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The Collection Online / 402,158 records
Vulture and Lamb
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1799
Medium: Mezzotint with etching and drypoint
Accession Number: 2003.325
The Antiquary
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Medium: Mezzotint
Accession Number: 47.100.1113
Gems of Art
Engraved by William Ward
(British, London 1766–1826 London)
Date: 1823
Medium: Mezzotint
Accession Number: 24.63.832(1-32)
La Jeune Parisienne
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: May 1, 1829
Medium: Mezzotint
Accession Number: 24.63.301
East Gate, Winchelsea, Sussex, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; second state
Accession Number: 28.97.67
Portrait of Marguerite, Countess of Blessington
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1800–1835
Medium: Mezzotint
Accession Number: 24.63.1167
Anne Page and Slender, from the Merry Wives of Windsor
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Medium: Mezzotint
Accession Number: 24.63.305
Crucifixion
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: ca. 1828
Medium: Mezzotint
Accession Number: 68.542.19
Edmund Kean as Brutus
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: late 18th–mid-19th century
Medium: Mezzotint
Accession Number: 42.16.8
La Jeune Parisienne
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 18th–19th century
Medium: Mezzotint
Accession Number: 24.63.304
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Medium: Mezzotint
Accession Number: 63.625.253
Christ and the Woman of Samaria, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Medium: Etching and mezzotint; fifth state (Finberg)
Accession Number: 28.97.71
Vulture and Lamb
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1799
Accession Number: 2003.325
The Antiquary
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Accession Number: 47.100.1113
Gems of Art
Engraved by William Ward
(British, London 1766–1826 London)
Date: 1823
Accession Number: 24.63.832(1-32)
La Jeune Parisienne
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: May 1, 1829
Accession Number: 24.63.301
East Gate, Winchelsea, Sussex, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.67
Portrait of Marguerite, Countess of Blessington
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1800–1835
Accession Number: 24.63.1167
Anne Page and Slender, from the Merry Wives of Windsor
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1829
Accession Number: 24.63.305
Crucifixion
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: ca. 1828
Accession Number: 68.542.19
Edmund Kean as Brutus
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: late 18th–mid-19th century
Accession Number: 42.16.8
La Jeune Parisienne
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 18th–19th century
Accession Number: 24.63.304
Regrets
Samuel William Reynolds, the elder
(British, London 1773–1835 London)
Date: 1828
Accession Number: 63.625.253
Christ and the Woman of Samaria, from Liber Studiorum, part XIV
Etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: January 1, 1819
Accession Number: 28.97.71

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