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150 records for
Aeneas
The Dream of Aeneas
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: 1660–65
Medium: Oil on canvas
Accession Number: 65.118
Three Archers and a Figure with a Spear
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1670–72
Medium: Pen and brown ink, brush and brown wash, over black chalk underdrawing
Accession Number: 61.125
The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's The Metamorphoses, plate 141
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Medium: Etching
Accession Number: 51.501.3992
Aeneas and Anchises (AEnea in perentem pietas), from Ovid's The Metamorphoses, plate 126
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Medium: Etching
Accession Number: 51.501.3977
Aeneas and Anchises (AEneae in parentem pietas), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 126
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Medium: Etching
Accession Number: 35.6(127)
The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 141
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Medium: Etching
Accession Number: 35.6(142)
Dream of Aeneas: dressed in military garb, Aeneas rests his head on his hands atop his shield, the river god Tiber leans on a vessel and points upward with his raised left hand
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: ca. 1663-1664
Medium: Etching with drypoint
Accession Number: 2012.136.302
Stuccowork with oval scene depicting Aeneas and doves, plate two of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4323
The ships of Aeneas arrive onshore, plate three of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4324
Top half of central scene showing Aeneas being admitted to Olympus, plate eight of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4329
Bottom half of central scene showing Aeneas being admitted to Olympus, plate nine of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4330
Venus gets armor for Aeneas from Vulcan, plate eleven of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4332
Aeneas brings olive branch to King Latinus (?) upon arrival in Latium, sacrifice in background, plate thirteen of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4334
Aeneas defeats Turnus in single combat (?), plate fourteen of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Medium: Etching
Accession Number: 51.501.4335
Dish (coppa): The story of Aeneas: Queen Dido of Carthage welcomes Aeneas and his son.
possibly workshop of Giovanni Maria Vasaro
(Italian (Castel Durante), active early 16th century)
Date: ca. 1520
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1006
The Trojan Women Setting Fire to Their Fleet
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1643
Medium: Oil on canvas
Accession Number: 55.119
Neptune and the Winds
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date:
Medium: Oil on canvas
Accession Number: 37.165.4
Plate 126: Aeneas and Anchises, from Ovid's The Metamorphoses
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Medium: Etching
Accession Number: 55.565.155(27)
Aeneas and His Family Fleeing Troy, from L'Enea Vagante Pitture dei Caracci Intagliate, e Didcate al Serenissimo Principe Leopoldo Medici Da Gioseppe Maria Mitelli Bolongese [...] MDCLXIII
Giuseppe Maria Mitelli
(Italian, Bologna (?) 1634–1718 Bologna)
Date: 1663
Medium: Etching
Accession Number: 51.501.3581
Aeneas and the Cumaean Sibyl Entering the Infernal Regions
Giovanni Francesco Romanelli
(Italian, Viterbo ca. 1610–1662 Viterbo)
Date: 1610–62
Medium: Pen and brown ink, brush and blue wash, highlighted with white, over black chalk, on blue-gray paper
Accession Number: 1977.134
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
(Italian, active Central Italy, ca. 1550–1580)
Date: 16th century
Medium: Pen and brown ink, brush and brown wash, squared for transfer (recto); graphite, pen, and brown ink (verso)
Accession Number: 1975.131.62
The Trojan Ships Changed into Nymphs (Berecynthia AEneae claßem in Nymphas transformat), from Ovid's The Metamorphoses, plate 140.
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Medium: Etching
Accession Number: 51.501.3991
The Trojan Ships Changed into Nymphs (Berecynthia AEneae claßem in Nymphas transformat), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 140
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Medium: Etching
Accession Number: 35.6(141)
Aeneas and Anchises
Leonaert Bramer
(Dutch, Delft 1596–1674 Delft)
Date: 1611–74
Medium: Brush and grey ink, heightened with white bodycolor. Framing line in brush and grey ink with white bodycolor
Accession Number: 2008.223
Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
(Italian, Rovigo ca.1487–1542)
Date: 1532
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1131
Terracotta neck-amphora (jar)
Date: last quarter of 6th century B.C.
