Quantcast
The Collection Online / 397,538 records
589 records
Proofs x
Fox and the Goat
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Medium: Wood engraving; proof impression
Accession Number: 53.552.19
Plate 10: Joel, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Medium: Etching; proof before letters
Accession Number: 55.565.4(10)
Finden's Landscape Illustrations of the Bible
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Medium: Engraving, proofs
Accession Number: 48.124.4(1-26)
Moses Preaching from the Tablets of the Law, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(11b)
The Shower
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1894
Medium: Woodcut; trial proof on Japan paper, possibly posthumous
Accession Number: 1984.1071.1
Travelling for Pleasure in Merry England (from "The Hampdens - a Historiette" by Harriet Martineau, chapter 14, published in "Once a Week")
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: February 28, 1863
Medium: Wood engraving; proof
Accession Number: 27.87.50(39)
Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 2, 1802
Medium: Etching; proof
Accession Number: 17.3.888-92
Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon
Robert Nanteuil
(French, Reims 1623–1678 Paris)
Date: ca. 1678
Medium: Engraving; proof of second state of two (Adamczak)
Accession Number: 2000.416.67
Interior of a Golf Club
John Rankine Barclay
(British, Edinburgh, Scotland 1884–1962/63)
Date: 20th century
Medium: Etching; proof
Accession Number: 67.670.7
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Medium: Stipple engraving; artist's proof
Accession Number: 58.549.186
The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(12)
Le Médecin Malgré Luy, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Medium: Etching; proof before letters
Accession Number: 42.24(45)
The Poet John Trumbull (1750–1831)
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1820
Medium: Engraving; proof before letters
Accession Number: 30.15.7
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(11)
Mary, Queen of Scots kneeling on the scaffold (from L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes)
William Nelson Gardiner
(British, Dublin 1766–1814 London)
Date: April 20, 1790
Medium: Stipple engraving; proof
Accession Number: 24.63.339
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1820–81
Medium: Mezzotint; advanced proof before letters
Accession Number: 27.4.7
Winter Street Scene on Broadway (Scene d'Hiver dans Broadway)
Engraved by Paul Girardet
(French, 1821–1893)
Date: 1857
Medium: Lithograph, proof before title
Accession Number: 54.90.1266
On the Hill Side (Strayed Sheep)
After William Holman Hunt
(British, London 1827–1910 London)
Date: 1852–58
Medium: Etching and engraving, on chine collé; proof
Accession Number: 63.648.14
The White King's Skill in Conducting Masquerades, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Medium: Woodcut; proof (Hollstein)
Accession Number: 43.3.3
Illustration for "The Relief Fund in Lancashire"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Medium: Wood engraving; proof
Accession Number: 22.112.2
Canal Boats and Tugs
Charles Adams Platt
(American, New York 1861–1933)
Date: 1887
Medium: Etching and drypoint; trial proof b
Accession Number: 26.35.5
The Woman in White–Olympic Theatre
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Medium: Woodcut; proof
Accession Number: 28.87.36(3)
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Medium: Etchings with soft ground, trial proof
Accession Number: 1977.655.10
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Medium: Etching and drypoint, proof
Accession Number: 24.12.4
Mercury and Argus
Etched by Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 17th century
Medium: Etching; first state of two, trial proof before letters
Accession Number: 2005.377.46
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Medium: Etching; proof
Accession Number: 41.97.286(21c)
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Medium: Mezzotint with touches of drypoint; proof before letters
Accession Number: 17.3.3120
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Medium: Etchings with soft ground, trial proof
Accession Number: 1977.655.4
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Etching; proof impression of the only state (Glasgow 1); this is an irregular fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Accession Number: 1970.121.9
Hooded Male Head (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Medium: Etching; proof impression of the only state (Glasgow 1); this is a fragment cut from the upper portion of "Sketches on the Coast Survey Plate" (Kennedy no. 1) by Whistler and mounted on a board with six other related fragments. Cited by Glasgow as the earliest known impression.
