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Picture Book of Kyōka Poems: Mountains upon Mountains (Ehon kyōka yama mata yama)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: 1804
Medium: Woodblock printed book; ink and color on paper
Accession Number: 2013.714
The Evergreens: A Picture Book (Ehon tokiwagusa)
Nishikawa Sukenobu
(Japanese, 1671–1750)
Date: 1731
Medium: Woodblock-printed book; ink and hand-coloring on paper
Accession Number: 2013.832
Inrō with Woman and Attendant; Man Reading Characters on a Stone Road Marker (reverse)
Date: early 19th century
Medium: Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e, hiramaki-e, cut-out gold foil application on black ground Netsuke: snail emerging from its shell; carved wood Ojime: coral bead
Accession Number: 29.100.908
Incense Box (Kōgō) in the Shape of a Peach
Date: second half of the 19th century
Medium: Lacquered wood; gold, silver takamaki-e, hiramaki-e, togidashimaki-e and cut-out gold foil application
Accession Number: 29.100.686
Inrō with Tiger Drinking from a River beside Rocks and Pine Tree
Date: early 19th century
Medium: Two cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, takamaki-e, cut-out gold foil application on black ground Netsuke: bat; carved walrus ivory Ojime: coral bead
Accession Number: 13.67.11
The Peony Show
Torii Kiyonaga
(Japanese, 1752–1815)
Date: ca. 1790
Medium: Triptych of polychrome woodblock prints; ink and color on paper
Accession Number: JP2619a–c
Inrō with Kabuki Actor Ichikawa Danjūrō V
Original design by Katsukawa Shunshō
(Japanese, 1726–1792)
Date: early 19th century
Medium: Five cases; lacquered wood with gold, silver, black, and red togidashimaki-e on black ground Netsuke: Nō mask; ivory Ojime: lacquer bead
Accession Number: 36.100.240
Inrō with Street Festival; People Watching a Puppet Show (reverse)
Tatsuki Takamasu
Date: second half of the 18th century
Medium: Three cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on black ground Netsuke: peach with a monkey inside; carved teakwood Ojime: carved teakwood with floral design
Accession Number: 14.40.877
Mirror of Yoshiwara Beauties (Seirō bijin awase sugata kagami)
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: 1776
Medium: Woodblock printed book; ink, color, and mica on paper
Accession Number: 2013.822
Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP2567
Ojime
Date: 19th century
Medium: Ivory
Accession Number: 81.1.424.80
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Medium: Polychrome woodblock print; ink and color on paper
Accession Number: JP1847
Inrō with One Hundred Horses
Date: mid-18th century
Medium: Four cases; lacquered wood with gold and silver hiramaki-e, black lacquer, gold and silver foil application, and mother-of-pearl inlay on red ground Netsuke: seated Baku (mythical animal); ivory Ojime: bead of various alloyed metals
Accession Number: 81.1.299
New Mirror Comparing the Handwriting of the Courtesans of the Yoshiwara (Yoshiwara keisei shin bijin jihitsu kagami)
Santō Kyōden
(Japanese, 1761–1816)
Date: 1784
Medium: Woodblock printed book; ink and color on paper
Accession Number: 2013.768
Eastern Brocade of One Hundred Poems by One Hundred Poets (Nishiki hyakunin isshu azuma-ori)
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: 1775
Medium: Woodblock printed book; ink and color on paper
Accession Number: 2013.821
Inrō with Chinese Landscape in Moonlight
Date: late 18th–first half 19th century
Medium: Four cases; lacquered wood with blackand brown togidashimaki-e, hiramaki-e, takamaki-e, metal inlay, and mother-of-pearl application on black ground Netsuke: Sanbasō dancer; carved boxwood Ojime: stone bead
Accession Number: 13.67.16
The Mieidō Fan Shop
Utagawa Toyokuni I
(Japanese, 1769–1825)
Date: ca. 1785–93
Medium: Triptych of polychrome woodblock prints; ink and color on paper
Accession Number: JP2725
Inrō with the Queen Mother of the West (Seiōbo); Boy with a Peach (reverse)
Date: mid- 19th century
Medium: Four cases; lacquered wood with gold, silver, and color (iroko) togidashimaki-e on gold ground Netsuke: gold takamaki-e chrysanthemums (signed: Shigenori) Ojime: gold bead with chrysanthemum and butterflies in relief
Accession Number: 29.82.1
Ogura Hill: A Picture Book (Ehon ogurayama)
Nishikawa Sukenobu
(Japanese, 1671–1750)
Date: 1749
Medium: Set of three woodblock-printed books bound as one volume; ink on paper
Accession Number: 2013.838
Inrō with Seven Horses by a River
Date: late 18th–early 19th century
Medium: Five cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, gold and silver foil application on black ground Netsuke: man in a bamboo grove; carved wood Ojime: ivory bead
Accession Number: 81.1.308
Inrō with Portuguese Figures
Date: late 18th–early 19th century
Medium: Four cases; lacquered wood with gold hiramaki-e and cut-out gold foil application on black ground Netsuke: dog; ivory Ojime: antler bead
Accession Number: 1975.268.178
Figure of a Seated Beauty
Date: ca. 1670–90
Medium: Porcelain with overglaze enamels (Hizen ware, Kakiemon type)