Medium: Terracotta
Accession Number: 41.162.171
Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
(Italian, Faenza, active first half 16th century)
Date: ca. 1530–40
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1043a,b
Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
(Flemish, Antwerp 1601–1678 Antwerp)
Date: 1630s
Medium: Oil on copper
Accession Number: 1991.444
The Dream of Aeneas
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: 1660–65
Accession Number: 65.118
Three Archers and a Figure with a Spear
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1670–72
Accession Number: 61.125
The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from Ovid's The Metamorphoses, plate 141
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Accession Number: 51.501.3992
Aeneas and Anchises (AEnea in perentem pietas), from Ovid's The Metamorphoses, plate 126
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Accession Number: 51.501.3977
Aeneas and Anchises (AEneae in parentem pietas), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 126
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Accession Number: 35.6(127)
The Immortalization of Aeneas (AEneas Humitio flumine ablutus in Indigitem), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 141
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: Published after 1606
Accession Number: 35.6(142)
Stuccowork with oval scene depicting Aeneas and doves, plate two of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4323
The ships of Aeneas arrive onshore, plate three of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4324
Top half of central scene showing Aeneas being admitted to Olympus, plate eight of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4329
Bottom half of central scene showing Aeneas being admitted to Olympus, plate nine of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4330
Venus gets armor for Aeneas from Vulcan, plate eleven of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4332
Aeneas defeats Turnus in single combat (?), plate fourteen of the series "Galleria Dipinta nel Palazzo del Prencipe Panfilio" (Gallery of Aeneas in Palazzo Pamphili)
Frescos painted by Pietro da Cortona
(Pietro Berrettini) (Italian, Cortona 1596–1669 Rome)
Date: 1661
Accession Number: 51.501.4335
Dish (coppa): The story of Aeneas: Queen Dido of Carthage welcomes Aeneas and his son.
possibly workshop of Giovanni Maria Vasaro
(Italian (Castel Durante), active early 16th century)
Date: ca. 1520
Accession Number: 1975.1.1006
The Trojan Women Setting Fire to Their Fleet
Claude Lorrain
(Claude Gellée) (French, Chamagne 1604/5?–1682 Rome)
Date: ca. 1643
Accession Number: 55.119
Neptune and the Winds
Giovanni Battista Tiepolo
(Italian, Venice 1696–1770 Madrid)
Date:
Accession Number: 37.165.4
Plate 126: Aeneas and Anchises, from Ovid's The Metamorphoses
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Accession Number: 55.565.155(27)
Aeneas and the Cumaean Sibyl Entering the Infernal Regions
Giovanni Francesco Romanelli
(Italian, Viterbo ca. 1610–1662 Viterbo)
Date: 1610–62
Accession Number: 1977.134
Dido and Aeneas (recto); Three Figures Traced in Reverse from Recto and a Study of a Seated Man (verso)
Anonymous, Italian, 16th century
(Italian, active Central Italy, ca. 1550–1580)
Date: 16th century
Accession Number: 1975.131.62
The Trojan Ships Changed into Nymphs (Berecynthia AEneae claßem in Nymphas transformat), from Ovid's The Metamorphoses, plate 140.
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1606
Accession Number: 51.501.3991
Aeneas and Anchises
Leonaert Bramer
(Dutch, Delft 1596–1674 Delft)
Date: 1611–74
Accession Number: 2008.223
Plate (piatto): The story of Aeneas
Francesco Xanto Avelli da Rovigo
(Italian, Rovigo ca.1487–1542)
Date: 1532
Accession Number: 1975.1.1131
Terracotta neck-amphora (jar)
Date: last quarter of 6th century B.C.
Accession Number: 41.162.171
Broth bowl and cover (scodella and tagliere) from an accouchement set; Aeneas leaving Troy with his father and son (inside bowl); Pyramis and Thisbe (on cover)
Baldassare Manara
(Italian, Faenza, active first half 16th century)
Date: ca. 1530–40
Accession Number: 1975.1.1043a,b
Aeneas and the Sibyl in the Underworld
Jan Brueghel the Younger
(Flemish, Antwerp 1601–1678 Antwerp)
Date: 1630s
Accession Number: 1991.444

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