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23 records
Bernard van Orley x
The Twelve Ages of Man: The First Three Ages of Man (Birth-18), or Spring
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Medium: Wool, silk (16-20 warps per inch, 6-8 per cm.)
Accession Number: 53.221.1
August from a set of the Twelve Months
Possibly after a design by the workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1525–28
Medium: Wool, silk (20 warps per inch, 8 per cm.)
Accession Number: 19.172.1
The Adoration of the Magi
Circle of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th–mid 16th century
Medium: Pen and brown ink, brown wash, over black chalk, on brown-gray (prepared?) paper
Accession Number: 2014.100
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Medium: Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.)
Accession Number: 41.190.136
Four Scenes from the Passion
Follower of Bernard van Orley
(Netherlandish, ca. 1520)
Date:
Medium: Oil on wood
Accession Number: 41.190.14
Saint Veronica
Possibly after a design by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1520
Medium: Wool, silk, silver, silver-gilt thread (18-21 warps per inch, 7-8 per cm.)
Accession Number: 41.190.80
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
James Girtin
(British, 1773–after 1820)
Date: 1817
Medium: Etching
Accession Number: 21.36.67
The Resurrection
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th century
Medium: Pen and black ink, grey wash. Framing line in pen and brown ink (by the artist)
Accession Number: 2008.45
Adoration of the Kings
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1530–35
Medium: Wool, silk, silver, silver-gilt thread (20 warps per inch, 8 per cm.)
Accession Number: 14.40.706
October from a set of the Twelve Months
Possibly after a design by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1525–28
Medium: Wool, silk (20 warps per inch, 8 per cm.)
Accession Number: 19.172.2
News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory
(British, 1619–1703)
Date: designed before 1645, woven ca. 1645–75
Medium: Wool (15-16 warps per inch, 6-7 per cm.)
Accession Number: 57.127
Pilate Washing his Hands
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 1530s
Medium: Black chalk, squared in red chalk, on four joined sheets of paper
Accession Number: 2002.430
Virgin and Child with Angels
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1518
Medium: Oil on wood
Accession Number: 14.40.632
The Twelve Ages of Man: The Second Three Ages of Man (18-36), or Summer
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Medium: Wool, silk (16-20 warps per inch, 6-8 per cm.)
Accession Number: 53.221.2
The Twelve Ages of Man, or The Seasons
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Medium: Wool, silk (16-20 warps per inch, 6-8 per cm.)
Accession Number: 53.221.1–.4
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1514–15
Medium: Oil on wood
Accession Number: 2001.216.3
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
The Twelve Ages of Man: The Last Three Ages of Man (54-72), or Winter
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Medium: Wool, silk (16-20 warps per inch, 6-8 per cm.)
Accession Number: 53.221.4
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto
Accession Number: 1995.12
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso)
Master of the Months of Lucas
(Netherlandish, active about 1535)
Date: ca. 1535
Medium: Pen and brown ink, brush and light gray-brown wash (faded from violet?)
Accession Number: 1975.131.181
The Twelve Ages of Man: The Third Three Ages of Man (36-54), or Autumn
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Medium: Wool, silk (16-20 warps per inch, 6-8 per cm.)
Accession Number: 53.221.3
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: designed ca. 1531, woven 1692–93
Medium: Wool, silk (19-21 warps per inch, 8-9 per cm.)
Accession Number: 35.74.1
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: designed ca. 1531, woven 1692–93
Medium: Wool, silk (19-21 warps per inch, 8-9 per cm.)
Accession Number: 35.74.2
The Twelve Ages of Man: The First Three Ages of Man (Birth-18), or Spring
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Accession Number: 53.221.1
August from a set of the Twelve Months
Possibly after a design by the workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1525–28
Accession Number: 19.172.1
The Adoration of the Magi
Circle of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th–mid 16th century
Accession Number: 2014.100
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Accession Number: 41.190.136
Four Scenes from the Passion
Follower of Bernard van Orley
(Netherlandish, ca. 1520)
Date:
Accession Number: 41.190.14
Saint Veronica
Possibly after a design by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1520
Accession Number: 41.190.80
Seventy-Five Portraits of Celebrated Painters, From Authentic Originals
James Girtin
(British, 1773–after 1820)
Date: 1817
Accession Number: 21.36.67
The Resurrection
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 16th century
Accession Number: 2008.45
Adoration of the Kings
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1530–35
Accession Number: 14.40.706
October from a set of the Twelve Months
Possibly after a design by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1525–28
Accession Number: 19.172.2
News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory
(British, 1619–1703)
Date: designed before 1645, woven ca. 1645–75
Accession Number: 57.127
Pilate Washing his Hands
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: early 1530s
Accession Number: 2002.430
Virgin and Child with Angels
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1518
Accession Number: 14.40.632
The Twelve Ages of Man: The Second Three Ages of Man (18-36), or Summer
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Accession Number: 53.221.2
The Twelve Ages of Man, or The Seasons
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Accession Number: 53.221.1–.4
The Birth and Naming of Saint John the Baptist; (reverse) Trompe-l'oeil with Painting of The Man of Sorrows
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1514–15
Accession Number: 2001.216.3
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
The Twelve Ages of Man: The Last Three Ages of Man (54-72), or Winter
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Accession Number: 53.221.4
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Accession Number: 1995.12
The Month of June, Shearing Sheep (recto); Couples Drinking Wine, The Month of October (verso)
Master of the Months of Lucas
(Netherlandish, active about 1535)
Date: ca. 1535
Accession Number: 1975.131.181
The Twelve Ages of Man: The Third Three Ages of Man (36-54), or Autumn
Probably after a design by the Workshop of Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1515
Accession Number: 53.221.3
The Final Assault on the Boar, or December from a set of the Hunts of Maximilian
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: designed ca. 1531, woven 1692–93
Accession Number: 35.74.1
The Arrival at the Hunting Lodge, or April from a set of the Hunts of Maximilian
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: designed ca. 1531, woven 1692–93
Accession Number: 35.74.2

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