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2,116 records for
Aquatint
Brighton Aquatints
Etched by John Piper
(British, Epsom, Surrey 1903–1992 Fawley Bottom, Buckinghamshire)
Date: 1939
Medium: Aquatint
Accession Number: 48.16
Four Aquatints and One Etching
Robert Ryman
(American, born Nashville, Tennessee, 1930)
Date: 1991
Medium: A portfolio of four aquatints and one etching
Accession Number: 2004.74a–e
Plates 1-4 of a set of aquatint landscapes
Published by Robert Laurie & James Whittle
(London)
Date: 1802
Medium: Pamphlet: aquatint
Accession Number: 66.631.6
Aquatint Views for use in The Portable Diorama
and author John Heaviside Clark
(British (born Scotland), 1771–1863 Edinburgh)
Date: 1827
Medium: Aquatints, hand colored
Accession Number: 32.83.3(4-15)
The Complete Aquatinter; being the whole process of etching and engraving in aquatinta; the method of using the aquafortis, with all the necessary tools...
Written by John Hippisley Green
(London)
Date: 1810
Medium: Aquatint
Accession Number: Ref.1941.1638
Portfolio of 6 Aquatints: Candle
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.2
Portfolio of 6 Aquatints: Falling Tree
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.3
Portfolio of 6 Aquatints: Tulip
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.4
Portfolio of 6 Aquatints: Moon
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.5
Portfolio of 6 Aquatints: Rose
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.6
Portfolio of 6 Aquatints: Pussy Willow
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Medium: Aquatint (edition 22/35)
Accession Number: 1998.109.7
The Microcosm of London, Vol. I
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Medium: Etching and aquatint, hand colored
Accession Number: 21.36.164(1)
Zeno at 4a.m.
William Kentridge
(South African, born Johannesburg, 1955)
Date: 2001
Medium: a: Open-bite etching b: Etching and aquatint c: Etching and open-bite with burnishing d: Etching, aquatint, and open-bite e: Open-bite etching f: Etching and aquatint g: Etching and aquatint h: Open-bite etching i: Etching, aquatint and roulet
Accession Number: 2001.592a-i
Black Magic
Gerald Geerlings
(American, Milwaukee, Wisconsin 1897–1998 New Canaan, Connecticut)
Date: 1929
Medium: Etching, aquatint
Accession Number: 69.504.23
Nine unnumbered aquatint plates of carriages
Published by Rudolph Ackermann
(London)
Date: 1816
Medium: Books
Accession Number: 65.642.15.1-.9
The Microcosm of London, Vol. III
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Medium: Etching and aquatint, hand colored
Accession Number: 21.36.164(3)
Colophon for Untitled (Portfolio of Six Aquatints)
Lois Lane
(American, born Philadelphia, Pennsylvania, 1948)
Date: 1979
Medium: Letter press
Accession Number: 1988.1158.2
A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio
Anne Claude Philippe de Tubières, comte de Caylus
(French, Paris 1692–1765 Paris)
Date: ca. 1729–ca. 1764
Medium: Etching and aquatint with tone woodblock
Accession Number: 60.708(14)
Raccolta di prospettive serie, rustiche, et di paesaggio ...Bologna, 1810
Antonio Basoli
(Italian, Castel Guelfo di Bologna 1774–1843 Bologna)
Date: 1821
Medium: Engraved title page and portrait, etched plates, aquatint plates.
Accession Number: 36.61
Osservazioni sui difetti prodotti nei teatri dalla cattiva costruzione del palco scenico E Su Alcune Inavvertenze Nel Dipingere Le Decorazioni Con Un' Aggiunta Ed Un ' Appendice...
Written and designed by Paolo Landriani
(Italian, 1757–1839)
Date: 1815–24
Medium: Printed books with frontispieces in etching and aquatint, etched plates.
