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39 records for
Fuseli, Henry (Swiss, 1741-1825)
The Night-Hag Visiting Lapland Witches
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1796
Medium: Oil on canvas
Accession Number: 1980.411
Hagen and the Nymphs of the Danube
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1802
Medium: Graphite, pen and brown ink, watercolor and gouache on cream wove paper
Accession Number: 1994.375
Perseus Holding the Head of Medusa While Being Attacked by the Other Gorgons; verso: A Sketch
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1816
Medium: Pen and brown ink, over black chalk; framing line in pen and brown ink; verso: red and black chalk (or graphite?)
Accession Number: 2013.66
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. V, containing King Henry the Fourth, Part 2, King Henry the Fifth, King Henry the Sixth, Part 1, King Henry the Sixth, Part 2
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(5)
The Rape of the Lock, an Heroi-Comical Poem
Written by Alexander Pope
(British, 1688–1744)
Date: 1798
Medium: Engraving
Accession Number: 1973.521.3
Falstaff with Mrs. Ford and Mrs. Page (from William Shakespeare, The Merry Wives of Windsor, act 5, scene 5)
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1790
Medium: Pen and brown ink over faint pencil (?).
Accession Number: 1975.131.232
Study for the Prophet Jeremiah (recto); Studies of a Horse Seen from Below and of a Man Seated on a Chair, Probably a Self-Portrait and an Off-Print in Brown Ink of a Nude Female Abdomen and Legs (verso)
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1764–70
Medium: Pen and brown ink over graphite on paper; verso, pen and brown ink; framing lines in graphite
Accession Number: 2000.517a, b
The Witch and the Mandrake
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1812
Medium: Soft-ground etching; proof state before letters
Accession Number: 53.535.25
Oedipus at Colonus, Cursing his Son Polynices
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1777
Medium: Pen and brown ink, brush and gray wash, traces of black chalk underdrawing
Accession Number: 2012.241
A Woman Sitting by the Window, from Specimens of Polyautography
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1802–6
Medium: Pen lithograph on yellow aquatint mount; second edition
Accession Number: 31.69.1(6)
Rape of Ganymede, from Specimens of Polyautography
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1804–6
Medium: Chalk lithograph on yellow aquatint mount; second edition
Accession Number: 31.69.1(24)
Portrait of a Young Lady Drawn in Left Profile
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1778–79
Medium: Graphite
Accession Number: 2006.501
Night and Her Children Aither and Hemera
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca.1810-1815
Medium: Soft-ground etching
Accession Number: 63.517.4
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. VI, containing King Henry the Sixth, Part 3, King Richard the Third, King Henry the Eighth, Troilus and Cressida
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(6)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. IV, containing Comedy of Errors, Macbeth, King John, King Richard the Second, King Henry the Fourth, Part 1
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(4)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols. vol. I, containing The Tempest. Two Gentlemen of Verona. Merry Wives of Windsor
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(1)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. II, containing Twelfth Night, Measure for Measure, Much Ado About Nothing, A Midsummer Night's Dream, Love's Labour's Lost
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(2)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. III, containing The Merchant of Venice, As You Like It, All's Well That Ends Well, Taming of the Shrew, A Winter's Tale
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(3)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols, vol. VII, containing Timon of Athens, Coriolanus, Julius Caesar, Antony and Cleopatra
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(7)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol VIII, containing Cymbeline, Titus Andronicus, Pericles, King Lear
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(8)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. IX, containing Romeo and Juliet, Hamlet, Othello
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Medium: Etching and engraving
Accession Number: 1971.559.10(9)
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare's Second Part of King Henry the Fourth, Act II, Scene IV:)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: March 25, 1795
Medium: Stipple engraving
Accession Number: 42.119.534
The Odyssey
Written by Homer
(Greek, active 13th or 8th century BCE)
Date: 1806–13
Medium: Engraving
