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29 records
Thomas Hardwick x
Study of a Classical Rosette
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Drawings, Ornament & Architecture
Accession Number: 34.78.2(68)
Border Design from a Classical Frieze, Decorated with Vines and Leaves
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(77)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(80)
Design for a Corinthian Entablature for the Duke of Richmond, either for Richmond House, Whitehall, London, or Goodwood, Sussex
Thomas Hardwick
(British, London 1752–1829 London)
Date: late 18th–early 19th century
Medium: Pen and black and brown ink
Accession Number: 49.56.61
Plaque with Ornamentation
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Drawings, Ornament & Architecture
Accession Number: 34.78.2(66)
Segment of Circular Celing Vault, Palazzo Mattei, Rome
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(89)
Two Frieze Designs: Decorated with Birds, Reptiles and Vines, Griffins and Vases
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(85)
Design for a Frieze Ornamented with Musical Instruments
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: late 18th–early 19th century
Medium: Pen and wash
Accession Number: 34.78.2(35)
Sketch of Two Friezes, Palazzo Mattei
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(90)
Classical Sculpture of a Lion, Front and Side Views
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(82)
Classical Design Element with Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(76)
Classical Ceiling Moldings with Floral Ornament
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(70)
Classical Molding with Human Head at the Center Surrounded by Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(73)
Classical Frieze with Griffins and Candleabra, and Molding Details
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(84)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(78)
Classical Study
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Drawings, Ornament & Architecture
Accession Number: 34.78.2(69)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(79)
Study of Classical Ornament and Detail
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Pen and red chalk
Accession Number: 34.78.2(88)
Classical Molding with Floral Elements
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Red chalk
Accession Number: 34.78.2(71)
Three Frieze Designs with Young Satyrs, Leaves, Vines, and Putti
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(86)
Sketches Drawn from the Life or Collection of Portraits Sketched from the Life since 1793
After George Dance
(British, London 1741–1825 London)
Date: 1814
Medium: Engraving
Accession Number: 1977.595.46(1-2)
Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(72)
Robert Adam: Original drawings and designs . . .together with studies made during his stay in Italy. Note added: 'And addenda by W. Kent etc.'
Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1748–92
Medium: Drawings, Ornament & Architecture
Accession Number: 34.78.2(1-95)
Study of a Classical Rosette
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Drawings, Ornament & Architecture
Accession Number: 34.78.2(67)
Sketch of a Classical Pedestal with Griffins
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(81)
A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(87)
Classical Sculpture of a Lion and Two Rosettes
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(83)
Classical Border Elements with Vines and Leaves
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(75)
Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso)
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Medium: Graphite
Accession Number: 34.78.2(74)
Study of a Classical Rosette
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(68)
Border Design from a Classical Frieze, Decorated with Vines and Leaves
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(77)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(80)
Design for a Corinthian Entablature for the Duke of Richmond, either for Richmond House, Whitehall, London, or Goodwood, Sussex
Thomas Hardwick
(British, London 1752–1829 London)
Date: late 18th–early 19th century
Accession Number: 49.56.61
Plaque with Ornamentation
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(66)
Segment of Circular Celing Vault, Palazzo Mattei, Rome
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(89)
Two Frieze Designs: Decorated with Birds, Reptiles and Vines, Griffins and Vases
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(85)
Design for a Frieze Ornamented with Musical Instruments
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: late 18th–early 19th century
Accession Number: 34.78.2(35)
Sketch of Two Friezes, Palazzo Mattei
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(90)
Classical Sculpture of a Lion, Front and Side Views
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(82)
Classical Design Element with Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(76)
Classical Ceiling Moldings with Floral Ornament
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(70)
Classical Molding with Human Head at the Center Surrounded by Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(73)
Classical Frieze with Griffins and Candleabra, and Molding Details
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(84)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(78)
Classical Study
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(69)
Sketch of a Classical Pedestal
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(79)
Study of Classical Ornament and Detail
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(88)
Classical Molding with Floral Elements
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(71)
Three Frieze Designs with Young Satyrs, Leaves, Vines, and Putti
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(86)
Sketches Drawn from the Life or Collection of Portraits Sketched from the Life since 1793
After George Dance
(British, London 1741–1825 London)
Date: 1814
Accession Number: 1977.595.46(1-2)
Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(72)
Robert Adam: Original drawings and designs . . .together with studies made during his stay in Italy. Note added: 'And addenda by W. Kent etc.'
Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1748–92
Accession Number: 34.78.2(1-95)
Study of a Classical Rosette
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(67)
Sketch of a Classical Pedestal with Griffins
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(81)
A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(87)
Classical Sculpture of a Lion and Two Rosettes
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(83)
Classical Border Elements with Vines and Leaves
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(75)
Classical Molding with Human Head, Leaves, Vines and Empty Roundels (recto); Detail of Classical Molding with Eagle In front of a Wreath with Ribbon Below (verso)
Attributed to Thomas Hardwick
(British, London 1752–1829 London)
Date: 1776–79
Accession Number: 34.78.2(74)

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