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28 records for
Cleyn, Franz (German, 1582-1658)
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Medium: Black chalk and gray wash on a sheet of laid paper; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer
Accession Number: 2002.484
Sight (Visus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.5
Smell (Odor), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.6
Hearing (Auditus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.4
Touch (Tactus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.2
Taste (Gustus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.3
Title Plate, from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Medium: Engraving
Accession Number: 45.101.1
Quinque Sensum Descriptio
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: 1646
Medium: Books
Accession Number: 45.101.1-.6
Self-Portrait
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: n.d.
Medium: Etching
Accession Number: 17.50.15-121
[Varii Zophori, Figuris Animalium Ornati ...]
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: 1645
Medium: Etching
Accession Number: 50.562.72(1-9)
The Sack of Troy–Pyrrhus Killing Priam
Engraved by Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: before 1654
Medium: Engraving
Accession Number: 2004.155
Cupids fleeing in a chariot
William Carter
(British, active 1649)
Date: 1654
Medium: Etching
Accession Number: 17.50.15-25
Aeneas and Mercury
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1654
Medium: Etching and engraving; fifth state of five,the plate reduced, as published in 1697 or 1698
Accession Number: 63.601.13
The Works of Horatio Walpole, Earl of Orford, vol. III
Horace Walpole, 4th Earl of Orford
(British, London 1717–1797 London)
Date: 1798
Medium: Illustrations: stipple engraving, engraving and etching
Accession Number: 1981.1202.1(3)
Orpheus Taming the Animals?
Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: 1630–82
Medium: Engraving
Accession Number: 2006.541.2
Venus and Cupid (from Variae Deorum Ethnicorum Effigies or Divers pourtraicturs of Heathen Gods)
Josias English
(British, active from 1649, died 1705)
Date: 1654
Medium: Etching
Accession Number: 17.50.15-145
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Medium: Illustrations: etching
Accession Number: 17.3.2641(1)
Dido complains: Her Sister gives advice to cherish Love and offer Sacrifice to favouring Gods
Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: ca. 1654
Medium: Etching
Accession Number: 1992.1033.9
Initial letter "V" (from John Ogilby, The Works of Publius Virgilius Maro)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1654
Medium: Etching
Accession Number: 20.81.1.33
The Lion and the Forester (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.54
The Cat and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.52
The Lion and the Mouse (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching; second state of two
Accession Number: 20.81.1.55
The Stag and the Horse (from, John Ogilby, "The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations")
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.53
The Wolf, the Lamb, and the Crane (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.56
The Woodman (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.58
The Fox and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Medium: Etching
Accession Number: 20.81.1.57
The Works of Virgil: Containing his Pastorals, Georgics, and Aeneis, Translated into English Verse by Mr. Dryden, Adorn'd with a Hundred Sculptures, the Second Edition
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1698
Medium: Illustrations: etching and engraving
Accession Number: 2015.619.5
Ovid's Metamorphosis Englished, Mythologiz'd, and Represented in Figures: An Essay to the Translation of Virgil's Æneis.
Ovid
(Roman, Sulmo 43 B.C.–A.D. 17 Tomis, Moesia)
Date: 1632
Medium: Illustrations: engraving
Accession Number: 1970.636.2
The Sack of Troy: Pyrrhus Killing Priam
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: before 1654
Accession Number: 2002.484
Sight (Visus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.5
Smell (Odor), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.6
Hearing (Auditus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.4
Touch (Tactus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.2
Taste (Gustus), from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.3
Title Plate, from Quinque Sensuum
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: ca. 1655
Accession Number: 45.101.1
Quinque Sensum Descriptio
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: 1646
Accession Number: 45.101.1-.6
Self-Portrait
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: n.d.
Accession Number: 17.50.15-121
[Varii Zophori, Figuris Animalium Ornati ...]
Franz Cleyn
(German, Rostock 1582–1658 London)
Date: 1645
Accession Number: 50.562.72(1-9)
The Sack of Troy–Pyrrhus Killing Priam
Engraved by Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: before 1654
Accession Number: 2004.155
Cupids fleeing in a chariot
William Carter
(British, active 1649)
Date: 1654
Accession Number: 17.50.15-25
Aeneas and Mercury
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1654
Accession Number: 63.601.13
The Works of Horatio Walpole, Earl of Orford, vol. III
Horace Walpole, 4th Earl of Orford
(British, London 1717–1797 London)
Date: 1798
Accession Number: 1981.1202.1(3)
Orpheus Taming the Animals?
Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: 1630–82
Accession Number: 2006.541.2
Venus and Cupid (from Variae Deorum Ethnicorum Effigies or Divers pourtraicturs of Heathen Gods)
Josias English
(British, active from 1649, died 1705)
Date: 1654
Accession Number: 17.50.15-145
The Works of Publius Virgilius Maro: Translated, Adorned with Sculpture, and illustrated with Annotations
Virgil
(Roman, Andes 70 B.C.–19 B.C. Brundisium)
Date: 1654
Accession Number: 17.3.2641(1)
Dido complains: Her Sister gives advice to cherish Love and offer Sacrifice to favouring Gods
Pierre Lombart (French, 1612/13–1682 Paris
(active Britain))
Date: ca. 1654
Accession Number: 1992.1033.9
Initial letter "V" (from John Ogilby, The Works of Publius Virgilius Maro)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1654
Accession Number: 20.81.1.33
The Cat and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Accession Number: 20.81.1.52
The Woodman (from, John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Accession Number: 20.81.1.58
The Fox and the Cock (from John Ogilby, The Fables of Aesop Paraphras'd in Verse: Adorned with Sculpture and Illustrated with Annotations)
Wenceslaus Hollar
(Bohemian, Prague 1607–1677 London)
Date: 1665
Accession Number: 20.81.1.57
Ovid's Metamorphosis Englished, Mythologiz'd, and Represented in Figures: An Essay to the Translation of Virgil's Æneis.
Ovid
(Roman, Sulmo 43 B.C.–A.D. 17 Tomis, Moesia)
Date: 1632
Accession Number: 1970.636.2

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