Accession Number: 55.578.1(1-6)
Tornado
After Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: August 1, 1795
Medium: Engraving
Accession Number: 2007.49.389
Prince Arthur's Vision (Spenser's Faerie Queen)
Peltro William Tomkins
(British, London 1759–1840 London)
Date: April 4, 1788
Medium: Stipple engraving and etching
Accession Number: 42.119.356
The Iliad
Written by Homer
(Greek, active 13th or 8th century BCE)
Date: 1813
Medium: Engraving
Accession Number: 55.578.2(1-6)
A Woman Sitting By a Window
Copy after Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 19th century
Medium: Ink drawing mounted on aquatint
Accession Number: 28.15.1(11)
Lectures on Painting, Delivered at the Royal Academy, March 1801
Written and illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1801
Medium: Etching
Accession Number: 1979.571.56
Paradise Lost
Written by John Milton
(British, London 1608–1674 London)
Date: 1802
Medium: Engraving
Accession Number: 69.600.1(1-2)
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Medium: Stipple engraving
Accession Number: 42.119.540
The Night-Hag Visiting Lapland Witches
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1796
Accession Number: 1980.411
Hagen and the Nymphs of the Danube
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1802
Accession Number: 1994.375
Perseus Holding the Head of Medusa While Being Attacked by the Other Gorgons; verso: A Sketch
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1816
Accession Number: 2013.66
The Rape of the Lock, an Heroi-Comical Poem
Written by Alexander Pope
(British, 1688–1744)
Date: 1798
Accession Number: 1973.521.3
Falstaff with Mrs. Ford and Mrs. Page (from William Shakespeare, The Merry Wives of Windsor, act 5, scene 5)
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1790
Accession Number: 1975.131.232
The Witch and the Mandrake
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1812
Accession Number: 53.535.25
Oedipus at Colonus, Cursing his Son Polynices
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1777
Accession Number: 2012.241
A Woman Sitting by the Window, from Specimens of Polyautography
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1802–6
Accession Number: 31.69.1(6)
Rape of Ganymede, from Specimens of Polyautography
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1804–6
Accession Number: 31.69.1(24)
Portrait of a Young Lady Drawn in Left Profile
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca. 1778–79
Accession Number: 2006.501
Night and Her Children Aither and Hemera
Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: ca.1810-1815
Accession Number: 63.517.4
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols. vol. I, containing The Tempest. Two Gentlemen of Verona. Merry Wives of Windsor
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Accession Number: 1971.559.10(1)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols, vol. VII, containing Timon of Athens, Coriolanus, Julius Caesar, Antony and Cleopatra
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Accession Number: 1971.559.10(7)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol VIII, containing Cymbeline, Titus Andronicus, Pericles, King Lear
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Accession Number: 1971.559.10(8)
The Plays of William Shakespeare, ed. A. Chalmers, 9 vols., vol. IX, containing Romeo and Juliet, Hamlet, Othello
Illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1805
Accession Number: 1971.559.10(9)
Doll Tearsheet, Falstaff, Henry and Poins (Shakespeare's Second Part of King Henry the Fourth, Act II, Scene IV:)
William Satchwell Leney
(American (born England), London 1769–1831 Longue Pointe, near Montreal)
Date: March 25, 1795
Accession Number: 42.119.534
The Odyssey
Written by Homer
(Greek, active 13th or 8th century BCE)
Date: 1806–13
Accession Number: 55.578.1(1-6)
Tornado
After Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: August 1, 1795
Accession Number: 2007.49.389
Prince Arthur's Vision (Spenser's Faerie Queen)
Peltro William Tomkins
(British, London 1759–1840 London)
Date: April 4, 1788
Accession Number: 42.119.356
The Iliad
Written by Homer
(Greek, active 13th or 8th century BCE)
Date: 1813
Accession Number: 55.578.2(1-6)
A Woman Sitting By a Window
Copy after Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 19th century
Accession Number: 28.15.1(11)
Lectures on Painting, Delivered at the Royal Academy, March 1801
Written and illustrated by Henry Fuseli
(Swiss, Zürich 1741–1825 London)
Date: 1801
Accession Number: 1979.571.56
Paradise Lost
Written by John Milton
(British, London 1608–1674 London)
Date: 1802
Accession Number: 69.600.1(1-2)
King Lear Casting Out His Daughter Cordelia (Shakespeare's King Lear, Act I, Scene I)
Richard Earlom
(British, London 1743–1822 London)
Date: August 1, 1792
Accession Number: 42.119.540
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