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3,128 records for
Tapestry
Angeli Laudantes
Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1898
Medium: Dyed wool and silk on undyed cotton warp (15 warps per inch; 5-6 per cm.)
Accession Number: 2008.8a–c
News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory
(British, 1619–1703)
Date: designed before 1645, woven ca. 1645–75
Medium: Wool (15-16 warps per inch, 6-7 per cm.)
Accession Number: 57.127
The Liberation of Oriane from a set of Amadis of Gaul
Designed by Karel van Mander I
(Netherlandish, Meulebeke 1548–1606 Amsterdam)
Date: ca. 1590–95
Medium: Wool and silk (8-9 warp per cm)
Accession Number: 2006.36
The Hunters Enter the Woods (from the Unicorn Tapestries)
Date: 1495–1505
Medium: Wool warp, wool, silk, silver, and gilt wefts
Accession Number: 37.80.1
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Medium: Wool, silk, silver-gilt thread.
Accession Number: 1975.1.1915
Christ Is Born as Man's Redeemer (Episode from the Story of the Redemption of Man)
Date: 1500–1520
Medium: Wool warp; wool and silk wefts
Accession Number: 38.28
Portrait of Countess Elizaveta Romanovna Vorontsova (1739–1792)
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: 1762
Medium: Wool, silk (22-24 warps per inch, 10 per cm.)
Accession Number: 62.105
Story of Gombaut and Macée
Date: ca. 1600
Medium: Wool and silk on canvas
Accession Number: 54.7.1
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Medium: Plaster, pine, mahogany, bronze-gilt, marble, lapis lazuli, steel; wool and silk (22-24 warps per inch, 9-10 per centimeter)
Accession Number: 58.75.1–.22
Medea Rejuvenating Aeson
Corrado Giaquinto
(Italian, Molfetta 1703–1766 Naples)
Date: ca. 1760
Medium: Oil on canvas
Accession Number: 2011.82
King Arthur and Attendants (acc. nos. 32.130.3a and 47.101.4 from the Nine Heroes Tapestries)
Date: ca. 1400
Medium: Wool warp, wool wefts
Accession Number: 32.130.3a; 47.101.4
Tapestry "Recollection Pond"
Romare Bearden
(American, Charlotte, North Carolina 1911–1988 New York)
Date: 1976
Medium: Wool and cotton
Accession Number: 1996.551.1
Alexander the Great or Hector of Troy (from The Nine Heroes Tapestries)
Date: ca. 1400–1410
Medium: Wool warp, wool wefts
Accession Number: 47.101.2d
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Medium: Wool warp, wool wefts
Accession Number: 47.101.3
The Triumph of Fame
Date: ca. 1502–4
Medium: Wool, silk (6-7 warp threads per cm.)
Accession Number: 1998.205
Tapestry with Dragons and Flowers
Date: 11th–12th century
Medium: Silk tapestry
Accession Number: 1987.275
Fragment of a Tapestry or Wall Hanging
Date: ca. 1420–30
Medium: Tapestry weave: wool on linen
Accession Number: 1990.211
Greenery
Designed by John Henry Dearle
(British, 1860–1932)
Date: 1915
Medium: Wool and silk
Accession Number: 23.200a
The Passing of Venus
Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1898
Medium: Brush, gouache and metallic paint on cardboard
Accession Number: 62.167
Tapestry with the Annunciation
Date: ca. 1410–20
Medium: Wool warp, wool with a few metallic wefts
Accession Number: 45.76
Armchair (Fauteuil à la reine) (part of a set)
frame by Nicolas-Quinibert Foliot
(1706–1776, warden 1750/52)
Date: ca. 1754–56
Medium: Carved and gilded beech; wool and silk tapestry
Accession Number: 66.60.2
Woodwork and ceiling from the Tapestry room from Croome Court
Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: ca. 1760–69
Medium: Plaster, wood, tapestry
Accession Number: 58.75.1a
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Medium: Wool, silk, silver thread, silver-gilt thread (20-21 warps per inch, 7-8 per cm.)
