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431 records
Chine collé x
Ruth (No. 27 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(27)
Coin de ferme
Charles-Emile Jacque
(French, 1813–1894)
Date: 1849 (?)
Medium: Etching with chine collé; third state of seven
Accession Number: 2012.136.520
Procession of the Flitch of Bacon
James Henry Watt
(British, London 1799–1867 London)
Date: December 1832
Medium: Etching and engraving on chine collé
Accession Number: 29.102.175
En plein soleil
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; third state of three (Glasgow); printed in black ink on tan chine on white wove paper (chine collé)
Accession Number: 1970.121.71
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1827–28
Medium: Etching on chine collé
Accession Number: 59.600.38(2)
The Lee-Shore (No. 15 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Francis Powell
(British, 1833–1914)
Date: 1858
Medium: Aquatint and etching on chine collé
Accession Number: 26.12.3(15)
The Unsafe Tenement (The Old Farm)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; third state of four (Glasgow); printed in black ink on tan (darkened) chine on white wove paper (chine collé)
Accession Number: 83.1.37
The Sheaf Binder
Designed by Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1853
Medium: Woodcut on chine collé
Accession Number: 27.81.2(35)
Lac Lomond, Vue de la Caverne de Rob-Roy (Loch Lomond, View of the Cave of Rob Roy, from Vues Pittoresques de l'Écosse)
Richard Parkes Bonington
(British, Arnold, Nottinghamshire 1802–1828 London)
Date: 1826
Medium: Lithograph with tint stone on chine collé; second state of three
Accession Number: 23.21.7
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1828
Medium: Etching on chine collé
Accession Number: 59.600.38(5)
Monsieur Scellier
Auguste Raffet
(French, Paris 1804–1860 Gênes)
Date:
Medium: Lithograph on chine collé
Accession Number: 63.625.145
Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1831
Medium: Engraving on chine collé
Accession Number: 30.15.56
The Watchman
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1848 (?)
Medium: Etching on chine collé
Accession Number: 17.56(49)
Banknote vignette with haymakers symbolizing rural industry
Attributed to Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: ca. 1824–37
Medium: Engraving and etching on chine collé
Accession Number: 2002.333.13
In the Hayloft
George J. Stodart
(British, active 1884–92)
Date: 1881
Medium: Mixed-media engraving on chine collé
Accession Number: 47.53.20
Dewitt Clinton
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1834
Medium: Engraving on chine collé; third state of three
Accession Number: 30.15.48
La Mère Gérard
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; fourth state of four (Glasgow); printed in black ink on brownish-gray chine on off-white wove paper (chine collé)
Accession Number: 17.3.5
The Plea of the Midsummer Fairies (No. 20 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Michael Frederick Halliday
(British, baptised Epsom, Surrey 1822–1869 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(20)
Charles Paul de Kock
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1904
Medium: Etching on chine collé
Accession Number: 1981.1244.22
The Bridge of Sighs (No. 10 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(10)
Portrait of Robert Grave, Printseller
Robert Graves
(British, London 1798–1873 London)
Date: 1827
Medium: Steel engraving on chine collé
Accession Number: 2012.136.630
La Marchande de moutarde
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; third state of five (Glasgow); black ink on gray chine on white wove paper (chine collé)
Accession Number: 17.3.16
Siesta II from the series Radierte Skizzen
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: n.d.