Accession Number: 39.75.1
The Microcosm of London, Vol. II
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Medium: Etching and aquatint, hand colored
Accession Number: 21.36.164(2)
Plate 7 from the 'Disparates': Disorderly Folly
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23 (published 1864)
Medium: Etching, aquatint and drypoint
Accession Number: 24.30.8
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching, aquatint and mezzotint; fourth state of six (Finberg)
Accession Number: 17.21.59
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching, aquatint and mezzotint; second state of four
Accession Number: 83.1.74
The Bridge in Middle Distance (Liber Studiorum, part III, plate 13)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Medium: Etching, aquatint and mezzotint; first state of five (Finberg)
Accession Number: 28.97.13
Junction of Severn and Wye (Liber Studiorum, part VI, plate 28)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Medium: Etching, aquatint and mezzotint; first state of three
Accession Number: 28.97.28
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Medium: Etching, aquatint and mezzotint; first state of six (Finberg)
Accession Number: 28.97.35
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Medium: Etching, aquatint and mezzotint; second state of four
Accession Number: 28.97.39
Tahiti Washwomen
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1925
Medium: Etching, sandpaper, and roulette (written on print as "Dry Point & Aquatint on Copper"
Accession Number: 23.71.7
Native Baptism - Trinidad
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1924
Medium: Aquatint
Accession Number: 23.71.2
Brighton Aquatints
Etched by John Piper
(British, Epsom, Surrey 1903–1992 Fawley Bottom, Buckinghamshire)
Date: 1939
Accession Number: 48.16
Four Aquatints and One Etching
Robert Ryman
(American, born Nashville, Tennessee, 1930)
Date: 1991
Accession Number: 2004.74a–e
Plates 1-4 of a set of aquatint landscapes
Published by Robert Laurie & James Whittle
(London)
Date: 1802
Accession Number: 66.631.6
Aquatint Views for use in The Portable Diorama
and author John Heaviside Clark
(British (born Scotland), 1771–1863 Edinburgh)
Date: 1827
Accession Number: 32.83.3(4-15)
Portfolio of 6 Aquatints: Candle
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.2
Portfolio of 6 Aquatints: Falling Tree
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.3
Portfolio of 6 Aquatints: Tulip
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.4
Portfolio of 6 Aquatints: Moon
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.5
Portfolio of 6 Aquatints: Rose
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.6
Portfolio of 6 Aquatints: Pussy Willow
Joe Andoe
(American, born Tulsa, Oklahoma, 1955)
Date: 1993
Accession Number: 1998.109.7
The Microcosm of London, Vol. I
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Accession Number: 21.36.164(1)
Zeno at 4a.m.
William Kentridge
(South African, born Johannesburg, 1955)
Date: 2001
Accession Number: 2001.592a-i
Black Magic
Gerald Geerlings
(American, Milwaukee, Wisconsin 1897–1998 New Canaan, Connecticut)
Date: 1929
Accession Number: 69.504.23
Nine unnumbered aquatint plates of carriages
Published by Rudolph Ackermann
(London)
Date: 1816
Accession Number: 65.642.15.1-.9
The Microcosm of London, Vol. III
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Accession Number: 21.36.164(3)
Colophon for Untitled (Portfolio of Six Aquatints)
Lois Lane
(American, born Philadelphia, Pennsylvania, 1948)
Date: 1979
Accession Number: 1988.1158.2
A mass being performed in a church, a priest at left standing before the altar, followers gathered behind him, after Polidoro da Caravaggio
Anne Claude Philippe de Tubières, comte de Caylus
(French, Paris 1692–1765 Paris)
Date: ca. 1729–ca. 1764
Accession Number: 60.708(14)
Raccolta di prospettive serie, rustiche, et di paesaggio ...Bologna, 1810
Antonio Basoli
(Italian, Castel Guelfo di Bologna 1774–1843 Bologna)
Date: 1821
Accession Number: 36.61
The Microcosm of London, Vol. II
Written by William Henry Pyne
(British, London 1770–1843 Middlesex)
Date: 1808–11
Accession Number: 21.36.164(2)
Plate 7 from the 'Disparates': Disorderly Folly
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23 (published 1864)
Accession Number: 24.30.8
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 17.21.59
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 83.1.74
The Bridge in Middle Distance (Liber Studiorum, part III, plate 13)
Designed and etched by Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 10, 1808
Accession Number: 28.97.13
Junction of Severn and Wye (Liber Studiorum, part VI, plate 28)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1811
Accession Number: 28.97.28
Inverary Pier, Loch Fyne, Morning (Liber Studiorum, part VII, plate 35)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: June 1, 1811
Accession Number: 28.97.35
Crypt of Kirkstall Abbey (Liber Studiorum, part VIII, plate 39)
Joseph Mallord William Turner
(British, London 1775–1851 London)
Date: February 11, 1812
Accession Number: 28.97.39
Tahiti Washwomen
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1925
Accession Number: 23.71.7
Native Baptism - Trinidad
George Overbury "Pop" Hart
(American, Cairo, Illinois 1868–1933 New York)
Date: 1924
Accession Number: 23.71.2
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