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5,280 records
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The Sacrifice of Iphigenia
Carle
(Charles André) Vanloo (French, Nice 1705–1765 Paris)
Date: ca. 1755
Medium: Pen and brown ink, brush and brown, blue, red and pale yellow wash heightened with white, over traces of black chalk, on brown-washed paper. The sheet consists of fourteen pieces of cream-colored paper mounted on a paper support.
Accession Number: 53.121
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.401
Three Men at a Table
Étienne Jeaurat
(French, Vermenton 1699–1789 Versailles)
Date: 1763
Medium: Black chalk, brush and gray wash, heightened with white gouache; framing lines in pen and brown ink
Accession Number: 1999.150
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.374
St. Paschal Baylon Adorning the Blessed Sacrament
Mariano Salvador de Maella
(Spanish, Valencia 1739–1819 Madrid)
Date: 1739–1819
Medium: Black chalk (verso); brush and brown wash over black chalk underdrawing (recto) on off-white paper
Accession Number: 1973.324
Design for an Urn with Eagle Motif.
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, brush and gray wash, over traces of black chalk. A vertical line in leadpoint through the center to create the symmetry of the drawing
Accession Number: 52.570.294
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Medium: Pen and brown ink, over soft black chalk
Accession Number: 10.45.1
Mountainous Landscape
Denis van Alsloot
(Brussels, before 1573–1625/26 Brussels)
Date: late 16th–early 17th century
Medium: Pen and brown ink, brush and brown wash with touches of blue, pink, and green wash, over traces of black chalk, framing lines in pen and brown ink
Accession Number: 56.219.1
Design for an Inkstand
Attributed to workshop of Ottavio Strada
(Italian (naturalized), Nuremberg (?) 1550–1606 Prague)
Date: ca. 1540–1560
Medium: Pen and brown ink, brush and brown wash, over black chalk
Accession Number: 66.618.8
Aurora Riding in Her Chariot
Andrea Appiani
(Italian, Milan 1754–1817 Milan)
Date: 1754–1817
Medium: Pen and brown ink, brush and brown wash, over black chalk
Accession Number: 1988.150
Adumbration of Capitoline Hill.
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Red chalk, brush and grey wash, pen and black ink. Banderole with inscriptions at center is on a separate sheet which is glued to the drawing.
Accession Number: 58.648.2(54)
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns.
Salvador Alarma Tastás
(Spanish, Barcelona, 1870–1941)
Date: 1870–1941
Medium: Black chalk on tan paper
Accession Number: 59.608.117
Design for a Choir Screen with a Cardinal's Hat
Anonymous, French, 16th century
Date: 16th century
Medium: Black chalk, pen and brown ink, brush and brown wash
Accession Number: 49.19.17
Portrait of a Man
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1830
Medium: Conté crayon and white-chalk heightening on heavy, toned (formerly blue) wove paper
Accession Number: 54.181 verso
A Herdswoman Seated Amongst Her Animals, with a Lamb in Her Arms
Dirck van Bergen
(Dutch, Haarlem 1645–1690/1702 Haarlem)
Date: 1690
Medium: Pen and black ink, point of the brush and gray ink and wash over black chalk, with broad gray framing lines and broad margins, on vellum
Accession Number: 2005.150
Aeneas and the Cumaean Sibyl Entering the Infernal Regions
Giovanni Francesco Romanelli
(Italian, Viterbo ca. 1610–1662 Viterbo)
Date: 1610–62
Medium: Pen and brown ink, brush and blue wash, highlighted with white, over black chalk, on blue-gray paper
Accession Number: 1977.134
Design for a Decorative Cornice
Anonymous, Italian, first half of the 18th century
Date: 18th century
Medium: Pen and brown ink, brush and gray wash, over black chalk on brown-gray paper Fragments of framing lines in pen and brown ink
Accession Number: 1975.131.81
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: ca. 1737
Medium: Pen and black and blue ink, black chalk, and graphite
Accession Number: 44.54.15
Female Head
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Medium: Red chalk
Accession Number: 80.3.90
The Workshop of a Wooden Shoe Maker
Constant Troyon
(French, Sèvres 1810–1865 Paris)
Date: ca. 1838
Medium: Black, white and red chalk on wove paper
Accession Number: 1994.49
Sketchbook #35
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: April 22, 1949–April 16, 1953
Medium: Pen and india ink, wash, graphite, red, brown, and white chalk on paper
Accession Number: 1979.292.885
Study of Drapery
Pierre Paul Prud'hon
(French, Cluny 1758–1823 Paris)
Date: ca. 1813
Medium: Black and white chalk with stumping on blue paper
Accession Number: 2008.44
Juno Ordering Aeolus to Unleash the Winds
Louis Jean Jacques Durameau
(French, Paris 1733–1796 Versailles)
Date: 1775
Medium: Pen and brown ink, brush and brown and gray wash, with white gouache, over black and red chalk underdrawing on light buff paper prepared with a pink wash. Framing lines in pen and brown ink.
