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46 records
John & Josiah Boydell x
The Good Samaritan (St. Luke, Ch. X, ver. 30)
After William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Medium: Etching and engraving
Accession Number: 91.1.127
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching with aquatint; second state
Accession Number: 49.50.106
Innocence
After John Francis Rigaud
(British (born Italy), Turin 1742–1810 Packington)
Date: 1799
Medium: Stipple engraving
Accession Number: 42.119.459
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Soft-ground etching, hand-colored; fourth state
Accession Number: 42.27.2
Rome, Titus's Garden - Lucius Pursued by Lavinia (Shakespeare's Titus Andronicus, Act IV, Scene I)
Thomas Kirk
(British, ca. 1765–1797)
Date: December 24, 1793
Medium: Stipple engraving
Accession Number: 42.119.531
Two Men, One Playing a Guitar and the Other Singing
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: ca. 1764
Medium: Etching; only state
Accession Number: 17.3.887-47
The Beggar's Opera, Act III
After William Hogarth
(British, London 1697–1764 London)
Date: July 1, 1790
Medium: Engraving
Accession Number: 91.1.125
William Shakespeare, King Lear, Act 3, Scene 4
William Sharp
(British, London 1749–1824 London)
Date: 1793
Medium: Engraving
Accession Number: 24.63.1869
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Aquatint, printed in brown ink
Accession Number: 49.95.59
Five Persons Kneeling in Prayer (The Cornaro Family?)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–84
Medium: Etching
Accession Number: 60.620.220
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare's Second Part of King Henry the Fourth, Act II, Scene IV:)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: March 25, 1795
Medium: Stipple engraving
Accession Number: 42.119.534
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare's The Tempest, Act I, Scene I)
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: September 29, 1797
Medium: Stipple engraving
Accession Number: 42.119.525
Jael and Sisera
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: May 1, 1789
Medium: Mezzotint
Accession Number: 62.600.720
Select Views in Great Britain
Designed and etched by Samuel Middiman
(British, 1751–1831)
Date: 1812
Medium: Plates: etching
Accession Number: 06.1214
Before the Duke's Palace - Rosalind, Celia, Orlando, the Duke and Attendants (Shakespeare's As You Like It, Act I, Scene II)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: June 4, 1800
Medium: Stipple engraving
Accession Number: 42.119.541
The Seven Ages, Fifth Age: The Justice (Shakespeare's As You Like It, Act II, Scene VII)
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: June 1, 1801
Medium: Stipple engraving
Accession Number: 1976.653.80
The Beggar's Opera, Act III
After William Hogarth
(British, London 1697–1764 London)
Date: July 1, 1790
Medium: Engraving
Accession Number: 17.3.946
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Medium: Etching and engraving; fourth state of four
Accession Number: 17.3.2853
Shakespeare. Merchant of Venice, Act II, Scene V: Shylock's House - Shylock, Jessica and Launcelot
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: December 1, 1795
Medium: Stipple engraving
Accession Number: 42.119.544
William Hogarth
Engraved by Benjamin Smith
(British, active 1786–1833)
Date: June 4, 1795
Medium: Stipple engraving
Accession Number: 32.35(1)
The Platform Before the Palace of Elsinore - Hamlet, Horatio, Marcellus and the Ghost (Shakespeare's Hamlet Prince of Denmark, Act I, Scene IV)
Robert Thew
(British, Patrington 1758–1802 Stevenage)
Date: September 29, 1796
Medium: Stipple engraving
Accession Number: 42.119.545
William Hogarth
Engraved by Benjamin Smith
(British, active 1786–1833)
Date: June 7, 1795
Medium: Stipple engraving
Accession Number: 91.1.116
Amiens, Jacques and the Hind (Shakespeare's As You Like It, Act II, Scene I)
Samuel Middiman
(British, 1751–1831)
Date: 1791
Medium: Etching and engraving
Accession Number: 1976.653.83
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Medium: Etching and engraving; fourth state of four
Accession Number: 32.35(66)
The Judgment of Midas
Georg Siegmund Facius
(German, Regensburg, ca. 1750–ca. 1813 (active London))
Date: 1801
Medium: Colored stipple engraving
Accession Number: 68.540.13
The Good Samaritan (St. Luke, Ch. X, ver. 30)
After William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Medium: Etching and engraving
Accession Number: 91.1.126
Olivia's House - Olivia, Maria and Malvolio (Shakespeare's Twelfth Night, Act III, Scene IV)
Thomas Ryder
(British, 1746–1810)
Date: June 4, 1794
Medium: Stipple engraving
Accession Number: 1976.653.82
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Medium: Stipple engraving
Accession Number: 42.119.540
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Medium: Softground etching; third state
Accession Number: 2004.413
Gamblers Quarreling
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: ca. 1764
Medium: Etching
Accession Number: 17.3.447
The Good Samaritan (St. Luke, Ch. X, ver. 30)
After William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Accession Number: 91.1.127
Wooded Landscape with Figures and Cows at a Watering Place (The Watering Place)
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.50.106
Innocence
After John Francis Rigaud
(British (born Italy), Turin 1742–1810 Packington)
Date: 1799
Accession Number: 42.119.459
Wooded Landscape with Peasant Reading Tombstone, Rustic Lovers and Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 42.27.2
Rome, Titus's Garden - Lucius Pursued by Lavinia (Shakespeare's Titus Andronicus, Act IV, Scene I)
Thomas Kirk
(British, ca. 1765–1797)
Date: December 24, 1793
Accession Number: 42.119.531
Two Men, One Playing a Guitar and the Other Singing
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: ca. 1764
Accession Number: 17.3.887-47
The Beggar's Opera, Act III
After William Hogarth
(British, London 1697–1764 London)
Date: July 1, 1790
Accession Number: 91.1.125
William Shakespeare, King Lear, Act 3, Scene 4
William Sharp
(British, London 1749–1824 London)
Date: 1793
Accession Number: 24.63.1869
Wooded Landscape with Herdsmen and Cows
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 49.95.59
Five Persons Kneeling in Prayer (The Cornaro Family?)
