Quantcast
The Collection Online / 402,572 records
431 records
Chine collé x
The Unsafe Tenement (The Old Farm)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; third state of four (Glasgow), printed in black ink on gray chine on white wove paper (chine collé)
Accession Number: 17.3.10
Sonnet, no. IX (No. 19 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Bacon Barwell
(British, active 1855–ca. 1897)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(19)
The Old Chartist
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1862
Medium: Wood engraving on chine collé; proof
Accession Number: 28.87.32(2)
Childe Harold's Pilgrimage
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1861
Medium: Engraving on chine collé; first published state
Accession Number: X.780
Othello (Act V, Scene II), plate 15 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Medium: Etching, engraving, roulette, drypoint, aquatint or sulphur tint on chine collé
Accession Number: 32.7.15
Willows and White Poplars (Saules et peupliers blancs)
Camille Corot
(French, Paris 1796–1875 Paris )
Date: 1871
Medium: Transfer lithograph on gray chine collé; second state of two
Accession Number: 32.34.12
Portrait of the Artist
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: n.d.
Medium: Lithograph on chine collé; fifth and last state
Accession Number: 23.21.11
Ode to the Moon (No. 30 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Arthur James Lewis
(British, 1824–1901)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(30)
Iturrino
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Medium: Etching on chine collé
Accession Number: 29.89.1
Hafed
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1836
Medium: Etching, stipple and engraving on chine collé; proof before letters
Accession Number: 47.30.39
Scenic Journey Around a Woman of Fashion: She Dresses (Voyage Pittoresque Autour d'une Femme a la Mode: Elle s'habille), published in L'Artiste, second series, volume I, 1839
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: 1839
Medium: Handcolored crayon and ink lithograph with scraping on chine collé; second and final state
Accession Number: 1988.1083.3
The Cows' Resting Place (Le Dormoir des vâches)
Camille Corot
(French, Paris 1796–1875 Paris )
Date: 1871
Medium: Transfer lIthograph printed in brown ink on chine collé; first of two states
Accession Number: 32.34.8
Liverdun
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; third state of three (Glasgow); printed in black ink on tan chine on off-white wove paper (chine collé)
Accession Number: 83.1.38
The Best Run of the Season
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1853
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 47.30.29
UtopianCannibal.Org
Enrique Chagoya
(American, born Mexico 1953)
Date: 2000
Medium: Lithograph and woodcut with chine collé and collage
Accession Number: 2001.460.2
La Rétameuse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; second state of two (Glasgow); on buff (darkened) chine on off-white wove (chine collé)
Accession Number: 83.1.33
In the Hayloft
George J. Stodart
(British, active 1884–92)
Date: 1881
Medium: Mixed-media engraving on chine collé
Accession Number: 47.53.20
Seamstress
Robert Baxter
(American, born 1933)
Date: 1980–82
Medium: Etching and engraving with chine collé
Accession Number: 2006.402.1
La Rétameuse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Medium: Etching; second state of two (Glasgow); black ink on gray chine on off-white wove paper (chine collé)
Accession Number: 17.3.7
The Pardon
Anonymous, French, 19th century
Date: after 1888
Medium: Etching on chine collé
Accession Number: 2013.609.20
The Beggar
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: March 22, 1848
Medium: Etching on chine collé
Accession Number: 17.3.2860
The Galliot of Jean de Vyl of Rotterdam
Charles Meryon
(French, 1821–1868)
Date: 1850
Medium: Etching on chine collé; third (final) state
Accession Number: 17.78.6
Day (Le Jour), from the series, Dreams (Songes), plate VI
Odilon Redon
(French, Bordeaux 1840–1916 Paris)
Date: 1891
Medium: Lithograph (only state), on chine collé
Accession Number: 20.30.6
Woman Combing Her Hair (from L'Estampe Originale, Album VI)
Maximilien Luce
(French, Paris 1858–1941 Paris)
