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Capriccio: An Archway Looking out at a Church
Filippo Rizzi
(Italian, born 1727)
Date:
Medium: Etching and engraving
Accession Number: 1996.327.2
Rectangular Octave Spinet
Date: Composite instrument 17th century? and 20th century
Medium: Wood, various materials
Accession Number: X.432
View of the Port of the Ripetta (Veduta del Porto di Ripetta)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1753
Medium: Etching
Accession Number: 59.570.407
Renaissance-style relief of Virgin and Child
Date: 19th century
Medium: White Carrara marble with details gilded
Accession Number: 30.95.104
Paduan Capriccio with a Gateway in the Style of the Porta Portello and a Bridge
Bernardo Bellotto
(Italian, Venice 1722–1780 Warsaw)
Date: 1741–42
Medium: Etching, ii
Accession Number: 26.57.59(10f)
Design for a Cartouche flanked by winged Sirens with a Coat of Arms containing a Fleur-de-Lis
Attributed to Carlo Bianconi
(Italian, Bologna 1732–1802 Milan)
Date: 1732–1802
Medium: Pen and brown ink over traces of leadpoint
Accession Number: 52.570.126
Border
Date: 17th century
Medium: Needle lace
Accession Number: 08.180.472
Two Sections of the pedestal of Trajan's Column, from Trofeo o sia Magnifica Colonna Coclide...(The Trophy or Magnificent Spiral Column), tavola 5, figure 2
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: 1774–79
Medium: Etching
Accession Number: 41.71.1.14(7)
"Palazzo Congressi Milano Study"
Aldo Rossi
(Italian, Milan 1931–1997 Milan)
Date: 1988
Medium: Graphite and ink on paper
Accession Number: 2001.375
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual
Niccolò di Giacomo da Bologna
(Italian, Bologna, active 1349–1403)
Date: ca. 1394–1402
Medium: Tempera, gold, and ink on parchment
Accession Number: 2007.236
Two Chimneypieces: The larger with Janus heads on the lintel and the smaller on a sheet attached to the main plate, from Diverse Maniere d'adornare i cammini... (Diverse Ways of ornamenting chimneypieces...)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: 1769
Medium: Etching
Accession Number: 41.71.1.20(23)
Ignorance Defeated
Antonio Fantuzzi
(Italian, active France, 1537–45)
Date: 1540–45
Medium: Etching
Accession Number: 44.104.1
The Holy Family with the Porridge Bowl
Raffaello Guidi
(Italian, active Rome, 1585–1615)
Date: ca. 1580–ca. 1614
Medium: Engraving
Accession Number: 2004.240
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Medium: folio 1 - Pen and brown ink, brush and brown and blue wash. folio 2 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 3 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 4 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 5 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 6 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 7 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 8 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 9 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 10v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 11 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 12 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 13 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 14 - Pen and brown ink, brush and pale brown wash, over black chalk construction lines and traces of black chalk. folio 15 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 16 - Pen and brown ink, over traces of black chalk (the doorway); black chalk (the figures on the pediment). folio 17 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 18 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 19 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 20 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 21 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 22v - Red chalk. folio 23 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 24 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 25 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 26 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 27 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 28 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 29 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 29v - Construction lines in black chalk. folio 30 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 31 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 32 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 33 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 