Accession Number: 2013.504
Head of a Bearded Man Looking to Upper Left
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Medium: Red chalk on blue paper
Accession Number: 63.98.2
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.191
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.202
A Farmhouse with a Thatched Roof and Trees Beside a River
Constant Troyon
(French, Sèvres 1810–1865 Paris)
Date: 1825–65
Medium: Black chalk with touches of white, on blue paper.
Accession Number: 1996.582.4
The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1577–1640
Medium: Pen and brown ink (recto); red chalk (verso)
Accession Number: 2002.12a, b
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Medium: Red chalk on paper
Accession Number: 1979.292.389
A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Medium: Pen and black ink, brush and brown wash, over traces of red and black chalk.
Accession Number: 58.648.2(27)
The Sacrifice of Iphigenia
Carle
(Charles André) Vanloo (French, Nice 1705–1765 Paris)
Date: ca. 1755
Accession Number: 53.121
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.401
Three Men at a Table
Étienne Jeaurat
(French, Vermenton 1699–1789 Versailles)
Date: 1763
Accession Number: 1999.150
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.374
St. Paschal Baylon Adorning the Blessed Sacrament
Mariano Salvador de Maella
(Spanish, Valencia 1739–1819 Madrid)
Date: 1739–1819
Accession Number: 1973.324
Design for an Urn with Eagle Motif.
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.294
Head of a Man in Profile Facing to the Left
Leonardo da Vinci
(Italian, Vinci 1452–1519 Amboise)
Date: 1490–94
Accession Number: 10.45.1
Mountainous Landscape
Denis van Alsloot
(Brussels, before 1573–1625/26 Brussels)
Date: late 16th–early 17th century
Accession Number: 56.219.1
Design for an Inkstand
Attributed to workshop of Ottavio Strada
(Italian (naturalized), Nuremberg (?) 1550–1606 Prague)
Date: ca. 1540–1560
Accession Number: 66.618.8
Aurora Riding in Her Chariot
Andrea Appiani
(Italian, Milan 1754–1817 Milan)
Date: 1754–1817
Accession Number: 1988.150
Adumbration of Capitoline Hill.
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(54)
Stage Set Design: A Square Hall with Rounded Archways and Cupola in Oriental Style with Thin Columns.
Salvador Alarma Tastás
(Spanish, Barcelona, 1870–1941)
Date: 1870–1941
Accession Number: 59.608.117
Design for a Choir Screen with a Cardinal's Hat
Anonymous, French, 16th century
Date: 16th century
Accession Number: 49.19.17
Portrait of a Man
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1830
Accession Number: 54.181 verso
A Herdswoman Seated Amongst Her Animals, with a Lamb in Her Arms
Dirck van Bergen
(Dutch, Haarlem 1645–1690/1702 Haarlem)
Date: 1690
Accession Number: 2005.150
Aeneas and the Cumaean Sibyl Entering the Infernal Regions
Giovanni Francesco Romanelli
(Italian, Viterbo ca. 1610–1662 Viterbo)
Date: 1610–62
Accession Number: 1977.134
Design for a Decorative Cornice
Anonymous, Italian, first half of the 18th century
Date: 18th century
Accession Number: 1975.131.81
Study for an Engraving of "Songs in the Opera of Flora"
Hubert François Gravelot
(French, Paris 1699–1773 Paris)
Date: ca. 1737
Accession Number: 44.54.15
Female Head
Anonymous, Italian, Roman-Bolognese, 17th century
Date: 17th century
Accession Number: 80.3.90
The Workshop of a Wooden Shoe Maker
Constant Troyon
(French, Sèvres 1810–1865 Paris)
Date: ca. 1838
Accession Number: 1994.49
Sketchbook #35
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: April 22, 1949–April 16, 1953
Accession Number: 1979.292.885
Study of Drapery
Pierre Paul Prud'hon
(French, Cluny 1758–1823 Paris)
Date: ca. 1813
Accession Number: 2008.44
Juno Ordering Aeolus to Unleash the Winds
Louis Jean Jacques Durameau
(French, Paris 1733–1796 Versailles)
Date: 1775
Accession Number: 2013.504
Head of a Bearded Man Looking to Upper Left
Carlo Maratti
(Italian, Camerano 1625–1713 Rome)
Date: 1625–1713
Accession Number: 63.98.2
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.191
Untitled (Female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.202
A Farmhouse with a Thatched Roof and Trees Beside a River
Constant Troyon
(French, Sèvres 1810–1865 Paris)
Date: 1825–65
Accession Number: 1996.582.4
The Virgin Adored by Saints (recto); Study of the Torso Belvedere (verso)
Peter Paul Rubens
(Flemish, Siegen 1577–1640 Antwerp)
Date: 1577–1640
Accession Number: 2002.12a, b
Untitled (female nude study)
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1931
Accession Number: 1979.292.389
A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below)
Jan Goeree
(Dutch, Middleburg 1670–1731 Amsterdam)
Date: before 1704
Accession Number: 58.648.2(27)
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