Date: 1894
Medium: Transfer lithograph on chine collé
Accession Number: 22.82.1-58
Irène – Face
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Medium: Etching on chine collé
Accession Number: 29.89.24
The Fatal Duel
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1863
Medium: Mixed method engraving on chine collé; proof before letters
Accession Number: 47.30.28
The Nôtre-Dame Pump, Paris
Charles Meryon
(French, 1821–1868)
Date: 1852
Medium: Etching on chine collé; eighth state of ten
Accession Number: 17.3.415
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1828
Medium: Etching on chine collé
Accession Number: 59.600.38(4)
Die Sammlung Alt-Nieder-und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisseree und Johann Bertram
Johann Nepomuk Strixner
(German, Altötting 1782–1855 Munich)
Date: 1821–34
Medium: Title page, dedication page, 3 outline lithographs on chine collé and 114 lithographs printed in black with a yellow tint stones mounted on thick brown paper, in a large board, leather, and fabric portfolio
Accession Number: 2010.384(1-117)
The Unsafe Tenement (The Old Farm)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 17.3.10
Sonnet, no. IX (No. 19 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Bacon Barwell
(British, active 1855–ca. 1897)
Date: 1858
Accession Number: 26.12.3(19)
The Old Chartist
After Frederick Augustus Sandys
(British, Norwich 1829–1904 Norwich)
Date: 1862
Accession Number: 28.87.32(2)
Childe Harold's Pilgrimage
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1861
Accession Number: X.780
Othello (Act V, Scene II), plate 15 from the suite of fifteen illustrations
Théodore Chassériau
(French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)
Date: 1844
Accession Number: 32.7.15
Willows and White Poplars (Saules et peupliers blancs)
Camille Corot
(French, Paris 1796–1875 Paris )
Date: 1871
Accession Number: 32.34.12
Portrait of the Artist
Paul Gavarni [Chevalier]
(French, Paris 1804–1866 Paris)
Date: n.d.
Accession Number: 23.21.11
Iturrino
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Accession Number: 29.89.1
Hafed
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1836
Accession Number: 47.30.39
The Cows' Resting Place (Le Dormoir des vâches)
Camille Corot
(French, Paris 1796–1875 Paris )
Date: 1871
Accession Number: 32.34.8
Liverdun
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 83.1.38
The Best Run of the Season
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1853
Accession Number: 47.30.29
UtopianCannibal.Org
Enrique Chagoya
(American, born Mexico 1953)
Date: 2000
Accession Number: 2001.460.2
La Rétameuse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 83.1.33
In the Hayloft
George J. Stodart
(British, active 1884–92)
Date: 1881
Accession Number: 47.53.20
Seamstress
Robert Baxter
(American, born 1933)
Date: 1980–82
Accession Number: 2006.402.1
La Rétameuse
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1858
Accession Number: 17.3.7
The Pardon
Anonymous, French, 19th century
Date: after 1888
Accession Number: 2013.609.20
The Beggar
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: March 22, 1848
Accession Number: 17.3.2860
The Galliot of Jean de Vyl of Rotterdam
Charles Meryon
(French, 1821–1868)
Date: 1850
Accession Number: 17.78.6
Day (Le Jour), from the series, Dreams (Songes), plate VI
Odilon Redon
(French, Bordeaux 1840–1916 Paris)
Date: 1891
Accession Number: 20.30.6
Woman Combing Her Hair (from L'Estampe Originale, Album VI)
Maximilien Luce
(French, Paris 1858–1941 Paris)
Date: 1894
Accession Number: 22.82.1-58
Irène – Face
Henri Matisse
(French, Le Cateau-Cambrésis 1869–1954 Nice)
Date: 1914
Accession Number: 29.89.24
The Fatal Duel
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1863
Accession Number: 47.30.28
The Nôtre-Dame Pump, Paris
Charles Meryon
(French, 1821–1868)
Date: 1852
Accession Number: 17.3.415
Monkey-ana, or Men in Miniature
Thomas Landseer
(British, London 1795–1880 London)
Date: 1828
Accession Number: 59.600.38(4)
Die Sammlung Alt-Nieder-und Ober-Deutscher Gemälde der Brüder Sulpiz und Melchior Boisseree und Johann Bertram
Johann Nepomuk Strixner
(German, Altötting 1782–1855 Munich)
Date: 1821–34
Accession Number: 2010.384(1-117)
  • Results per page:
  • 30
  • 60
  • 90

Close