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The Collection Online / 398,216 records
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.15
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.14
Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.16
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.17
The Crusaders Reach Jerusalem (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.15
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.14
Sophronia's Defiance (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.16
Erminia and the Shepherd (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.17

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