Accession Number: 1970.121.23
Fox and the Goat
Gustave Doré
(French, Strasbourg 1832–1883 Paris)
Date: 1868
Accession Number: 53.552.19
Plate 10: Joel, from The Prophets
Raffaello Schiaminossi
(Italian, 1572–1622)
Date: 1609
Accession Number: 55.565.4(10)
Finden's Landscape Illustrations of the Bible
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1836
Accession Number: 48.124.4(1-26)
Moses Preaching from the Tablets of the Law, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(11b)
The Shower
Félix Vallotton
(Swiss, Lausanne 1865–1925 Paris)
Date: 1894
Accession Number: 1984.1071.1
Travelling for Pleasure in Merry England (from "The Hampdens - a Historiette" by Harriet Martineau, chapter 14, published in "Once a Week")
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: February 28, 1863
Accession Number: 27.87.50(39)
Blowing-up the Pic-Nic's;–or–Harlequin Quixote Attacking the Puppets, vide Tottenham Street Pantomime
James Gillray
(British, Chelsea 1756–1815 London)
Date: April 2, 1802
Accession Number: 17.3.888-92
Emmanuel-Théodose de La Tour d'Auvergne, cardinal de Bouillon
Robert Nanteuil
(French, Reims 1623–1678 Paris)
Date: ca. 1678
Accession Number: 2000.416.67
Interior of a Golf Club
John Rankine Barclay
(British, Edinburgh, Scotland 1884–1962/63)
Date: 20th century
Accession Number: 67.670.7
Mary, Queen of Scots
Charles Picart
(British, active ca. 1780–1837)
Date: 1818
Accession Number: 58.549.186
The Importunate Friend (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(12)
Le Médecin Malgré Luy, from Gravures de Boucher pour les Oeuvres de Molière [Figures de Boucher pour Molière]
Laurent Cars
(French, Lyons 1699–1771 Paris)
Date: mid–18th century
Accession Number: 42.24(45)
The Poet John Trumbull (1750–1831)
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1820
Accession Number: 30.15.7
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(11)
Mary, Queen of Scots kneeling on the scaffold (from L'Execution de Marie Stuart, reine d'Ecosse, en sept estampes)
William Nelson Gardiner
(British, Dublin 1766–1814 London)
Date: April 20, 1790
Accession Number: 24.63.339
Summer Evening
David Lucas
(British, Northamptonshire 1802–1881 London)
Date: 1820–81
Accession Number: 27.4.7
Winter Street Scene on Broadway (Scene d'Hiver dans Broadway)
Engraved by Paul Girardet
(French, 1821–1893)
Date: 1857
Accession Number: 54.90.1266
On the Hill Side (Strayed Sheep)
After William Holman Hunt
(British, London 1827–1910 London)
Date: 1852–58
Accession Number: 63.648.14
The White King's Skill in Conducting Masquerades, from Der Weisskunig
Hans Burgkmair
(German, Augsburg 1473–1531 Augsburg)
Date: 1514–16
Accession Number: 43.3.3
Illustration for "The Relief Fund in Lancashire"
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1862
Accession Number: 22.112.2
Canal Boats and Tugs
Charles Adams Platt
(American, New York 1861–1933)
Date: 1887
Accession Number: 26.35.5
The Woman in White–Olympic Theatre
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Accession Number: 28.87.36(3)
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Accession Number: 1977.655.10
Tilla Durieux
Emil Orlik
(Austro-Hungarian, Prague 1870–1932 Berlin)
Date: n.d.
Accession Number: 24.12.4
Mercury and Argus
Etched by Anthonie Waterloo
(Dutch, Lille 1609–1690 Utrecht)
Date: 17th century
Accession Number: 2005.377.46
St. Andrew Bearing the Cross, from Prove di Vari Rami Inediti [...]
Francesco Rosaspina
(Italian, Montescudo 1762–1841 Bologna)
Date: 19th century
Accession Number: 41.97.286(21c)
Paradise – With the Approach of the Archangel Raphael (Paradise Lost of Milton, Book 5, line 308)
Designed and engraved by John Martin
(British, Haydon Bridge, Northumberland 1789–1854 Douglas, Isle of Man)
Date: 1825
Accession Number: 17.3.3120
Mabel
Jim Dine
(American, born Cincinnati, Ohio, 1935)
Date: 1976
Accession Number: 1977.655.4
Two Female Heads and Standing Figure (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.9
Hooded Male Head (from Sketches on the Coast Survey Plate)
James McNeill Whistler
(American, Lowell, Massachusetts 1834–1903 London)
Date: 1854–55
Accession Number: 1970.121.23
  • Results per page:
  • 30
  • 60
  • 90

Close