Accession Number: 1975.268.527
Inrō with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures
Date: second half of the 18th century
Medium: Four cases; lacquered wood with gold and silver togidashimaki-e, hiramaki-e, black lacquer, cut-out gold foil application on black ground Netsuke: puppy; ivory Ojime: metal with plum blossoms in gold inlay
Accession Number: 29.100.737
Wakoku shoshoku ezukushi: shoshoku ehon kagami (The various occupations of Japan, exhaustively portrayed: A picture book mirror of various occupations)
Hishikawa Moronobu
(Japanese, died 1694)
Date: 1685
Medium: Set of three woodblock printed books; ink on paper
Accession Number: 2013.786a–c
Inrō with Two Standing Horses; Seal and Inscription (reverse)
After Kano Naonobu
(Japanese, 1607–1650)
Date: mid- 18th century
Medium: Four cases; lacquered wood with gold hiramaki-e, gold foil application, and mother-of-pearl inlay on black ground Netsuke: horse; ivory Ojime: iron bead with cricket and flower in gold overlay
Accession Number: 29.100.753
Fine Views of the Eastern Capital at a Glance (Tōto meisho ichiran)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: 1800
Medium: Set of two woodblock printed books; ink and color on paper
Accession Number: 2013.712a, b
Ojime
Date: 19th century
Medium: Various alloyed metals
Accession Number: 81.1.424.10
Figure of a Standing Beauty
Date: ca. 1670–90
Medium: Porcelain with overglaze polychrome enamels (Arita ware, Kakiemon type)
Accession Number: 1975.268.528
Inrō with Gibbons in a Landscape
Kano Sukekiyo
(1787–1840)
Date: early 19th century
Medium: Four cases; lacquered wood with togikirimaki-e on gold ground Netsuke: monkey on horseback; ivory Ojime: monkey; bronze
Accession Number: 36.100.212
Sumida River Holiday
Torii Kiyonaga
(Japanese, 1752–1815)
Date: 1788–90
Medium: Triptych of polychrome woodblock prints; ink and color on paper
Accession Number: JP3393a–c
Picture Book of Kyōka Poems: Mountains upon Mountains (Ehon kyōka yama mata yama)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: 1804
Accession Number: 2013.714
The Evergreens: A Picture Book (Ehon tokiwagusa)
Nishikawa Sukenobu
(Japanese, 1671–1750)
Date: 1731
Accession Number: 2013.832
Incense Box (Kōgō) in the Shape of a Peach
Date: second half of the 19th century
Accession Number: 29.100.686
Inrō with Tiger Drinking from a River beside Rocks and Pine Tree
Date: early 19th century
Accession Number: 13.67.11
The Peony Show
Torii Kiyonaga
(Japanese, 1752–1815)
Date: ca. 1790
Accession Number: JP2619a–c
Inrō with Kabuki Actor Ichikawa Danjūrō V
Original design by Katsukawa Shunshō
(Japanese, 1726–1792)
Date: early 19th century
Accession Number: 36.100.240
Inrō with Street Festival; People Watching a Puppet Show (reverse)
Tatsuki Takamasu
Date: second half of the 18th century
Accession Number: 14.40.877
Mirror of Yoshiwara Beauties (Seirō bijin awase sugata kagami)
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: 1776
Accession Number: 2013.822
Storm below Mount Fuji (Sanka no haku u), from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Accession Number: JP2567
Ojime
Date: 19th century
Accession Number: 81.1.424.80
Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as the Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: ca. 1830–32
Accession Number: JP1847
Inrō with One Hundred Horses
Date: mid-18th century
Accession Number: 81.1.299
Eastern Brocade of One Hundred Poems by One Hundred Poets (Nishiki hyakunin isshu azuma-ori)
Katsukawa Shunshō
(Japanese, 1726–1792)
Date: 1775
Accession Number: 2013.821
Inrō with Chinese Landscape in Moonlight
Date: late 18th–first half 19th century
Accession Number: 13.67.16
The Mieidō Fan Shop
Utagawa Toyokuni I
(Japanese, 1769–1825)
Date: ca. 1785–93
Accession Number: JP2725
Ogura Hill: A Picture Book (Ehon ogurayama)
Nishikawa Sukenobu
(Japanese, 1671–1750)
Date: 1749
Accession Number: 2013.838
Inrō with Seven Horses by a River
Date: late 18th–early 19th century
Accession Number: 81.1.308
Inrō with Portuguese Figures
Date: late 18th–early 19th century
Accession Number: 1975.268.178
Figure of a Seated Beauty
Date: ca. 1670–90
Accession Number: 1975.268.527
Inrō with Ema (Shinto Shrine Votive Plaque) of Eight Fan Shapes and Framed Pictures
Date: second half of the 18th century
Accession Number: 29.100.737
Inrō with Two Standing Horses; Seal and Inscription (reverse)
After Kano Naonobu
(Japanese, 1607–1650)
Date: mid- 18th century
Accession Number: 29.100.753
Fine Views of the Eastern Capital at a Glance (Tōto meisho ichiran)
Katsushika Hokusai
(Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo))
Date: 1800
Accession Number: 2013.712a, b
Ojime
Date: 19th century
Accession Number: 81.1.424.10
Figure of a Standing Beauty
Date: ca. 1670–90
Accession Number: 1975.268.528
Inrō with Gibbons in a Landscape
Kano Sukekiyo
(1787–1840)
Date: early 19th century
Accession Number: 36.100.212
Sumida River Holiday
Torii Kiyonaga
(Japanese, 1752–1815)
Date: 1788–90
Accession Number: JP3393a–c
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