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25 records
Frederick Walker x
English Rustic Pictures
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: [1882]
Medium: Book: India proofs
Accession Number: 22.96
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.13)
Historical & Legendary Ballads and Songs
Edited by Walter Thornbury
(British, London 1828–1876 London)
Date: 1876
Medium: Wood engraving
Accession Number: 65.629.12
Good Words for 1862
Edited by Norman Macleod
(British, Campbeltown, Argyll, Scotland 1812–1872 Glasgow)
Date: 1862
Medium: Wood engraving
Accession Number: 65.629.3(1)
"Here's Dame Hundley Flying On to Us Sir" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 33)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.5)
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers
(British, active 1839–1893)
Date: ca. 1873
Medium: Wood engraving
Accession Number: 2012.60.1(1–111)
A Round of Days
Dalziel Brothers
(British, active 1839–1893)
Date: 1866
Medium: Wood engraving
Accession Number: 65.629.1
A Blind Man (The Wayfarers)
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1869
Medium: Etching
Accession Number: 83.1.84
"See, Dears, Here are two silver pencil-cases. They were both your Uncle Richard's" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 532)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.51)
"Ah, said the Doctor, It's about that money I want to talk to you. Sit down Caroline" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 453)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.42)
The Moray Minstrels
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1865
Medium: Brown pen and ink with graphite and touches of white
Accession Number: 58.503.1
Love in Death (Good Words for 1862, opp. p. 185)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Medium: Wood engraving
Accession Number: 65.629.3(1.13)
Newspaper Cuttings
Compiled by Pickford Waller
(British, 1827–1927)
Date: ca. 1873–ca. 1908
Medium: Wood engraving, etching
Accession Number: 1985.1160.187
English Sacred Poetry, of the Sixteenth, Seventeenth, Eighteenth, and Nineteenth Centuries
Selected and edited by Robert Eldridge Aris Willmott
(British, Bradford-on-Avon, Wiltshire 1809–1863 Nettlebed, Oxford)
Date: 1862
Medium: Wood engraving
Accession Number: 65.629.16
The Moray Minstrels (Invitation card of Arthur J. Lewis)
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1865
Medium: Wood engraving
Accession Number: 58.503.2
The Summer Woods (Good Words for 1862, opp. p. 368)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Medium: Wood engraving
Accession Number: 65.629.3(1.22)
A Woman Standing under an Arbor, Her Hat Full of Flowers
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Medium: Photograph of a drawing
Accession Number: 28.37.79(2)
"'It was only a ward bent,' He said" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 604)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.58)
In the November Night (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 371)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.35)
English Rustic Pictures
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 19th century
Medium: Books
Accession Number: 46.14.2
Out Among the Wildflowers (Good Words for 1862, opp. p. 657)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Medium: Wood engraving
Accession Number: 65.629.3(1.41)
Oswald Cray is Surprised (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 286)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.28)
Touches of Nature: By Eminent Artists and Authors
Engraved by Dalziel Brothers
(British, active 1839–1893)
Date: 1867
Medium: Wood engraving
Accession Number: 65.629.2
The Woman in White–Olympic Theatre
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Medium: Woodcut; proof
Accession Number: 28.87.36(3)
"It Was Brave Parkins Gone Down in a Fainting Fit" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 202)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Medium: Wood engraving
Accession Number: 65.629.3(3.20)
English Rustic Pictures
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: [1882]
Accession Number: 22.96
"You Rogues, What Brings You Here Today?" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 129)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.13)
Historical & Legendary Ballads and Songs
Edited by Walter Thornbury
(British, London 1828–1876 London)
Date: 1876
Accession Number: 65.629.12
Good Words for 1862
Edited by Norman Macleod
(British, Campbeltown, Argyll, Scotland 1812–1872 Glasgow)
Date: 1862
Accession Number: 65.629.3(1)
"Here's Dame Hundley Flying On to Us Sir" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 33)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.5)
Woodcuts from Designs by Various Artists, Collected by Arthur Heseltine, 1873
Dalziel Brothers
(British, active 1839–1893)
Date: ca. 1873
Accession Number: 2012.60.1(1–111)
A Round of Days
Dalziel Brothers
(British, active 1839–1893)
Date: 1866
Accession Number: 65.629.1
A Blind Man (The Wayfarers)
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1869
Accession Number: 83.1.84
"See, Dears, Here are two silver pencil-cases. They were both your Uncle Richard's" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 532)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.51)
"Ah, said the Doctor, It's about that money I want to talk to you. Sit down Caroline" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 453)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.42)
The Moray Minstrels
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1865
Accession Number: 58.503.1
Love in Death (Good Words for 1862, opp. p. 185)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Accession Number: 65.629.3(1.13)
Newspaper Cuttings
Compiled by Pickford Waller
(British, 1827–1927)
Date: ca. 1873–ca. 1908
Accession Number: 1985.1160.187
English Sacred Poetry, of the Sixteenth, Seventeenth, Eighteenth, and Nineteenth Centuries
Selected and edited by Robert Eldridge Aris Willmott
(British, Bradford-on-Avon, Wiltshire 1809–1863 Nettlebed, Oxford)
Date: 1862
Accession Number: 65.629.16
The Moray Minstrels (Invitation card of Arthur J. Lewis)
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1865
Accession Number: 58.503.2
The Summer Woods (Good Words for 1862, opp. p. 368)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Accession Number: 65.629.3(1.22)
A Woman Standing under an Arbor, Her Hat Full of Flowers
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Accession Number: 28.37.79(2)
"'It was only a ward bent,' He said" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 604)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.58)
In the November Night (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 371)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.35)
English Rustic Pictures
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 19th century
Accession Number: 46.14.2
Out Among the Wildflowers (Good Words for 1862, opp. p. 657)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1862
Accession Number: 65.629.3(1.41)
Oswald Cray is Surprised (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 286)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.28)
Touches of Nature: By Eminent Artists and Authors
Engraved by Dalziel Brothers
(British, active 1839–1893)
Date: 1867
Accession Number: 65.629.2
The Woman in White–Olympic Theatre
Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: ca. 1861
Accession Number: 28.87.36(3)
"It Was Brave Parkins Gone Down in a Fainting Fit" (illustration to "Oswald Cray," in Good Words for 1864, opp. p. 202)
After Frederick Walker
(British, London 1840–1875 Perthshire, Scotland)
Date: 1864
Accession Number: 65.629.3(3.20)

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