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The Collection Online / 422,486 records
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Medium: Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.)
Accession Number: 41.190.136
The Lacemaker
Nicolaes Maes
(Dutch, Dordrecht 1634–1693 Amsterdam)
Date: ca. 1656
Medium: Oil on canvas
Accession Number: 32.100.5
Portrait of a Woman
Quentin Metsys
(Netherlandish, Leuven 1466–1530 Kiel)
Date: ca. 1520
Medium: Oil on wood
Accession Number: 32.100.47
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Medium: Oil on oak
Accession Number: 56.70a–c
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Accession Number: 41.190.136
The Lacemaker
Nicolaes Maes
(Dutch, Dordrecht 1634–1693 Amsterdam)
Date: ca. 1656
Accession Number: 32.100.5
Portrait of a Woman
Quentin Metsys
(Netherlandish, Leuven 1466–1530 Kiel)
Date: ca. 1520
Accession Number: 32.100.47
Annunciation Triptych (Merode Altarpiece)
Workshop of Robert Campin
(Netherlandish, ca. 1375–1444 Tournai)
Date: ca. 1427–32
Accession Number: 56.70a–c

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