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660 records
Mezzotints x
Young Woman in Profile to the Left (from Ladies, Very Elegantly Attired in the Fashion, and in the Most Agreeable Attitudes)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1761
Medium: Mezzotint
Accession Number: 62.600.570
Figure of a Man Holding a Flask and a Basket of Bread
Probably after Jusepe de Ribera
(called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)
Date: 1650–1700
Medium: Mezzotint
Accession Number: 1981.1197.1
Solitude, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Medium: Etching and mezzotint; first state
Accession Number: 83.1.76
A Society of Patriotic Ladies at Edenton in North Carolina
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: March 25, 1775
Medium: Mezzotint
Accession Number: 24.90.35
Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826
Medium: Mezzotint with etching
Accession Number: 54.578.6
Gloucester Evening
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1935–43
Medium: Mezzotint
Accession Number: 43.33.217
Young Anglers, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching and mezzotint; first state
Accession Number: 28.97.32
Portrait of Mrs. Abington
Elizabeth Judkins
(British, active 1770–ca. 1814)
Date: 1770–1814
Medium: Mezzotint
Accession Number: 17.3.499
Crucifixion
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: ca. 1828
Medium: Mezzotint
Accession Number: 68.542.19
Charles Cholmondeley of Vale-Royal
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1756–62
Medium: Mezzotint
Accession Number: 62.602.196
Lady Seated at her Embroidery Frame
Anonymous, British, 18th century
Date: 18th century
Medium: Hand-colored mezzotint
Accession Number: 67.539.95
Collection d'Imitations de Dessins d'après les principeaux Maîtres Hollandais et Flamands (2 vols.)
Cornelis Ploos van Amstel
(Dutch, 1726–1798)
Date: 1821
Medium: Mezzotint, lithographs
Accession Number: 20.2(1-2)
The Lion and Horse
Benjamin Green
(British, Halesowen, Shropshire, baptized 1739–died 1798)
Date: 1777
Medium: Mezzotint; fourth state of five
Accession Number: 59.570.364
The Alcove, Isleworth, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; third state
Accession Number: 29.52.14
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1820–81
Medium: Mezzotint; advanced proof before letters
Accession Number: 27.4.7
Isaac Blessing Jacob
Charles Phillips
(British, 1737–1783)
Date: 1767
Medium: Mezzotint
Accession Number: 25.62.61v
Mary, Queen of Scots on the scaffold
Narcisse-Edmond-Joseph Desmadryl
(French, Lille 1801–ca. 1890 Valparaíso, Chile)
Date: 19th century
Medium: Etching and mezzotint
Accession Number: 58.549.160
Three Capuchins Seated
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Medium: Mezzotint
Accession Number: 1970.599.39
The Peregrine Falcon
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1843
Medium: Mezzotint, etching and stipple
Accession Number: 49.40.145
Set of the 24 illustrations for Milton's Paradise Lost
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826–27
Medium: Mezzotint
Accession Number: 31.42
Fashionable Woman Wearing an Ermine-Lined Cloak (Portrait of Lady Whitmore) (from Ladies, Very Elegantly Attired in the Fashion, and in the Most Agreeable Attitudes)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: February 28, 1762
Medium: Mezzotint
Accession Number: 66.695.4
Young Woman in Profile to the Right (Thomas Frye's Daughter) (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Medium: Mezzotint
Accession Number: 66.695.6
The Mildmay Sea-Piece, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching and mezzotint; third state
Accession Number: 29.52.17
Edward VII When a Boy
Samuel Cousins
(British, Exeter 1801–1887 London)
Date: 1818–87
Medium: Mezzotint
Accession Number: 64.501.16
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Medium: Etching and mezzotint; first state
Accession Number: 28.97.55
The Standard Bearer
Prince Rupert of the Rhine
(Bohemian, 1619–1682)
Date: 1658
Medium: Mezzotint
Accession Number: 33.52.32
Parisienne (Parisian Woman; also called The Effect of Night in Paris) (from L'Estampe originale, Album II)
Henri Boutet
(French, 1851–1919)
Date: 1893
Medium: Drypoint and mezzotint
Accession Number: 22.82.1-12
Rivaux Abbey, Yorkshire, from Liber Studiorum, part X
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Medium: Etching and mezzotint; first state of four
Accession Number: 28.97.51
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Medium: Mezzotint with touches of drypoint; proof before letters
Accession Number: 17.3.3120
Young Woman in Profile to the Left (from Ladies, Very Elegantly Attired in the Fashion, and in the Most Agreeable Attitudes)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1761
Accession Number: 62.600.570
Figure of a Man Holding a Flask and a Basket of Bread
Probably after Jusepe de Ribera
(called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples)
Date: 1650–1700
Accession Number: 1981.1197.1
Solitude, from Liber Studiorum, part XI
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 12, 1814
Accession Number: 83.1.76
A Society of Patriotic Ladies at Edenton in North Carolina
Attributed to Philip Dawe
(British, 1745?–?1809)
Date: March 25, 1775
Accession Number: 24.90.35
Raphael Conversing with Adam and Eve (Paradise Lost of Milton, Book 5, line 519)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826
Accession Number: 54.578.6
Gloucester Evening
Samuel L. Margolies
(American, New York 1897–1974 Fort Pierce, Florida (?))
