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Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, engraving, and aquatint, before burnishing and burin retouches, with pen and ink indicating burin retouches on either side of the girl's eyes
Accession Number: 30.54.44
Jan Asselijn, Painter (Krabbetje)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1646
Medium: Etching, drypoint, and burin; second state
Accession Number: 50.583.3
Origin of the harpoon or banderillas, plate 7 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and burin
Accession Number: 21.19.7
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.17
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis and burin
Accession Number: 22.60.25(22)
Clamores en vano
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(54)
Plate 23 from 'Los Caprichos': These specks of dust (Aquellos polbos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 18.64(23)
Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint or lavis, drypoint and burin
Accession Number: 22.60.25(45)
The same (Lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 3
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(3)
The Image Seen by Nebuchadnezzar
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1655
Medium: Etching, burin, and drypoint
Accession Number: 26.72.155
Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint and burin
Accession Number: 51.530.1(1)
Faust
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1652
Medium: Etching, drypoint, and burin
Accession Number: 60.598.64
Thomas Haaringh (Old Haaringh)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1655
Medium: Drypoint and burin; second state of two
Accession Number: 29.107.23
Battery of Cannons Firing on a City
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1641
Medium: Etching retouched with burin, state iii
Accession Number: 27.88.1(56a)
Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 22.60.25(34)
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(53)
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and burin; first edition
Accession Number: 21.19.11
Surprised Ducks
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1885–89
Medium: Etching with burin
Accession Number: 23.65.94
Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher
Accession Number: 22.60.25(17)
Plate 37 from 'Los Caprichos': Might not the pupil know more? (Si Sabrá mas el discipulo?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and burin
Accession Number: 18.64(37)
Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher
Accession Number: 22.60.25(19)
Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished lavis, burin and burnisher
Accession Number: 51.530.2(48)
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, aquatint, drypoint, burin, and burnishing
Accession Number: 21.19.1-.34
Les Pères du désert
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Medium: Etching with drypoint, burin and roulette; fourth state of six
Accession Number: 2000.361.25
Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Medium: Etching, drypoint, and burin; second state of two
Accession Number: 20.46.19
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin. From the first published edition
Accession Number: 16.4.2
Qué alboroto es este?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint and/or lavis, burin and burnisher on wove paper
Accession Number: 22.60.25(65)
They play another with the cape in an enclosure, plate 4 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.4
Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(10)
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Medium: Etching with drypoint, burin and roulette; third state of three
Accession Number: 26.1.8
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 30.54.44
Jan Asselijn, Painter (Krabbetje)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1646
Accession Number: 50.583.3
Origin of the harpoon or banderillas, plate 7 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.7
"Wounds heal quicker than hasty words" [Sanan Cuchilladas Mas No Malas Palabras], plate 16 from Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.17
Plate 22 from 'The Disasters of War' (Los Desastres de la Guerra): 'Even worse.' (Tanto y mas)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(22)
Clamores en vano
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(54)
Plate 23 from 'Los Caprichos': These specks of dust (Aquellos polbos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(23)
Plate 45 from 'The Disasters of War' (Los Desastres de la Guerra): 'And this too.' (Y esto tambien.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(45)
The same (Lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 3
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(3)
The Image Seen by Nebuchadnezzar
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1655
Accession Number: 26.72.155
Plate 1 from 'Los Caprichos': Self-portrait of Goya (Franco. Goya e Lucientes, Pintor)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 51.530.1(1)
Faust
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1652
Accession Number: 60.598.64
Thomas Haaringh (Old Haaringh)
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1655
Accession Number: 29.107.23
Battery of Cannons Firing on a City
Etched by Stefano della Bella
(Italian, Florence 1610–1664 Florence)
Date: 1641
Accession Number: 27.88.1(56a)
Plate 34 from 'The Disasters of War' (Los Desastres de La Guerra):'On account of a knife' (Por una navaja.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(34)
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(53)
El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.11
Surprised Ducks
Félix Bracquemond
(French, Paris 1833–1914 Sèvres)
Date: 1885–89
Accession Number: 23.65.94
Plate 17 from 'The Disasters of War' (Los Desastres de la Guerra): 'They do not agree.' (No se convienen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(17)
Plate 37 from 'Los Caprichos': Might not the pupil know more? (Si Sabrá mas el discipulo?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(37)
Plate 19 from 'The Disasters of War' (Los Desastres de la Guerra): 'There isn't time now.' (Ya no hay tiempo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(19)
Plate 48 from 'The Disasters of War' (Los Desastres de la Guerra): 'Cruel tale of woe!'(Cruel Lástima!)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 51.530.2(48)
The Bullfight, plates 1-33 (La Tauromaquia); First edition, 1816
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.1-.34
Les Pères du désert
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Accession Number: 2000.361.25
Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Accession Number: 20.46.19
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 16.4.2
Qué alboroto es este?
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(65)
They play another with the cape in an enclosure, plate 4 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.4
Plate 10 from 'Los Caprichos': Love and death (El amor y la muerte)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(10)
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Accession Number: 26.1.8
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