33v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 34 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 35 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 36 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 37 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 38 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 39 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Abrasion of drawing surface. folio 40 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 41 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 42 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 43 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 44 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 45v - Graphite. folio 46 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. Some offsetting and stray marks in red chalk and graphite. folio 47 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 48 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 49 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 50 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 51 - Pen and black and brown ink, brush and brown wash, over graphite or black chalk and red chalk underdrawing. folio 52 - Pen and black and brown ink, brush and pink, blue, brown, ochre and light green wash over graphite or black chalk construction lines. folio 52v - Pen and brown ink and graphite. folio 53 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 54 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 55 - Pen and brown ink. folio 56v - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 57 - Pen and brown ink over graphite construction lines, yellow and pink wash. folio 58 - Pen and brown ink over stylus-incised construction lines. folio 58v - Pen and brown ink over stylus-incised construction lines. folio 59 - Pen and brown ink, brush and brown wash over stylus-incised construction lines with traces of red chalk. folio 60 - Pen and brown ink over stylus-incised construction lines. folio 60v - Pen and brown ink over stylus-incised construction lines. folio 61 - Pen and brown ink over stylus-incised construction lines. folio 61v - Pen and brown ink over stylus-incised construction lines. folio 62 - Pen and brown ink, brush and brown wash, over black chalk construction lines and traces of black chalk. folio 63 - Pen and brown ink over stylus-incised construction lines. folio 63v - Pen and brown ink over stylus-incised construction lines. folio 64 - Pen and brown ink and graphite. folio 65 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 65v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66 - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite. folio 66v - Pen and brown ink over black chalk construction lines and traces of black chalk or graphite
Accession Number: 1979.62.1(1-66)
Fragment
Date: 17th century
Medium: Bobbin lace
Accession Number: 20.186.143
Disegni Varii di Polifilo Zancarli
Polifilo Giancarli
(active in Venice ca. 1600–1625)
Date: 1628 before
Medium: Etching
Accession Number: 46.149.4a(7)
Aurea Legenda Maior Beati Francisci
About Saint Bonaventura
(Italian, Tuscany ca. 1217–1274)
Date: April 17, 1509
Medium: Books
Accession Number: 25.30.11
Insertion
Date: 17th century
Medium: Bobbin lace
Accession Number: 20.186.192
Head of an Angel in Left Profile
Taddeo di Bartolo
(Italian, Siena ca. 1362–1422 Siena)
Date: ca. 1397
Medium: Tempera on wood (paint around head scraped away and vacant area gessoed)
Accession Number: 1975.1.19
Fragments (3)
Date: 16th century
Medium: Needle lace
Accession Number: 06.691.1
Dish for a ewer (bacile da versatore)
Date: ca. 1530–40
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 1975.1.1035
Vase fragment
Accession Number: 16.174.34.14
Date:
Medium: Terracotta
Accession Number: 16.174.34.14
Stylet
Date: 17th century
Medium: Daggers
Accession Number: 26.145.135
Saucer (part of a service)
Capodimonte
Date: 1743–59
Medium: Soft-paste porcelain
Accession Number: 1995.268.337
Piece
Date: 16th–17th century
Medium: Silk and metal thread
Accession Number: 36.90.353
Speculum Romanae Magnificentiae: Ornithon Sive Aviarum
Anonymous
Date: 1558
Medium: Etching
Accession Number: 41.72(1.92)
Emperor Tiberius on Horseback, from the series The First Twelve Roman Caesars, plate 3
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1596
Medium: Etching; first state of two (Bartsch)
Accession Number: 51.501.3476
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Medium: Wool, silk (16-18 warps per inch, 7 per cm.)