Date: 1935–43
Accession Number: 43.33.217
Young Anglers, from Liber Studiorum, part VII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 28.97.32
Portrait of Mrs. Abington
Elizabeth Judkins
(British, active 1770–ca. 1814)
Date: 1770–1814
Accession Number: 17.3.499
Crucifixion
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: ca. 1828
Accession Number: 68.542.19
Charles Cholmondeley of Vale-Royal
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1756–62
Accession Number: 62.602.196
Lady Seated at her Embroidery Frame
Anonymous, British, 18th century
Date: 18th century
Accession Number: 67.539.95
Collection d'Imitations de Dessins d'après les principeaux Maîtres Hollandais et Flamands (2 vols.)
Cornelis Ploos van Amstel
(Dutch, 1726–1798)
Date: 1821
Accession Number: 20.2(1-2)
The Lion and Horse
Benjamin Green
(British, Halesowen, Shropshire, baptized 1739–died 1798)
Date: 1777
Accession Number: 59.570.364
The Alcove, Isleworth, from Liber Studiorum, part XIII
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 29.52.14
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1820–81
Accession Number: 27.4.7
Isaac Blessing Jacob
Charles Phillips
(British, 1737–1783)
Date: 1767
Accession Number: 25.62.61v
Mary, Queen of Scots on the scaffold
Narcisse-Edmond-Joseph Desmadryl
(French, Lille 1801–ca. 1890 Valparaíso, Chile)
Date: 19th century
Accession Number: 58.549.160
Three Capuchins Seated
Allart van Everdingen
(Dutch, Alkmaar 1621–1675 Amsterdam)
Date:
Accession Number: 1970.599.39
The Peregrine Falcon
After Sir Edwin Henry Landseer
(British, London 1802–1873 London)
Date: 1843
Accession Number: 49.40.145
Set of the 24 illustrations for Milton's Paradise Lost
John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1826–27
Accession Number: 31.42
Young Woman in Profile to the Right (Thomas Frye's Daughter) (from Life-Sized Heads, First Series)
Thomas Frye
(Irish, Edenderry 1711/12–1762 London)
Date: 1760
Accession Number: 66.695.6
The Mildmay Sea-Piece, from Liber Studiorum, part XIII
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 29.52.17
Edward VII When a Boy
Samuel Cousins
(British, Exeter 1801–1887 London)
Date: 1818–87
Accession Number: 64.501.16
Entrance of Calais Harbour, from Liber Studiorum, part XI
Etched and engraved by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1816
Accession Number: 28.97.55
The Standard Bearer
Prince Rupert of the Rhine
(Bohemian, 1619–1682)
Date: 1658
Accession Number: 33.52.32
Parisienne (Parisian Woman; also called The Effect of Night in Paris) (from L'Estampe originale, Album II)
Henri Boutet
(French, 1851–1919)
Date: 1893
Accession Number: 22.82.1-12
Rivaux Abbey, Yorkshire, from Liber Studiorum, part X
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: May 23, 1812
Accession Number: 28.97.51
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Accession Number: 17.3.3120
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