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Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(64)
El buitre carnívoro
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint(?), burin and burnisher on wove paper
Accession Number: 22.60.25(76)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778-80
Medium: Etching and burin
Accession Number: 50.558.34
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.3
The Supper at Emmaus
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1654
Medium: Etching, burin and drypoint; second state of two
Accession Number: 41.1.58
The blind singer (El cantor ciego)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Medium: Etching, aquatint, drypoint, and burin on laid paper
Accession Number: 27.32.2
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, engraving, and aquatint, before burnishing and burin retouches, with pen and ink indicating burin retouches on either side of the girl's eyes
Accession Number: 30.54.44
No saben el camino
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(70)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(47)
The Caprices (Los Caprichos), plates 1-80
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(1-80)
Carretadas al cemeterio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(64)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.18
Sanos y enfermos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, burin and burnisher on wove paper
Accession Number: 22.60.25(57)
Not [In This Case] Either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(36)
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(69)
The Remonstrant Preacher Johannes Uytenbogaert
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1635
Medium: Etching and burin; octagonal plate; fourth state of six
Accession Number: 17.37.199
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pike (El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.27
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Medium: Etching and burin
Accession Number: 53.600.261(7)
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Medium: Etching and burin
Accession Number: 53.600.261(10)
The Follies (Disparates [Los Proverbios])
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin, and burnishing
Accession Number: 36.20
The Sleeping Herdsman
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1644
Medium: Etching and burin
Accession Number: 1972.628
Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Medium: Etching, drypoint, and burin; second state of two
Accession Number: 20.46.19
Plate 71 from 'Los Caprichos': When day breaks we will be off (Si amanece; nos Vamos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(71)
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Medium: Etching and burin
Accession Number: 53.600.261(13)
Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor [do these] either (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin
Accession Number: 22.60.25(10)
Jan Six
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1647
Medium: Etching, drypoint, and burin
Accession Number: 29.107.22
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Medium: Etching with drypoint, burin and roulette; third state of three
Accession Number: 26.1.8
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint and burin
Accession Number: 21.19.9
St. Jerome
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Medium: Etching with drypoint, burin and roulette; fifth state of six
Accession Number: 67.798.2
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.5
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(64)
El buitre carnívoro
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(76)
The garroted man (El agarrotado)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1778-80
Accession Number: 50.558.34
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.3
The Supper at Emmaus
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1654
Accession Number: 41.1.58
The blind singer (El cantor ciego)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Accession Number: 27.32.2
Plate 15 from 'Los Caprichos': A pretty piece of advice (Bellos consejos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 30.54.44
No saben el camino
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(70)
Plate 47 from 'Los Caprichos':A gift for the master (Obsequio á el maestro)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(47)
The Caprices (Los Caprichos), plates 1-80
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(1-80)
Carretadas al cemeterio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(64)
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.18
Sanos y enfermos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(57)
Not [In This Case] Either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(36)
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(69)
The Remonstrant Preacher Johannes Uytenbogaert
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1635
Accession Number: 17.37.199
The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with His Pike (El célebre Fernando del Toro, barilarguero, obligando á la fiera con su garrocha)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.27
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Accession Number: 53.600.261(7)
Horizontal Panel with a Row of Flowers Above a Frieze with a Hunting Scene in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Accession Number: 53.600.261(10)
The Follies (Disparates [Los Proverbios])
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816–23
Accession Number: 36.20
The Sleeping Herdsman
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: ca. 1644
Accession Number: 1972.628
Jan Cornelisz. Sylvius, preacher
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1646
Accession Number: 20.46.19
Plate 71 from 'Los Caprichos': When day breaks we will be off (Si amanece; nos Vamos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(71)
Horizontal Panel with a Row of Flowers Above a Frieze with Figures in a Landscape, from Livre Nouveau de Fleurs Tres-Util
Nicolas Cochin
(French, Troyes 1610–1686 Paris)
Date: 1645
Accession Number: 53.600.261(13)
Plate 10 from 'The Disasters of War' (Los Desastres de la Guerra):Nor [do these] either (Tampoco)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(10)
Jan Six
Rembrandt
(Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)
Date: 1647
Accession Number: 29.107.22
The Old Gate of Vaise at Lyon (Jouers de Boules)
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1803
Accession Number: 26.1.8
A Spanish knight kills the bull after having lost his horse, plate 9 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.9
St. Jerome
Jean Jacques de Boissieu
(French, Lyons 1736–1810 Lyons)
Date: 1797
Accession Number: 67.798.2
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.5
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