Accession Number: 92.1.14
Goblet
Achille Castiglioni
(Italian, 1918–2002)
Date: 1983
Medium: Glass
Accession Number: 1988.184.7
Plate
Date: ca. 1510
Medium: Maiolica (tin-glazed earthenware)
Accession Number: 65.6.6
Capriccio: An Archway Looking out at a Church
Filippo Rizzi
(Italian, born 1727)
Date:
Accession Number: 1996.327.2
Rectangular Octave Spinet
Date: Composite instrument 17th century? and 20th century
Accession Number: X.432
View of the Port of the Ripetta (Veduta del Porto di Ripetta)
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: ca. 1753
Accession Number: 59.570.407
Renaissance-style relief of Virgin and Child
Date: 19th century
Accession Number: 30.95.104
Paduan Capriccio with a Gateway in the Style of the Porta Portello and a Bridge
Bernardo Bellotto
(Italian, Venice 1722–1780 Warsaw)
Date: 1741–42
Accession Number: 26.57.59(10f)
Design for a Cartouche flanked by winged Sirens with a Coat of Arms containing a Fleur-de-Lis
Attributed to Carlo Bianconi
(Italian, Bologna 1732–1802 Milan)
Date: 1732–1802
Accession Number: 52.570.126
Border
Date: 17th century
Accession Number: 08.180.472
Two Sections of the pedestal of Trajan's Column, from Trofeo o sia Magnifica Colonna Coclide...(The Trophy or Magnificent Spiral Column), tavola 5, figure 2
Giovanni Battista Piranesi
(Italian, Mogliano Veneto 1720–1778 Rome)
Date: 1774–79
Accession Number: 41.71.1.14(7)
"Palazzo Congressi Milano Study"
Aldo Rossi
(Italian, Milan 1931–1997 Milan)
Date: 1988
Accession Number: 2001.375
Manuscript Illumination with the Martyrdom of Saint Stephen in an Initial E, from a Gradual
Niccolò di Giacomo da Bologna
(Italian, Bologna, active 1349–1403)
Date: ca. 1394–1402
Accession Number: 2007.236
Ignorance Defeated
Antonio Fantuzzi
(Italian, active France, 1537–45)
Date: 1540–45
Accession Number: 44.104.1
The Holy Family with the Porridge Bowl
Raffaello Guidi
(Italian, active Rome, 1585–1615)
Date: ca. 1580–ca. 1614
Accession Number: 2004.240
Album Containing Architectural, Ornament, and Figure Drawings.
Giovanni Battista Mola
(Italian, Coldrerio 1585–1665 Rome)
Date: 1630–31
Accession Number: 1979.62.1(1-66)
Fragment
Date: 17th century
Accession Number: 20.186.143
Disegni Varii di Polifilo Zancarli
Polifilo Giancarli
(active in Venice ca. 1600–1625)
Date: 1628 before
Accession Number: 46.149.4a(7)
Aurea Legenda Maior Beati Francisci
About Saint Bonaventura
(Italian, Tuscany ca. 1217–1274)
Date: April 17, 1509
Accession Number: 25.30.11
Insertion
Date: 17th century
Accession Number: 20.186.192
Head of an Angel in Left Profile
Taddeo di Bartolo
(Italian, Siena ca. 1362–1422 Siena)
Date: ca. 1397
Accession Number: 1975.1.19
Fragments (3)
Date: 16th century
Accession Number: 06.691.1
Dish for a ewer (bacile da versatore)
Date: ca. 1530–40
Accession Number: 1975.1.1035
Vase fragment
Accession Number: 16.174.34.14
Date:
Accession Number: 16.174.34.14
Stylet
Date: 17th century
Accession Number: 26.145.135
Saucer (part of a service)
Capodimonte
Date: 1743–59
Accession Number: 1995.268.337
Piece
Date: 16th–17th century
Accession Number: 36.90.353
Speculum Romanae Magnificentiae: Ornithon Sive Aviarum
Anonymous
Date: 1558
Accession Number: 41.72(1.92)
Emperor Tiberius on Horseback, from the series The First Twelve Roman Caesars, plate 3
Antonio Tempesta
(Italian, Florence 1555–1630 Rome)
Date: 1596
Accession Number: 51.501.3476
Aladin Hears of the Crusaders' Approach (from a set of Scenes from Gerusalemme Liberata)
Designed by Domenico Paradisi
(Italian, active 1689–1721)
Date: designed ca. 1689–93, woven 1732–39
Accession Number: 92.1.14
Goblet
Achille Castiglioni
(Italian, 1918–2002)
Date: 1983
Accession Number: 1988.184.7
Plate
Date: ca. 1510
Accession Number: 65.6.6
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