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[Plans of Portals, Altars, etc.]
Published by Pierre Filloeul
(French, Abbeville 1696–after 1754 Paris)
Date: n.d. [after 1738]
Medium: Engraving
Accession Number: 37.18.2(35-46)
Study for a Garden Capriccio
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Red chalk over black chalk underdrawing.
Accession Number: 1985.1116.3
Designs for a Picture Frame
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1730–1740
Medium: Pen and brown ink over traces of black chalk
Accession Number: 1971.513.83
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and black ink with brush and gray wash. Framing lines in brown ink.
Accession Number: 48.4.1
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Pen and black ink, over traces of graphite. Framing lines in pen and black ink.
Accession Number: 1971.513.84
Design for Ornament with a Flutist (recto); Design for molding (verso)
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Red chalk (recto); black chalk (verso)
Accession Number: 62.578
Design for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Pen and black ink, with graphite underdrawing. Framing lines in pen and black ink.
Accession Number: 1971.513.85
Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1700–1720
Medium: Pen and gray ink, brush and grey, brown, red, and blue wash
Accession Number: 65.676.2
Classical Scene with a Tomb and Flaming Brazier
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1700–1710
Medium: Pen and black and gray ink, brush and black and gray wash, over traces of graphite underdrawing, with framing lines in pen and black ink
Accession Number: 68.773.4
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and black ink with brush and gray wash. Framing lines in pen and black ink.
Accession Number: 48.4.2
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink.
Accession Number: 48.4.3
Works by Gille Marie Oppenord
Designed by Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d. [after 1748]
Medium: Etching
Accession Number: 30.58.1
Ornament Drawing with Cartouche, Putti, and Monkeys
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Red chalk and red chalk wash over graphite underdrawing
Accession Number: 58.530
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and black ink, with brush and gray wash. Framing lines in pen and brown ink.
Accession Number: 48.4.4
Works by Gille Marie Oppenord
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Etching
Accession Number: 22.84.5
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Pen and black ink, over traces of graphite. Framing lines in pen and black ink.
Accession Number: 1971.513.88
Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament)
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: printed 18th century
Medium: Etching
Accession Number: 67.797.23
Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)
J. B. Hutin
(French, 1726–after 1786)
Date: 18th century
Medium: Etching and engraving
Accession Number: 53.600.1000(1-8)
Brackets, Caryatids and other Architectural Details (recto and verso)
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1690–1710
Medium: Pen and black and dark brown ink, brush and dark brown and gray wash, over traces of graphite underdrawing
Accession Number: 1981.1047
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Pen and black ink, over graphite underdrawing. Framing lines in pen and black ink.
Accession Number: 1971.513.87
Livre Nouveau ou Regles des cinq ordres d'Architecture, par Jacques Barozzio de Vignole. Nouvellement revû, corrigé et augmenté par Monsieur B.*** Architecte du Roy. Avec plusieurs morceaux de Michel-Ange, Vitruve, Mansard, et autres Célebres Architectes
Written by Jacopo [Giacomo] Barozzi da Vignola
(Italian, Vignola 1507–1573 Rome)
Date: 1767
Medium: Printed book with etched and engraved illustrations
Accession Number: 52.519.52
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and black ink with brush and gray wash. Framing lines in pen and brown ink.
Accession Number: 48.4.5
Title Page, from Receuil de Différents Caractères de Testes Dessinées d'Apres la Colonne Trajane (Study of Different Types of Heads Designed after the Column of Trajan)
Gabriel Huquier
(French, Orléans 1695–1772 Paris)
Date: 18th century
Medium: Etching and engraving
Accession Number: 53.600.1000(1)
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Medium: Pen and black ink, over traces of graphite underdrawing. Framing lines in pen and black ink.
Accession Number: 1971.513.86
Design for a Vase
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Black chalk, stumped
Accession Number: 48.148(27)
Study for a Decorated Initial A with the Annunciation
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Medium: Pen and brown ink, heightened with white. Framing lines in pen and brown ink with some gold.
Accession Number: 48.4.6
Book of New Trophies
Jacques Dumont, called le Romain
(French, Paris 1701–1781 Paris)
Date: 1720–74
Medium: Engraving
Accession Number: 47.118.1
Design for a Monument to a Military Leader
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1690–1740
Medium: Pen and dark brown ink, brush and gray wash. Framing lines in pen and gray and brown ink.
Accession Number: 1971.513.80
[Plans of Portals, Altars, etc.]
Published by Pierre Filloeul
(French, Abbeville 1696–after 1754 Paris)
Date: n.d. [after 1738]
Accession Number: 37.18.2(35-46)
Study for a Garden Capriccio
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 1985.1116.3
Designs for a Picture Frame
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1730–1740
Accession Number: 1971.513.83
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.1
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 1971.513.84
Design for Ornament with a Flutist (recto); Design for molding (verso)
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 62.578
Design for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 1971.513.85
Design for the Wrought-Iron Entrance Grille of a Chapel
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1700–1720
Accession Number: 65.676.2
Classical Scene with a Tomb and Flaming Brazier
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1700–1710
Accession Number: 68.773.4
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.2
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.3
Works by Gille Marie Oppenord
Designed by Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d. [after 1748]
Accession Number: 30.58.1
Ornament Drawing with Cartouche, Putti, and Monkeys
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 58.530
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.4
Works by Gille Marie Oppenord
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 22.84.5
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 1971.513.88
Le Denier de César (The Tribute Money), from Le Nouveau Testament (The New Testament)
Jacques Callot
(French, Nancy 1592–1635 Nancy)
Date: printed 18th century
Accession Number: 67.797.23
Brackets, Caryatids and other Architectural Details (recto and verso)
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1690–1710
Accession Number: 1981.1047
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 1971.513.87
Study for a Cartouche
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.5
Study for a Garden Capriccio
Workshop of Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: n.d.
Accession Number: 1971.513.86
Design for a Vase
Attributed to Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.148(27)
Study for a Decorated Initial A with the Annunciation
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date:
Accession Number: 48.4.6
Book of New Trophies
Jacques Dumont, called le Romain
(French, Paris 1701–1781 Paris)
Date: 1720–74
Accession Number: 47.118.1
Design for a Monument to a Military Leader
Gilles-Marie Oppenord
(French, Paris 1672–1742 Paris)
Date: ca. 1690–1740
Accession Number: 1971.513.80

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