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Ferdinand VII (1784–1833), When Prince of Asturias
Goya
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Oil on canvas
Accession Number: 51.70
A City on a Rock
Style of Goya
(Spanish, 19th century)
Date:
Medium: Oil on canvas
Accession Number: 29.100.12
María Luisa of Parma (1751–1819), Queen of Spain
Copy after Goya
(Spanish, after 1800)
Date:
Medium: Oil on canvas
Accession Number: 29.100.11
Portrait of a Man
Attributed to Gaspare Traversi
(Italian, Neapolitan, ca. 1722–1770)
Date:
Medium: Oil on canvas
Accession Number: 29.100.179
Don Bernardo de Iriarte (1735–1814)
Copy after Goya
(Spanish, 1797 or later)
Date:
Medium: Oil on canvas
Accession Number: 50.145.19
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Copy after Goya
(Spanish, 1800 or shortly after)
Date:
Medium: Oil on canvas
Accession Number: 30.95.243
Ferdinand VII (1784–1833), When Prince of Asturias
Goya
(Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 51.70
A City on a Rock
Style of Goya
(Spanish, 19th century)
Date:
Accession Number: 29.100.12
María Luisa of Parma (1751–1819), Queen of Spain
Copy after Goya
(Spanish, after 1800)
Date:
Accession Number: 29.100.11
Portrait of a Man
Attributed to Gaspare Traversi
(Italian, Neapolitan, ca. 1722–1770)
Date:
Accession Number: 29.100.179
Don Bernardo de Iriarte (1735–1814)
Copy after Goya
(Spanish, 1797 or later)
Date:
Accession Number: 50.145.19
Infanta María Luisa (1782–1824) and Her Son Carlos Luis (1799–1883)
Copy after Goya
(Spanish, 1800 or shortly after)
Date:
Accession Number: 30.95.243

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