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76 records
Les Andelys
Paul Signac
(French, Paris 1863–1935 Paris)
Date: 1895
Medium: Lithograph printed in color; second state of three
Accession Number: 21.97.7
The Presentation in the Temple
Niccolò Vicentino
(Italian, active ca. 1510–ca. 1550)
Date: 1520–60
Medium: Chiaroscuro woodcut from four blocks printed in grey ink
Accession Number: 17.50.13
Portrait Study
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: 1635–41
Medium: Black chalk
Accession Number: 26.169.4
View of the Capitoline Hill in Rome from the East
Israel Silvestre
(French, Nancy 1621–1691 Paris)
Date: mid 17th–late 17th century
Medium: Etching
Accession Number: 17.50.19-31
The Tube Train
Cyril E. Power
(British, London 1874–1951)
Date: ca. 1934
Medium: Linoleum cut
Accession Number: 2005.470.7
Eliezer and Rebekah at the Well (Dalziels' Bible Gallery)
After William Holman Hunt
(British, London 1827–1910 London)
Date: 1863–81
Medium: Wood engraving on India paper, mounted on thin card
Accession Number: 26.99.1(17)
Untitled
Gert Tobias
(German, born Brasov, Romania, 1973)
Date: 2011
Medium: A portfolio of 12 etchings and white ground aquatints
Accession Number: 2012.413.1–.12
The Mirror of Venus
After Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1896
Medium: Etching on imitation vellum
Accession Number: 59.592.20
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
After Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1862
Medium: Wood engraving
Accession Number: 37.58.1
Fix
Trenton Doyle Hancock
(American, born 1974)
Date: 2008
Medium: Etching, aquatint, lithography, silkscreen and chine collé
Accession Number: 2008.402.1–.20
Italianate Landscape with the Ruins of Brederode Castle
Nicolaes Berchem
(Dutch, Haarlem 1621/22–1683 Amsterdam)
Date: mid-17th–late 17th century
Medium: Pen and brown ink, brown wash
Accession Number: 2008.111
Ophelia
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: March 1, 1866
Medium: Mezzotint, etching and stipple on chine collé; proof
Accession Number: 49.40.282
A Select Collection of Views and Ruins in Rome and Its Vicinity. Recently Executed from Drawings Made Upon the Spot
J. Merigot
(French, active 1772–1814)
Date: ca. 1819
Medium: Colored aquatint
Accession Number: 1970.565.47
The Legend of the Briar Rose - The Prince Enters the Briar Wood
After Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1892
Medium: Photogravure
Accession Number: 59.592.25
Melancholia
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date:
Medium: Engraving
Accession Number: 66.529.45
Christ and the Woman of Samaria
Giulio Campagnola
(Italian, Padua ca. 1482–ca. 1515/18 Venice)
Date: ca. 1510–12
Medium: Engraving
Accession Number: 17.50.32
The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosseum in the distance (Veduta di Campo Vaccino)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1775
Medium: Etching
Accession Number: 37.45.3(58)
Landscape with Trees and Figures
Herman van Swanevelt
(Dutch, Woerden (?) ca. 1603–1655 Paris)
Date: 1600–1665
Medium: Brush and brown ink, over a sketch in black chalk. Framing line in pen and brown ink
Accession Number: 2010.43
Diana and Endymion
Frank Short
(British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex)
Date: December 1, 1891
Medium: Etching and mezzotint, printed in brown ink
Accession Number: 59.592.34
Study for a Portrait of a Lady
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: early 17th century
Medium: Black chalk heightened with white
Accession Number: 1972.118.279
Arch of Septimius Severus, entablature, elevation; attic, base, elevation (recto) Arch of Septimius Severus, archivolt, elevation; impost, elevation; entablature, elevation; column base, elevation; column, plan (verso)
Drawn by Anonymous, French, 16th century
Date: early to mid-16th century
Medium: Dark brown ink, black chalk, and incised lines
Accession Number: 68.769.11
Speculum Romanae Magnificentiae: Arch of Septimius Severus
Anonymous, Italian, 16th century
Date: 1583
Medium: Etching with engraving
Accession Number: 41.72(1.80)
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Pen and black and brown ink, brush and grey wash, red chalk. Incised?
