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Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Medium: Etching, drypoint, and burin; second state of two
Accession Number: 20.46.19
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.11
Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time.'(No llegan á tiempo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(52)
He deserved it (Lo merecia), from The Disasters of War (Los Desastres de la Guerra), plate 29
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(29)
Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it' (Yo lo vi.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin
Accession Number: 32.62.2
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin
Accession Number: 22.60.25(11)
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and burin
Accession Number: 22.60.25(22)
Plate 46 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is bad.' (Esto es malo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(46)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 36.20(4)
Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 18.64(41)
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Medium: Etching with drypoint, burin and roulette; third state of three
Accession Number: 26.1.8
Soap Bubbles
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1799
Medium: Etching, drypoint, burin, and roulette; fourth state of four
Accession Number: 2001.313
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(12)
Plate 69 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nothing. The event will tell.' (Nada. Ello dirá)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burin
Accession Number: 22.60.25(69)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, plate 24 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.24
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin. From the first published edition
Accession Number: 16.4.2
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, lavis, drypoint, and burin
Accession Number: 21.19.30
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Medium: Etching and burin
Accession Number: 32.62.9
The Caprices, plates 1-80 (Los Caprichos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1881–86
Medium: Etching, aquatint, drypoint, and burin on wove paper; Complete set of the fifth edition, 1881-86 (bound in paper boards)
Accession Number: 51.530.1
Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher
Accession Number: 22.60.25(9)
Plate 70 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not know the way.' (No saben el camino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 22.60.25(70)
Flight into Egypt: Altered from Tobias and the Angel by Hercules Seghers
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1653
Medium: Etching, burin and drypoint; sixth state of seven
Accession Number: 19.19.4
Entrance to the Village of Lentilly
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1804
Medium: Etching with drypoint, burin and roulette; second state of two
Accession Number: 19.56.119
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Medium: Etching and burin
Accession Number: 53.600.261(8)
Soldier Beating a Drum and Sentinel
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1641
Medium: Etching retouched with burin, state iii
Accession Number: 27.88.1(56b)
Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames.' (Escapan entre las llamas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin
Accession Number: 51.530.2(41)
Plate 47 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is how it happened'(Así sucedió.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching,burnished lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(47)
Plate 78 from 'The Disasters of War' (Los Desastres de la Guerra): 'He defends himself well' ' (Se defiende bien.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 22.60.25(78)
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(64)
The blind singer (El cantor ciego)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Medium: Etching, aquatint, drypoint, and burin on laid paper
Accession Number: 27.32.2
Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Accession Number: 20.46.19
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.11
Plate 52 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not arrive in time.'(No llegan á tiempo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(52)
He deserved it (Lo merecia), from The Disasters of War (Los Desastres de la Guerra), plate 29
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(29)
Plate 44 from 'The Disasters of War' (Los Desastres de la Guerra): 'I saw it' (Yo lo vi.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.2
Plate 11 from "The Disasters of War' (Los Desastres de la Guerra):Neither do these (Ni por esas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(11)
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(22)
Plate 46 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is bad.' (Esto es malo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(46)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(4)
Plate 41 from 'Los Caprichos': Neither more nor less (Ni mas ni menos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(41)
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Accession Number: 26.1.8
Soap Bubbles
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1799
Accession Number: 2001.313
Plate 12 from 'Los Caprichos': Out hunting for teeth (A caza des dientes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(12)
Plate 69 from 'The Disasters of War' (Los Desastres de la Guerra): 'Nothing. The event will tell.' (Nada. Ello dirá)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(69)
The same Ceballos mounted on another bull breaks short spears in the ring at Madrid, plate 24 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.24
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 16.4.2
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.30
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810
Accession Number: 32.62.9
The Caprices, plates 1-80 (Los Caprichos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1881–86
Accession Number: 51.530.1
Plate 9 from 'The Disasters of War' (Los Desastres de la Guerra):They don't like it (No quieren.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(9)
Plate 70 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not know the way.' (No saben el camino.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(70)
Flight into Egypt: Altered from Tobias and the Angel by Hercules Seghers
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1653
Accession Number: 19.19.4
Entrance to the Village of Lentilly
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1804
Accession Number: 19.56.119
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Accession Number: 53.600.261(8)
Soldier Beating a Drum and Sentinel
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1641
Accession Number: 27.88.1(56b)
Plate 41 from 'The Disasters of War' (Los Desastres de La Guerra): 'They escape through the flames.' (Escapan entre las llamas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(41)
Plate 47 from 'The Disasters of War' (Los Desastres de la Guerra): 'This is how it happened'(Así sucedió.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(47)
Plate 78 from 'The Disasters of War' (Los Desastres de la Guerra): 'He defends himself well' ' (Se defiende bien.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(78)
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(64)
The blind singer (El cantor ciego)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Accession Number: 27.32.2
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