.20
Italian Scene (from Hosack Album)
Accession Number: 1994.187.22
Date:
Accession Number: 1994.187.22
Plums
John William Hill (American
(born England), London 1812–1879 West Nyack, New York)
Date: 1870
Accession Number: 82.9.1
Wooded Landscape with Lake and Mountains (from the Cropsey Album)
Paul Weber
(1823–1916)
Date: 1854
Accession Number: 1970.9.15
Hiro and the Virgin (after Paul Gauguin)
Henri de Monfried
(Le Franqui 1879–Ingrandes 1974)
Date: 1914–17
Accession Number: 1975.1.632
North Battery or "Red Fort"
Date: ca. 1835
Accession Number: 54.90.276
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin on His Horse Stampeding Back to London
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Accession Number: 1994.500.6
F. Shaw Brothers Tannery, Maine
John Martin
Date: 1882–83
Accession Number: 1980.341.1
Battery Park, New York
Probably Christian Gottlieb Cantzlier
(1796–1887)
Date: 1849
Accession Number: 54.90.19
A Refuge from the Storm (Shadow from the Heat)
David Pell Secor
(ca. 1824–1909)
Date:
Accession Number: 89.24 recto
Swiss Chalet (from Hosack Album)
Accession Number: 1994.187.18
Date:
Accession Number: 1994.187.18
Holy Eyes (from McGuire Scrapbook)
Thomas Story Officer
(1810–1859)
Date: 1850
Accession Number: 26.216.65
Indians Visiting Their Old Hunting Grounds (from Hosack Album)
John Ludlow Morton
(1792–1871)
Date: ca. 1844
Accession Number: 1994.187.7
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": The Calenderer of Ware Offers John Gilpin His Hat and Periwig
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Accession Number: 1994.500.5
Albert Bridges
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1840–42
Accession Number: 27.84.1
Interior (from McGuire Scrapbook)
Date: 19th century
Accession Number: 26.216.80
Home Sweet Home
William Rimmer (American
(born England), Liverpool 1816–1879 South Milford, Massachusetts)
Date:
Accession Number: 65.12.18
Study of Rocks
John William Casilear
(American, New York 1811–1893 Saratoga Springs, New York)
Date:
Accession Number: 1978.499.1 verso
Wildflowers (from Hosack Album)
Accession Number: 1994.187.10
Date:
Accession Number: 1994.187.10
Design for peacock feather
Louis Comfort Tiffany
(American, New York 1848–1933 New York)
Date: 1902–10
Accession Number: 67.654.419
Young Woman in Pink Dress with a White Collar (from Cropsey Album)
Accession Number: 1970.9.30
Date:
Accession Number: 1970.9.30
Illustration to William Cowper's Poem "The Diverting History of John Gilpin": John Gilpin and His Wife Pledge to Renew Their Wedding Vows
John Whetten Ehninger
(American, New York 1827–1889 Saratoga Springs, New York)
Date: 1857
Accession Number: 1994.500.1
Mrs. Albert Bridges
Henry Inman
(American, Utica, New York 1801–1846 New York)
Date: 1840–42
Accession Number: 27.84.2
A Forest Cascade at Hiram, Maine
Henry Hitchings
(1824–1902)
Date: 1859
Accession Number: 1996.183.1
Yellow Basket of Flowers
Date: 19th century
Accession Number: 66.242.4
Sketchbook
John Quincy Adams Ward
(American, Urbana, Ohio 1830–1910 New York)
Date: ca. 1860
Accession Number: 1985.351
Holding it for a "Crack Shot!" (from Sketchbook)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.49
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