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16 records
John Arthur Arch x
Vitruvius Britannicus. History of Hardwicke Hall: illustrated by plans, elevations, and internal views of the apartments from actual measurements (part III of V);
Written by Peter Frederick Robinson
(British, 1776–1858)
Date: 1833 and 1835
Medium: Engraving, some hand coloring in part III
Accession Number: 1991.1073.62
Theory on the Classification of Beauty and Deformity, and Their Correspondence with Physiognomonic Expression, Exemplified in Various Works of Art, and Natural Objects
Written by Mary Anne Schimmelpenninck
(British, Birmingham 1778–1856 Clifton, Bristol)
Date: 1815
Medium: Etching and engraving, hand colored
Accession Number: 1970.699.5
An Inquiry into the Origin and Early History of Engraving. Vols. I-II
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Medium: Engraving
Accession Number: 33.73.6.1, .2
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. I
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Medium: Engraving, wood engraving, woodcut
Accession Number: Ref.33611
Vitruvius Britannicus: History of Hatfield House: Illustrated by Plans, Elevations, And Internal Views of the Apartments, From Actual Measurement
Written by Peter Frederick Robinson
(British, 1776–1858)
Date: 1833
Medium: Engraving
Accession Number: 52.519.167a
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. II
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Medium: Engraving, wood engraving, woodcut
Accession Number: Ref.33612
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
Designed by John Flaxman
(British, York 1755–1826 London)
Date: 1805
Medium: Book: line engraving
Accession Number: 1970.565.63
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alghieri, Containing Hell, Purgatory and Paradise, with Quotations from the Italian and translations from the version of the Rev. H. Boyd
Written by Dante Alighieri
(Italian, Florence ca. 1265–1321 Ravenna)
Date: 1807
Medium: Book: line engraving
Accession Number: 21.36.136
The Club; in a Dialogue between Father and Son
Written by James Puckle
(British, ca. 1667–1724)
Date: 1817
Medium: Wood engraving
Accession Number: 52.561.4
Architectural Antiquities of Normandy, Vols. I-II
John Sell Cotman
(British, Norwich 1782–1842 London)
Date: 1822
Medium: Book: etching
Accession Number: 22.106.73(1-2)
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Medium: Engraving
Accession Number: 51.648.77(1)
The Iliad of Homer, the Odyssey of Homer, Compositions from the Tragedies of Aeschylus, and the Theogony, Works and Days of Hesiod
After John Flaxman
(British, York 1755–1826 London)
Date: 1795–1817
Medium: Book: line engraving and stipple engraving (Hesiod only)
Accession Number: 1977.595.53
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
Written by Dante Alighieri
(Italian, Florence ca. 1265–1321 Ravenna)
Date: 1807
Medium: Book: line engraving
Accession Number: 1977.595.52
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Medium: Engraving
Accession Number: 51.648.3
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Medium: Engraving
Accession Number: 51.648.77(2)
Provincial Antiquities and Picturesque Scenery of Scotland
Written by Sir Walter Scott
(British, Edinburgh, Scotland 1771–1832 Abbotsford, Scotland)
Date: 1826
Medium: Engraving
Accession Number: 51.648.4
Theory on the Classification of Beauty and Deformity, and Their Correspondence with Physiognomonic Expression, Exemplified in Various Works of Art, and Natural Objects
Written by Mary Anne Schimmelpenninck
(British, Birmingham 1778–1856 Clifton, Bristol)
Date: 1815
Accession Number: 1970.699.5
An Inquiry into the Origin and Early History of Engraving. Vols. I-II
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Accession Number: 33.73.6.1, .2
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. I
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Accession Number: Ref.33611
Vitruvius Britannicus: History of Hatfield House: Illustrated by Plans, Elevations, And Internal Views of the Apartments, From Actual Measurement
Written by Peter Frederick Robinson
(British, 1776–1858)
Date: 1833
Accession Number: 52.519.167a
An Inquiry into the Origin and Early History of Engraving, upon Copper and in Wood, with an Account of Engravers and their Works...Vol. II
Written by William Young Ottley
(British, Thatcham, Berkshire 1771–1836 London)
Date: 1816
Accession Number: Ref.33612
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
Designed by John Flaxman
(British, York 1755–1826 London)
Date: 1805
Accession Number: 1970.565.63
The Club; in a Dialogue between Father and Son
Written by James Puckle
(British, ca. 1667–1724)
Date: 1817
Accession Number: 52.561.4
Architectural Antiquities of Normandy, Vols. I-II
John Sell Cotman
(British, Norwich 1782–1842 London)
Date: 1822
Accession Number: 22.106.73(1-2)
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Accession Number: 51.648.77(1)
The Iliad of Homer, the Odyssey of Homer, Compositions from the Tragedies of Aeschylus, and the Theogony, Works and Days of Hesiod
After John Flaxman
(British, York 1755–1826 London)
Date: 1795–1817
Accession Number: 1977.595.53
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Accession Number: 51.648.3
Picturesque Views on the Southern Coast of England
After Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: 1826
Accession Number: 51.648.77(2)
Provincial Antiquities and Picturesque Scenery of Scotland
Written by Sir Walter Scott
(British, Edinburgh, Scotland 1771–1832 Abbotsford, Scotland)
Date: 1826
Accession Number: 51.648.4

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