Accession Number: 41.190.136
Settee (canapé) (part of a set)
Frame by Nicolas-Quinibert Foliot
(1706–1776, warden 1750/52)
Date: 1754–56
Medium: Carved and gilded beech; wool and silk tapestry
Accession Number: 35.145.1
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Medium: Pen and brown ink, watercolor over traces of black chalk; verso: tracing in black chalk of the figures on the recto
Accession Number: 1995.12
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Medium: Wool warp; wool, silk, metallic weft yarns
Accession Number: 09.137.2
Hannah and the Infant Samuel
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Medium: Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Accession Number: 53.225.12
Dr. Lazarus Markijzus
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Medium: Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Accession Number: 53.225.13
Anthony Van Dyck, Self Portrait
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Medium: Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Accession Number: 53.225.14
Seated Woman
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Medium: Wool, metal thread (20-25 warps per inch, 8-10 per cm.)
Accession Number: 53.225.15
Angeli Laudantes
Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1898
Accession Number: 2008.8a–c
News of the Stag from the series known as the Hunters' Chase
Mortlake Tapestry Manufactory
(British, 1619–1703)
Date: designed before 1645, woven ca. 1645–75
Accession Number: 57.127
The Liberation of Oriane from a set of Amadis of Gaul
Designed by Karel van Mander I
(Netherlandish, Meulebeke 1548–1606 Amsterdam)
Date: ca. 1590–95
Accession Number: 2006.36
The Hunters Enter the Woods (from the Unicorn Tapestries)
Date: 1495–1505
Accession Number: 37.80.1
The Last Supper
Designed by Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: ca. 1524–46 (design), ca. 1525–28 (woven)
Accession Number: 1975.1.1915
Portrait of Countess Elizaveta Romanovna Vorontsova (1739–1792)
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: 1762
Accession Number: 62.105
Story of Gombaut and Macée
Date: ca. 1600
Accession Number: 54.7.1
Tapestry Room from Croome Court
Room after a design by Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: 1763–71
Accession Number: 58.75.1–.22
Medea Rejuvenating Aeson
Corrado Giaquinto
(Italian, Molfetta 1703–1766 Naples)
Date: ca. 1760
Accession Number: 2011.82
Tapestry "Recollection Pond"
Romare Bearden
(American, Charlotte, North Carolina 1911–1988 New York)
Date: 1976
Accession Number: 1996.551.1
Julius Caesar and Attendants (from the Nine Heroes Tapestries)
Date: ca. 1400–1410
Accession Number: 47.101.3
The Triumph of Fame
Date: ca. 1502–4
Accession Number: 1998.205
Tapestry with Dragons and Flowers
Date: 11th–12th century
Accession Number: 1987.275
Fragment of a Tapestry or Wall Hanging
Date: ca. 1420–30
Accession Number: 1990.211
Greenery
Designed by John Henry Dearle
(British, 1860–1932)
Date: 1915
Accession Number: 23.200a
The Passing of Venus
Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1898
Accession Number: 62.167
Tapestry with the Annunciation
Date: ca. 1410–20
Accession Number: 45.76
Armchair (Fauteuil à la reine) (part of a set)
frame by Nicolas-Quinibert Foliot
(1706–1776, warden 1750/52)
Date: ca. 1754–56
Accession Number: 66.60.2
Woodwork and ceiling from the Tapestry room from Croome Court
Robert Adam
(British, Kirkclady, Scotland 1728–1792 London)
Date: ca. 1760–69
Accession Number: 58.75.1a
The Crucifixion
Design attributed to Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: design ca. 1515, woven ca. 1525
Accession Number: 41.190.136
Settee (canapé) (part of a set)
Frame by Nicolas-Quinibert Foliot
(1706–1776, warden 1750/52)
Date: 1754–56
Accession Number: 35.145.1
Otto, Count of Nassau and his Wife Adelheid van Vianen
Bernard van Orley
(Netherlandish, Brussels ca. 1492–1541/42 Brussels)
Date: 1530–35
Accession Number: 1995.12
Courtiers in a Rose Garden: A Lady and Two Gentlemen
Date: ca. 1440–50
Accession Number: 09.137.2
Hannah and the Infant Samuel
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Accession Number: 53.225.12
Dr. Lazarus Markijzus
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Accession Number: 53.225.13
Anthony Van Dyck, Self Portrait
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Accession Number: 53.225.14
Seated Woman
Imperial Russian Tapestry Manufactory, Saint Petersburg
Date: late 18th century
Accession Number: 53.225.15
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