Medium: Etching and aquatint on chine collé; between fourth and fifth states of five
Accession Number: 52.594.22
Robbins Reef, New York Harbor
Robert Hinshelwood
(American, Edinburgh 1812–after 1875 New York)
Date: ca. 1850
Medium: Etching on chine collé; proof
Accession Number: 54.90.1439
Folding Linen
Robert Baxter
(American, born 1933)
Date: 1980–82
Medium: Etching and engraving with chine collé
Accession Number: 2006.402.2
Portrait of Mistress W.G., from the series Les Femmes Artistes, published in L'Artiste, new series, volume I, 1857
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1857
Medium: Lithograph on chine collé; second and last state
Accession Number: 24.63.128
The Lattice (or the Mantilla)
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: January 1, 1838
Medium: Etching and engraving on chine collé
Accession Number: 59.600.258
Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Medium: Etching, drypoint and aquatint on chine collé; first edition
Accession Number: 2009.50
Mme Vignier
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Medium: Etching on chine collé
Accession Number: 29.89.11
The Wheat Reaper
Designed by Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1853
Medium: woodcut on chine collé
Accession Number: 27.81.2(33)
Ruth (No. 27 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Accession Number: 26.12.3(27)
Coin de ferme
Charles-Emile Jacque
(French, 1813–1894)
Date: 1849 (?)
Accession Number: 2012.136.520
Procession of the Flitch of Bacon
James Henry Watt
(British, London 1799–1867 London)
Date: December 1832
Accession Number: 29.102.175
En plein soleil
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 1970.121.71
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1827–28
Accession Number: 59.600.38(2)
The Unsafe Tenement (The Old Farm)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 83.1.37
The Sheaf Binder
Designed by Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1853
Accession Number: 27.81.2(35)
Lac Lomond, Vue de la Caverne de Rob-Roy (Loch Lomond, View of the Cave of Rob Roy, from Vues Pittoresques de l'Écosse)
Richard Parkes Bonington
(British, Arnold, Nottinghamshire 1802–1828 London)
Date: 1826
Accession Number: 23.21.7
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1828
Accession Number: 59.600.38(5)
Monsieur Scellier
Auguste Raffet
(French, Paris 1804–1860 Gênes)
Date:
Accession Number: 63.625.145
Title Page: The New York Mirror, A Weekly Journal, Devoted to Literature and the Fine Arts. Embellished with Engravings and Music, Volume IX
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1831
Accession Number: 30.15.56
The Watchman
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1848 (?)
Accession Number: 17.56(49)
Banknote vignette with haymakers symbolizing rural industry
Attributed to Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: ca. 1824–37
Accession Number: 2002.333.13
In the Hayloft
George J. Stodart
(British, active 1884–92)
Date: 1881
Accession Number: 47.53.20
Dewitt Clinton
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1834
Accession Number: 30.15.48
La Mère Gérard
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 17.3.5
The Plea of the Midsummer Fairies (No. 20 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Michael Frederick Halliday
(British, baptised Epsom, Surrey 1822–1869 London)
Date: 1858
Accession Number: 26.12.3(20)
Charles Paul de Kock
John Sloan
(American, Lock Haven, Pennsylvania 1871–1951 Hanover, New Hampshire)
Date: 1904
Accession Number: 1981.1244.22
The Bridge of Sighs (No. 10 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Accession Number: 26.12.3(10)
Portrait of Robert Grave, Printseller
Robert Graves
(British, London 1798–1873 London)
Date: 1827
Accession Number: 2012.136.630
La Marchande de moutarde
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 17.3.16
Siesta II from the series Radierte Skizzen
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: n.d.
Accession Number: 52.594.22
Robbins Reef, New York Harbor
Robert Hinshelwood
(American, Edinburgh 1812–after 1875 New York)
Date: ca. 1850
Accession Number: 54.90.1439
Folding Linen
Robert Baxter
(American, born 1933)
Date: 1980–82
Accession Number: 2006.402.2
Portrait of Mistress W.G., from the series Les Femmes Artistes, published in L'Artiste, new series, volume I, 1857
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1857
Accession Number: 24.63.128
The Lattice (or the Mantilla)
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: January 1, 1838
Accession Number: 59.600.258
Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
(German, Leipzig 1857–1920 Großjena)
Date: 1881
Accession Number: 2009.50
Mme Vignier
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Accession Number: 29.89.11
The Wheat Reaper
Designed by Jean-François Millet
(French, Gruchy 1814–1875 Barbizon)
Date: 1853
Accession Number: 27.81.2(33)
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