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413 records
Goya (Francisco de Goya y Lucientes) x
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.40
It always happens (Siempre sucede), from The Disasters of War (Los Desastres de la Guerra), plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and drypoint on wove paper
Accession Number: 22.60.25(8)
No saben el camino
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(70)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1804
Medium: Oil on canvas
Accession Number: 55.145.2
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(49)
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished aquatint, burin and burnisher on wove paper
Accession Number: 22.60.25(38)
Barbarous Entertainment (Barbara dibersion)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1800–1804
Medium: Etching, aquatint and drypoint printed in black ink on medium weight, laid paper
Accession Number: 18.42.2
Interior of a Church; Images of Spain Album (F), page 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and gray-brown wash, with scraping on laid paper
Accession Number: 35.103.28
Plate 39 from 'Los Caprichos': And so was his grandfather. (Asta su Abuelo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Aquatint
Accession Number: 18.64(39)
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 22.60.25(41)
Waking from Sleep in the Open Air, from Images of Spain Album (F), 71
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.41
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Medium: Etching, burnished aquatint, burin, and drypoint; posthumous proof, before number; 1848-63
Accession Number: 21.54.1
To the Cemetery, from The Disasters of War; working proof for plate 56
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching and drypoint on laid paper
Accession Number: 53.541
Nor Do These (Tampoco), The Disasters of War (Los Desastres de la Guerra), plate 10
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching and burin on laid paper
Accession Number: 32.62.18
Why? (Por qué?), from The Disasters of War (Los Desastres de la Guerra), plate 32
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(32)
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, lavis and burin on wove paper
Accession Number: 22.60.25(23)
Crowd in a Park, from Images of Spain Album (F), page 31
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and irongall ink, with scraping on laid paper
Accession Number: 35.103.19
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, drypoint and burin on wove paper
Accession Number: 51.530.2(69)
They play another with the cape in an enclosure, plate 4 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin
Accession Number: 21.19.4
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(42)
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, lavis, drypoint, burin, and burnishing on wove paper; complete set of 80 plates from the first edition of 1863;
Accession Number: 51.530.2
Soldiers Frightened by a Phantom, from the series, Disparates(Follies), or Proverbios, plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, ca. 1848
Medium: Etching, burnished aquatint, and drypoint; posthumous proof, before scratch and before obscuring of the hills and the tree in the distance; ca. 1848
Accession Number: 21.54.2
Devout Profession (Devota profesion), from The Caprices (Los Caprichos), plate 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint on laid paper
Accession Number: 18.64(70)
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching and burnished aquatint; posthumous proof on China paper, before 1877
Accession Number: 62.635.798
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1804
Medium: Oil on canvas
Accession Number: 55.145.1
Plate 57 from 'Los Caprichos':The filiation (La filiacion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(57)
Plate 5 from 'Los Caprichos': Two of a kind (Tal para qual)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(5)
La desgraciada muerta de Pepe Illo en la Plaza de Madrid (The unlucky death of Pepe Illo in the ring at Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.33
Neither Do These (Ni por esas), The Disasters of War (Los Desastres de la Guerra), plate 11
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.19
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, plate 14 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 21.19.14
Beggar with a Staff in His Left Hand, from Images of Spain Album (F), 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.40
It always happens (Siempre sucede), from The Disasters of War (Los Desastres de la Guerra), plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(8)
No saben el camino
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(70)
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1804
Accession Number: 55.145.2
Plate 49 from 'Los Caprichos': Hobgoblins (Duendecitos.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(49)
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 22.60.25(38)
Barbarous Entertainment (Barbara dibersion)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1800–1804
Accession Number: 18.42.2
Interior of a Church; Images of Spain Album (F), page 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.28
Plate 39 from 'Los Caprichos': And so was his grandfather. (Asta su Abuelo.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(39)
They Escape through the Flames (Escapan entre las llamas), from The Disasters of War (Los Desastres de la Guerra), plate 41
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(41)
Waking from Sleep in the Open Air, from Images of Spain Album (F), 71
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.41
The Dancing Giant (Bobalicón), from the Disparates (Follies) or Los Proverbios, plate 4
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1848–63
Accession Number: 21.54.1
To the Cemetery, from The Disasters of War; working proof for plate 56
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 53.541
Nor Do These (Tampoco), The Disasters of War (Los Desastres de la Guerra), plate 10
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.18
Why? (Por qué?), from The Disasters of War (Los Desastres de la Guerra), plate 32
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(32)
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(23)
Crowd in a Park, from Images of Spain Album (F), page 31
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.19
Nada. Ello dirá
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(69)
They play another with the cape in an enclosure, plate 4 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.4
Plate 42 from 'Los Caprichos': Thou who canst not (Tu que no puedes.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(42)
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2
Soldiers Frightened by a Phantom, from the series, Disparates(Follies), or Proverbios, plate 2
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23, ca. 1848
Accession Number: 21.54.2
Devout Profession (Devota profesion), from The Caprices (Los Caprichos), plate 70
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(70)
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 62.635.798
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1804
Accession Number: 55.145.1
Plate 57 from 'Los Caprichos':The filiation (La filiacion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(57)
Plate 5 from 'Los Caprichos': Two of a kind (Tal para qual)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(5)
La desgraciada muerta de Pepe Illo en la Plaza de Madrid (The unlucky death of Pepe Illo in the ring at Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.33
Neither Do These (Ni por esas), The Disasters of War (Los Desastres de la Guerra), plate 11
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.19
The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, plate 14 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.14
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