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: 1764–84
Accession Number: 60.620.220
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare's Second Part of King Henry the Fourth, Act II, Scene IV:)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: March 25, 1795
Accession Number: 42.119.534
The Enchanted Island Before the Cell of Prospero - Prospero, Miranda, Caliban and Ariel (Shakespeare's The Tempest, Act I, Scene I)
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: September 29, 1797
Accession Number: 42.119.525
Jael and Sisera
John Murphy
(British, Ireland ca. 1748–after 1820, active London)
Date: May 1, 1789
Accession Number: 62.600.720
Select Views in Great Britain
Designed and etched by Samuel Middiman
(British, 1751–1831)
Date: 1812
Accession Number: 06.1214
Before the Duke's Palace - Rosalind, Celia, Orlando, the Duke and Attendants (Shakespeare's As You Like It, Act I, Scene II)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: June 4, 1800
Accession Number: 42.119.541
The Seven Ages, Fifth Age: The Justice (Shakespeare's As You Like It, Act II, Scene VII)
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: June 1, 1801
Accession Number: 1976.653.80
The Beggar's Opera, Act III
After William Hogarth
(British, London 1697–1764 London)
Date: July 1, 1790
Accession Number: 17.3.946
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Accession Number: 17.3.2853
Shakespeare. Merchant of Venice, Act II, Scene V: Shylock's House - Shylock, Jessica and Launcelot
Jean Pierre Simon
(British, before 1750–ca. 1810)
Date: December 1, 1795
Accession Number: 42.119.544
William Hogarth
Engraved by Benjamin Smith
(British, active 1786–1833)
Date: June 4, 1795
Accession Number: 32.35(1)
The Platform Before the Palace of Elsinore - Hamlet, Horatio, Marcellus and the Ghost (Shakespeare's Hamlet Prince of Denmark, Act I, Scene IV)
Robert Thew
(British, Patrington 1758–1802 Stevenage)
Date: September 29, 1796
Accession Number: 42.119.545
William Hogarth
Engraved by Benjamin Smith
(British, active 1786–1833)
Date: June 7, 1795
Accession Number: 91.1.116
Amiens, Jacques and the Hind (Shakespeare's As You Like It, Act II, Scene I)
Samuel Middiman
(British, 1751–1831)
Date: 1791
Accession Number: 1976.653.83
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Accession Number: 32.35(66)
The Judgment of Midas
Georg Siegmund Facius
(German, Regensburg, ca. 1750–ca. 1813 (active London))
Date: 1801
Accession Number: 68.540.13
The Good Samaritan (St. Luke, Ch. X, ver. 30)
After William Hogarth
(British, London 1697–1764 London)
Date: February 24,1772
Accession Number: 91.1.126
Olivia's House - Olivia, Maria and Malvolio (Shakespeare's Twelfth Night, Act III, Scene IV)
Thomas Ryder
(British, 1746–1810)
Date: June 4, 1794
Accession Number: 1976.653.82
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Accession Number: 42.119.540
Wooded Landscape with a Peasant Reading a Tombstone, Rustic Lovers and a Ruined Church
Thomas Gainsborough
(British, Sudbury 1727–1788 London)
Date: August 1, 1797
Accession Number: 2004.413
Gamblers Quarreling
Francesco Bartolozzi
(Italian, Florence 1728–1815 Lisbon)
Date: ca. 1764
Accession Number: 17.3.447
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