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33,009 records for
Etching
The Dream of Aeneas
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: 1660–65
Medium: Oil on canvas
Accession Number: 65.118
Sonnets et Eaux-Fortes, Paris (Alphonse Lemerre), 1869
Edited by Philippe Burty
(French, Paris 1830–1890 Astaffort)
Date: 1869
Medium: Series of 42 etchings on laid paper
Accession Number: 69.671.7
A Selection of Etchings by the Etching Club
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1865
Medium: Etching
Accession Number: 17.3.2641(57)
Vedute delle ville, e d'altri luoghi della Toscana
After drawings by Giuseppe Zocchi
(Italian, Florence 1711–1767 Florence)
Date: 1744
Medium: Etching
Accession Number: 36.31.10
Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates
Written by Thomas Hood
(British, London 1799–1845 London)
Date: 1858
Medium: Etching
Accession Number: 26.12.3
The Dream of Eugene Aram (No. 2 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Charles Rossiter
(British, 1827–ca. 1890)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(2)
The Dream of Eugene Aram (No. 1 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Charles Rossiter
(British, 1827–ca. 1890)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(1)
The Elm Tree (No. 3 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Tenniel
(British, London 1820–1914 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(3)
The Elm Tree (No. 5 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Henry Moore
(British, York 1831–1895 Margate, Kent)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(5)
The Elm Tree (No. 4 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
J. Mulcaster Carrick
(British, born Carlisle, Cumbria 1833, active to 1888)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(4)
The Haunted House (No. 6 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Wright Oakes
(British, Cheshire 1820–1887 Kensington, London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(6)
The Haunted House (No. 7 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Simeon Solomon
(British, London 1840–1905 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(7)
The Lee-Shore (No. 14 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Charles Samuel Keene
(British, Hornsey, Middlesex 1823–1891 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(14)
The Lee-Shore (No. 15 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Francis Powell
(British, 1833–1914)
Date: 1858
Medium: Aquatint and etching on chine collé
Accession Number: 26.12.3(15)
The Death-bed (No. 16 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
William Coutts Keppel, 7th Earl of Albemarle
(British, London 1832–1894 Barnes, Surrey)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(16)
The Lay of the Labourer (No. 12 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Dalbiac Luard
(British, Kirton in Lindsey, North Lincolnshire 1830–1860 Wiltshire)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(12)
Miss Kilmansegg–her Accident (No.13 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Gerald Fitzgerald
(Irish, 1821–1886)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(13)
To a Child Embracing his Mother (No. 17 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
William Gale
(British, London 1823–1909)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(17)
Ballad (No. 18 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Smallfield
(British, 1829–1915)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(18)
The Plea of the Midsummer Fairies (No. 21 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Walter Severn
(British, Frascati, Italy 1830–1904 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(21)
The Two Peacocks of Bedfont (No. 22 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Gerald Fitzgerald
(Irish, 1821–1886)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(22)
A Retrospective Review (No. 23 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
J. Clark
(British, active mid- to late 19th century)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(23)
Fair Ines (No. 24 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Walter Severn
(British, Frascati, Italy 1830–1904 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(24)
Ode: – Autumn (No. 26 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Dalbiac Luard
(British, Kirton in Lindsey, North Lincolnshire 1830–1860 Wiltshire)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(26)
The Bridge of Sighs (No. 10 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(10)
The Song of the Shirt (No. 11 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Charles Rossiter
(British, 1827–ca. 1890)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(11)
Sonnet, no. IX (No. 19 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Bacon Barwell
(British, active 1855–ca. 1897)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(19)
The Plea of the Midsummer Fairies (No. 20 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Michael Frederick Halliday
(British, baptised Epsom, Surrey 1822–1869 London)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(20)
The Bridge of Sighs (No. 9 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Gerald Fitzgerald
(Irish, 1821–1886)
Date: 1858
Medium: Etching on chine collé
Accession Number: 26.12.3(9)
The Dream of Aeneas
Salvator Rosa
(Italian, Arenella (Naples) 1615–1673 Rome)
Date: 1660–65
Accession Number: 65.118
Sonnets et Eaux-Fortes, Paris (Alphonse Lemerre), 1869
Edited by Philippe Burty
(French, Paris 1830–1890 Astaffort)
Date: 1869
Accession Number: 69.671.7
A Selection of Etchings by the Etching Club
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1865
Accession Number: 17.3.2641(57)
Vedute delle ville, e d'altri luoghi della Toscana
After drawings by Giuseppe Zocchi
(Italian, Florence 1711–1767 Florence)
Date: 1744
Accession Number: 36.31.10
Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates
Written by Thomas Hood
(British, London 1799–1845 London)
Date: 1858
Accession Number: 26.12.3
The Elm Tree (No. 3 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Tenniel
(British, London 1820–1914 London)
Date: 1858
Accession Number: 26.12.3(3)
The Elm Tree (No. 5 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Henry Moore
(British, York 1831–1895 Margate, Kent)
Date: 1858
Accession Number: 26.12.3(5)
The Elm Tree (No. 4 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
J. Mulcaster Carrick
(British, born Carlisle, Cumbria 1833, active to 1888)
Date: 1858
Accession Number: 26.12.3(4)
The Haunted House (No. 6 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Wright Oakes
(British, Cheshire 1820–1887 Kensington, London)
Date: 1858
Accession Number: 26.12.3(6)
The Haunted House (No. 7 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Simeon Solomon
(British, London 1840–1905 London)
Date: 1858
Accession Number: 26.12.3(7)
The Lee-Shore (No. 14 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Charles Samuel Keene
(British, Hornsey, Middlesex 1823–1891 London)
Date: 1858
Accession Number: 26.12.3(14)
The Death-bed (No. 16 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
William Coutts Keppel, 7th Earl of Albemarle
(British, London 1832–1894 Barnes, Surrey)
Date: 1858
Accession Number: 26.12.3(16)
The Lay of the Labourer (No. 12 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Dalbiac Luard
(British, Kirton in Lindsey, North Lincolnshire 1830–1860 Wiltshire)
Date: 1858
Accession Number: 26.12.3(12)
Ballad (No. 18 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Smallfield
(British, 1829–1915)
Date: 1858
Accession Number: 26.12.3(18)
The Plea of the Midsummer Fairies (No. 21 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Walter Severn
(British, Frascati, Italy 1830–1904 London)
Date: 1858
Accession Number: 26.12.3(21)
A Retrospective Review (No. 23 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
J. Clark
(British, active mid- to late 19th century)
Date: 1858
Accession Number: 26.12.3(23)
Fair Ines (No. 24 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Walter Severn
(British, Frascati, Italy 1830–1904 London)
Date: 1858
Accession Number: 26.12.3(24)
Ode: – Autumn (No. 26 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
John Dalbiac Luard
(British, Kirton in Lindsey, North Lincolnshire 1830–1860 Wiltshire)
Date: 1858
Accession Number: 26.12.3(26)
The Bridge of Sighs (No. 10 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1858
Accession Number: 26.12.3(10)
Sonnet, no. IX (No. 19 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Frederick Bacon Barwell
(British, active 1855–ca. 1897)
Date: 1858
Accession Number: 26.12.3(19)
The Plea of the Midsummer Fairies (No. 20 in Passages from the Poems of Thomas Hood, Illustrated by the Junior Etching Club, in Thirty-Four Plates)
Michael Frederick Halliday
(British, baptised Epsom, Surrey 1822–1869 London)
Date: 1858
Accession Number: 26.12.3(20)
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