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Sarah Annis Sully (Mrs. Thomas Sully)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1832
Medium: Oil on canvas
Accession Number: 14.126.3
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Medium: Oil on canvas
Accession Number: 14.126.1
Mrs. Thomas Sully (Sarah Annis)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1802
Medium: Watercolor on ivory
Accession Number: 28.169.1
Mrs. Richard Bache (Sarah Franklin, 1743–1808)
John Hoppner
(British, London 1758–1810 London)
Date: 1793
Medium: Oil on canvas
Accession Number: 01.20
Alfred Sully
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1839
Medium: Watercolor on ivory
Accession Number: 2006.235.201
The Student
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1839
Medium: Oil on canvas
Accession Number: 14.126.4
Mother and Son
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1840
Medium: Oil on canvas
Accession Number: 14.126.5
Musidora
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1813–35
Medium: Oil on wood
Accession Number: 21.48
Child Asleep (The Rosebud)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1841
Medium: Oil on canvas
Accession Number: 14.126.6
Diagram of the Colors Used to Paint the Portrait of Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Medium: Brown ink and oil on paper
Accession Number: L.1994.29.6
Study of the Queen's Robes (Study for Portrait of Queen Victoria)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Medium: Graphite on paper
Accession Number: L.1994.29.2
Portrait of a Lady
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1843
Medium: Watercolor on ivory
Accession Number: 2006.235.202
William Gwynn
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Medium: Oil on canvas
Accession Number: 94.23.1
Study of Queen Victoria's Neckline (Study for Portrait of Queen Victoria)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Medium: Graphite on paper
Accession Number: L.1994.29.1
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Medium: Oil on canvas
Accession Number: L.1993.45
Six Figure Sketches and a Round Table (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.7 recto
Five Half-Length Female Figures, One at a Spinet (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.8 recto
Five Figure Sketches: A Woman Descending a Staircase; Two Children Fishing; Male Seated; Woman Seated (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.8 verso
Various Figure Sketches, Including Two Battling Equestrains, Two Wrestlers (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.11 recto
Sketches of Two Sentry Types; Male and Female Monarch Types [male possibly King Lear] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.3 verso
Nine Figure Sketches, Including Three Galloping Equestrains (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.11 verso
Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney?) (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.12 recto
Figure Sketches, Including Battling Equestrain, Roman Caesar Type Pointing, Bloody Brawl, Etc. (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.12 verso
Four Portrait Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.5 verso
Five Figure and Group Sketches, Including Two Battling Equestrains, and Dead Warior (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.13 recto
Nine Figures in Military Dress (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.2 verso
Sketches of Empire-Style Lounges and Chairs, Window Seat (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.9 verso
Perseus and Andromeda (after the Titian?); Hercules Wrestling Nemion Lion (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.16 recto
Hercules and Antoneus; Fall of Phaetor (Icarus?); Classical Architecture; Sacrifice of Isaac [?] (after Rembrandt?) (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.16 verso
Two Architectural Sketches; Three Men Seated at Table; Child Holding Pet in Landscape; Figure Appearing Behind Corner; Scene from Julius Ceasar (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.17 recto
Sarah Annis Sully (Mrs. Thomas Sully)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1832
Accession Number: 14.126.3
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Accession Number: 14.126.1
Mrs. Thomas Sully (Sarah Annis)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1802
Accession Number: 28.169.1
Mrs. Richard Bache (Sarah Franklin, 1743–1808)
John Hoppner
(British, London 1758–1810 London)
Date: 1793
Accession Number: 01.20
Alfred Sully
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1839
Accession Number: 2006.235.201
The Student
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1839
Accession Number: 14.126.4
Mother and Son
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1840
Accession Number: 14.126.5
Musidora
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1813–35
Accession Number: 21.48
Child Asleep (The Rosebud)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1841
Accession Number: 14.126.6
Diagram of the Colors Used to Paint the Portrait of Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Accession Number: L.1994.29.6
Study of the Queen's Robes (Study for Portrait of Queen Victoria)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Accession Number: L.1994.29.2
Portrait of a Lady
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1843
Accession Number: 2006.235.202
William Gwynn
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Accession Number: 94.23.1
Study of Queen Victoria's Neckline (Study for Portrait of Queen Victoria)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Accession Number: L.1994.29.1
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Accession Number: L.1993.45
Six Figure Sketches and a Round Table (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.7 recto
Five Half-Length Female Figures, One at a Spinet (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.8 recto
Five Figure Sketches: A Woman Descending a Staircase; Two Children Fishing; Male Seated; Woman Seated (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.8 verso
Various Figure Sketches, Including Two Battling Equestrains, Two Wrestlers (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.11 recto
Sketches of Two Sentry Types; Male and Female Monarch Types [male possibly King Lear] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.3 verso
Nine Figure Sketches, Including Three Galloping Equestrains (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.11 verso
Figure Sketches, Including Pegasus and Perseus with Head of Medusa; (Rape of Persephoney?) (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.12 recto
Figure Sketches, Including Battling Equestrain, Roman Caesar Type Pointing, Bloody Brawl, Etc. (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.12 verso
Four Portrait Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.5 verso
Five Figure and Group Sketches, Including Two Battling Equestrains, and Dead Warior (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.13 recto
Nine Figures in Military Dress (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.2 verso
Sketches of Empire-Style Lounges and Chairs, Window Seat (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.9 verso
Perseus and Andromeda (after the Titian?); Hercules Wrestling Nemion Lion (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.16 recto
Hercules and Antoneus; Fall of Phaetor (Icarus?); Classical Architecture; Sacrifice of Isaac [?] (after Rembrandt?) (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.16 verso
Two Architectural Sketches; Three Men Seated at Table; Child Holding Pet in Landscape; Figure Appearing Behind Corner; Scene from Julius Ceasar (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.17 recto
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