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33 records
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Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Medium: Graphite, pen and dark brown ink, brush and brown wash. Pricked for transfer.
Accession Number: 63.616.13
One Half of a Design for a Vaulted and Coffered Ceiling Chapel, With Free-Standing Altar (Unfinished Sketch)
Anonymous, Italian, Piedmontese, 18th century
Date: 18th century
Medium: Pen and black ink, brush with gray, green, yellow, and red wash over black chalk? on cream laid paper. Pricked for construction of drawing
Accession Number: 65.654.130
Hercules and Omphale
Copy after Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Medium: Red and black chalk; outlines partly pricked for transfer; framing outlines in black chalk
Accession Number: 87.12.82
A Seraph (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Medium: Pen and brown ink, brush and rose wash, highlighted with white gouache, over black chalk; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Accession Number: 1972.118.253
The Blessed Egidius (Cartoon for a Fresco)
Lo Spagna
(Giovanni di Pietro) (Italian, Spain (?) ca. 1450–1528 Perugia)
Date: 1514–16
Medium: Charcoal or black chalk; outlines pricked and pounced for transfer
Accession Number: 2002.432
The Adoration of the Magi (Cartoon for an Embroidery)
Attributed to Diego Lopez de Escuriaz
(Spanish, documented at Escorial, 1587–97, died ca. 1623 (?))
Date: 1587–89
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk, on blue-green paper; outlines finely pricked for transfer
Accession Number: 2008.379
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1500–5
Medium: Pen and brown ink, brush and gray-brown wash, over charcoal underdrawing; outlines pricked for transfer, on two glued sheets of paper with overlapping joins
Accession Number: 2013.641
View of Piazza with Basilica of San Marco
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush and brown wash. Framing lines in pen and brown ink at left and right margins. Pricked for transfer
Accession Number: 12.56.15
Design for Ticket or an Invitation
Anonymous, German, 19th century
Date: 19th century
Medium: Graphite, with touches of pen and black ink. Paper pricked in the area of the saints.
Accession Number: 44.100.1187
Charles II of Spain on Horseback
Matías de Torres
(Spanish, Aguilar de Campóo (Palencia) 1635–1711 Madrid)
Date: late 17th century
Medium: Pen and brown ink with brush and brown wash over slight traces of black chalk underdrawing. Corners cut off, composition outlined in hexagonal form with pen and brown ink. Contours of the seated figure and the saddle pricked. Lined
Accession Number: 80.3.504
Design for Framing Element with Figures
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Medium: Pen and brown ink, brush and brown wash, over black chalk; selectively pricked for transfer.
Accession Number: 52.570.149
Grotesques, with Q.R. in Cartouche at Left, S.P.Q.R. at Right (recto); Grotesque with Fan at Bottom, Two Putti Holding Flowers (verso)
attributed to Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: 16th century
Medium: Pen and dark gray-brown ink (recto). On off-white paper. Pen and brown ink over traces of black chalk underdrawing (verso). Drawing on verso pricked on figures of putti and shells below them
Accession Number: 52.570.329
Durga and Kali Approach the Gathered Armies of Chanda and Munda: Scene from the Devi Mahatmya
Date: ca. 1780
Medium: Graphite and ink on paper, pricked for transfer
Accession Number: 1995.132.1
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino
(Domenico Zampieri) (Italian, Bologna 1581–1641 Naples)
Date: 1612–14
Medium: Charcoal, highlighted with white chalk, on twenty-two glued sheets of blue-gray paper discolored light brown; traces of squaring grids in charcoal; outlines pricked for design transfer
Accession Number: 1998.211
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Medium: Pen and light brown ink reinforced with black chalk (recto). Border line drawn in black chalk along top and left side of sheet. On off-white paper. Composition (unknown) pricked for transfer (verso)
Accession Number: 56.235.24
Preparatory Study for a Portrait of Man Singh and His Harem
Date: 1810–15
Medium: Ink and opaque watercolor on paper, pricked for transfer
Accession Number: 34.89
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
(Italian, Florence 1484–1546 Terni)
Date: 1530–35
Medium: Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements, on off-white paper now partly darkened
Accession Number: 1998.265
The Staircase of the Giants, Ducal Palace, Venice
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush and brown wash, over red chalk. Selectively pricked holes for the construction of straight lines
Accession Number: 37.165.85
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Medium: Silverpoint, brush and brown ink, and indigo wash on vellum, pricked for transfer along brush lines
Accession Number: 1995.269
Assumption of Mary Magdalen
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Pen and brown ink, brush with blue-green wash, over black chalk and over pricked outlines on light tan paper
Accession Number: 87.12.44
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Medium: Pen and brown ink, brush with brown and gray wash, over red chalk (recto); at upper border appear two feet wearing pointed shoes, pricked for transfer and executed in brush and brown, blue, and yellow wash (verso)
Accession Number: 37.165.84
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Medium: Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk on paper washed brown; outlines of design and framing outlines pricked and with traces of rubbed black pouncing dust
Accession Number: 12.56.5a
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: 16th century
Medium: Pen and brown ink, brush with gray wash, over traces of metalpoint; design has been selectively pricked.
Accession Number: 52.570.168
Harvest Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Medium: Pen and brown ink, brush and brown wash, black chalk, heightened with white. Pricked for transfer.