Accession Number: 58.648.2(42)
Melancholy (Melancolia)
Attributed to Theodor Matham
(Dutch, Haarlem 1605 or 1606–1676 Amsterdam)
Date:
Medium: Etching and engraving
Accession Number: 49.95.556
The Sower (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Medium: Wood engraving; proof on India paper
Accession Number: 21.68.4(1)
The Prince's Progress, and Other Poems
Written by Christina Georgina Rossetti
(British, London 1830–1894 London)
Date: 1866
Medium: Wood engraving
Accession Number: 21.14.1
The Arch of Septimius Severus Seen from the East
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1594
Medium: Pen and brown ink
Accession Number: 2010.526
Elijah and the Widow's Son (Dalziels' Bible Gallery)
After Ford Madox Brown
(British, Calais 1820–1893 London)
Date: 1865–81
Medium: Wood engraving on India paper, mounted on thin card
Accession Number: 26.99.1(58)
The Proscribed Royalist
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: January 15, 1858
Medium: Mixed method engraving on chine collé
Accession Number: 49.40.209
View in Rome near the Colosseum
Michiel van Overbeek
(Dutch, active 1663–1709)
Date: mid 17th–early 18th century
Medium: Pen and brown ink, brown wash, on brown paper; framing line in pen and brown ink, possibly by the artist
Accession Number: 2011.225
Les Andelys
Paul Signac
(French, Paris 1863–1935 Paris)
Date: 1895
Accession Number: 21.97.7
The Presentation in the Temple
Niccolò Vicentino
(Italian, active ca. 1510–ca. 1550)
Date: 1520–60
Accession Number: 17.50.13
Portrait Study
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: 1635–41
Accession Number: 26.169.4
View of the Capitoline Hill in Rome from the East
Israel Silvestre
(French, Nancy 1621–1691 Paris)
Date: mid 17th–late 17th century
Accession Number: 17.50.19-31
The Tube Train
Cyril E. Power
(British, London 1874–1951)
Date: ca. 1934
Accession Number: 2005.470.7
Eliezer and Rebekah at the Well (Dalziels' Bible Gallery)
After William Holman Hunt
(British, London 1827–1910 London)
Date: 1863–81
Accession Number: 26.99.1(17)
Untitled
Gert Tobias
(German, born Brasov, Romania, 1973)
Date: 2011
Accession Number: 2012.413.1–.12
The Mirror of Venus
After Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1896
Accession Number: 59.592.20
Buy from Us with a Golden Curl (frontispiece to "Goblin Market and other Poems" by Christina Rossetti)
After Dante Gabriel Rossetti
(British, London 1828–1882 Birchington-on-Sea)
Date: 1862
Accession Number: 37.58.1
Fix
Trenton Doyle Hancock
(American, born 1974)
Date: 2008
Accession Number: 2008.402.1–.20
Italianate Landscape with the Ruins of Brederode Castle
Nicolaes Berchem
(Dutch, Haarlem 1621/22–1683 Amsterdam)
Date: mid-17th–late 17th century
Accession Number: 2008.111
Ophelia
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: March 1, 1866
Accession Number: 49.40.282
A Select Collection of Views and Ruins in Rome and Its Vicinity. Recently Executed from Drawings Made Upon the Spot
J. Merigot
(French, active 1772–1814)
Date: ca. 1819
Accession Number: 1970.565.47
The Legend of the Briar Rose - The Prince Enters the Briar Wood
After Sir Edward Burne-Jones
(British, Birmingham 1833–1898 Fulham )
Date: 1892
Accession Number: 59.592.25
Melancholia
Sebald Beham
(German, Nuremberg 1500–1550 Frankfurt)
Date:
Accession Number: 66.529.45
Christ and the Woman of Samaria
Giulio Campagnola
(Italian, Padua ca. 1482–ca. 1515/18 Venice)
Date: ca. 1510–12
Accession Number: 17.50.32
Landscape with Trees and Figures
Herman van Swanevelt
(Dutch, Woerden (?) ca. 1603–1655 Paris)
Date: 1600–1665
Accession Number: 2010.43
Diana and Endymion
Frank Short
(British, Stourbridge, West Midlands 1857–1945 Ditchling, East Sussex)
Date: December 1, 1891
Accession Number: 59.592.34
Study for a Portrait of a Lady
Anthony van Dyck
(Flemish, Antwerp 1599–1641 London)
Date: early 17th century
Accession Number: 1972.118.279
Speculum Romanae Magnificentiae: Arch of Septimius Severus
Anonymous, Italian, 16th century
Date: 1583
Accession Number: 41.72(1.80)
A Reconstruction of the Arch of Titus (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(42)
Melancholy (Melancolia)
Attributed to Theodor Matham
(Dutch, Haarlem 1605 or 1606–1676 Amsterdam)
Date:
Accession Number: 49.95.556
The Sower (The Parables of Our Lord and Saviour Jesus Christ)
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: 1864
Accession Number: 21.68.4(1)
The Prince's Progress, and Other Poems
Written by Christina Georgina Rossetti
(British, London 1830–1894 London)
Date: 1866
Accession Number: 21.14.1
The Arch of Septimius Severus Seen from the East
Jan Brueghel the Elder
(Netherlandish, Brussels 1568–1625 Antwerp)
Date: ca. 1594
Accession Number: 2010.526
Elijah and the Widow's Son (Dalziels' Bible Gallery)
After Ford Madox Brown
(British, Calais 1820–1893 London)
Date: 1865–81
Accession Number: 26.99.1(58)
The Proscribed Royalist
After Sir John Everett Millais
(British, Southampton 1829–1896 London)
Date: January 15, 1858
Accession Number: 49.40.209
View in Rome near the Colosseum
Michiel van Overbeek
(Dutch, active 1663–1709)
Date: mid 17th–early 18th century
Accession Number: 2011.225
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