Accession Number: 63.616.15
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Medium: Pen and brown ink and red chalk (recto). Pricked for transfer in right part of sheet and at all corners. Pen and brown ink sketches (verso)
Accession Number: 65.653.51
Design for a Cartouche with the "IHS" Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Medium: Pen and brown ink, brush and brown wash, outlines partly pricked for transfer
Accession Number: 49.19.84
A Seated Saint Reading from a Book
Attributed to Alesso Baldovinetti
(Italian, Florence 1425–1499 Florence)
Date: late 15th century
Medium: Brush and brown ink, brown wash, heightened with white (partly oxidized); horizontal lines in black chalk (?); pricked for transfer; oulines reinforced in brown in, perhaps in the 15th or early 16th century.
Accession Number: 1975.1.409
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Medium: Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer.
Accession Number: 1975.1.410
Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral)
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: ca. 1548
Medium: Black chalk; outlines pricked for transfer
Accession Number: 2013.117
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Medium: Pen with brown and black inks, brush and brown wash, over graphite; outlines selectively pricked and incised with a stylus; verso has been blackened with black chalk.
Accession Number: 49.116.2
Musical Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Accession Number: 63.616.13
One Half of a Design for a Vaulted and Coffered Ceiling Chapel, With Free-Standing Altar (Unfinished Sketch)
Anonymous, Italian, Piedmontese, 18th century
Date: 18th century
Accession Number: 65.654.130
Hercules and Omphale
Copy after Annibale Carracci
(Italian, Bologna 1560–1609 Rome)
Date: 1560–1609
Accession Number: 87.12.82
A Seraph (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Accession Number: 1972.118.253
The Blessed Egidius (Cartoon for a Fresco)
Lo Spagna
(Giovanni di Pietro) (Italian, Spain (?) ca. 1450–1528 Perugia)
Date: 1514–16
Accession Number: 2002.432
The Adoration of the Magi (Cartoon for an Embroidery)
Attributed to Diego Lopez de Escuriaz
(Spanish, documented at Escorial, 1587–97, died ca. 1623 (?))
Date: 1587–89
Accession Number: 2008.379
Standing Female Figure (St. Anne; Cartoon for a Painting)
Vittore Carpaccio
(Italian, Venice 1460/66?–1525/26 Venice)
Date: ca. 1500–5
Accession Number: 2013.641
View of Piazza with Basilica of San Marco
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 12.56.15
Design for Ticket or an Invitation
Anonymous, German, 19th century
Date: 19th century
Accession Number: 44.100.1187
Charles II of Spain on Horseback
Matías de Torres
(Spanish, Aguilar de Campóo (Palencia) 1635–1711 Madrid)
Date: late 17th century
Accession Number: 80.3.504
Design for Framing Element with Figures
Anonymous, Italian, second half of the 16th century
Date: 1550–1600
Accession Number: 52.570.149
Grotesques, with Q.R. in Cartouche at Left, S.P.Q.R. at Right (recto); Grotesque with Fan at Bottom, Two Putti Holding Flowers (verso)
attributed to Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: 16th century
Accession Number: 52.570.329
The Martyrdom of Saint Cecilia (Cartoon for a Fresco)
Domenichino
(Domenico Zampieri) (Italian, Bologna 1581–1641 Naples)
Date: 1612–14
Accession Number: 1998.211
Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)
Anonymous, Spanish, School of Seville, 17th century
Date: 17th century
Accession Number: 56.235.24
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo, the Younger
(Italian, Florence 1484–1546 Terni)
Date: 1530–35
Accession Number: 1998.265
The Staircase of the Giants, Ducal Palace, Venice
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 37.165.85
Saint Catherine
Lucas Cranach the Elder
(German, Kronach 1472–1553 Weimar)
Date: late 15th–mid-16th century
Accession Number: 1995.269
Assumption of Mary Magdalen
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 87.12.44
The Island of Anconetta (recto); Two Feet Wearing Pointed Shoes (verso)
Francesco Guardi
(Italian, Venice 1712–1793 Venice)
Date: 1712–93
Accession Number: 37.165.84
The Angel of the Annunciation (Cartoon for an Embroidery)
Raffaellino del Garbo
(also known as Raffaelle de' Capponi and Raffaelle de' Carli) (Italian, Florence 1466?–1524 Florence)
Date: 1466–1524
Accession Number: 12.56.5a
Fragment of Ornamental Drawing after the Antique; Half-harpy with Acanthus Rinceaux
Andrés de Melgar
(Spanish, documented S. Domingo de la Calzada, died after 1554)
Date: 16th century
Accession Number: 52.570.168
Harvest Trophy
Charles Monblond
(French, 19th century)
Date: 19th century
Accession Number: 63.616.15
Design for a Painted Ceiling: Perspective Architectural with a Figure at the Center
Anonymous, Italian, Piedmontese, 18th century
Date: 1700–1780
Accession Number: 65.653.51
A Seated Saint Reading from a Book
Attributed to Alesso Baldovinetti
(Italian, Florence 1425–1499 Florence)
Date: late 15th century
Accession Number: 1975.1.409
Study for the Equestrian Monument to Francesco Sforza
Antonio Pollaiuolo
(Italian, Florence ca. 1432–1498 Rome)
Date: early to mid 1480s
Accession Number: 1975.1.410
Putti Playing with Hoops (Cartoon for a Fresco in the Parma Cathedral)
Michelangelo Anselmi
(Italian, Siena or Lucca (?) 1492–1556 Parma)
Date: ca. 1548
Accession Number: 2013.117
Annunciation with Beato Bernardo Tolomei di Siena
Anonymous, Italian, 19th century
Date: 1800–1900
Accession Number: 49.116.2
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