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29,188 records
Drawings x
Designs for Stage Sets (?) (recto and verso)
Herbert E. Crowley
(British, 1873–1939 Switzerland)
Date: 1893–1939
Medium: Charcoal
Accession Number: 46.128.128
Man and Woman in a Landscape, possibly Faust and Marguerite
Richard Parkes Bonington
(British, Arnold, Nottinghamshire 1802–1828 London)
Date: ca. 1826–27
Medium: Pen and brown ink, brush and brown wash, over traces of graphite
Accession Number: 2000.516
Design for a Table
Omer Piret
(French, 20th century)
Date: 20th century
Medium: Graphite
Accession Number: 1982.1184.7
Design for an Ornamental Initial: B
Teodoro della Porta
(Italian, Rome 1567–1638 Rome)
Date: 1567–1638
Medium: Pen and brown ink, brown wash, over black chalk. On blue paper
Accession Number: 1972.135
Design for a Stage Set
Attributed to Pietro Righini
(Italian, 1688–1742)
Date: 1688–1742
Medium: Drawings, Ornament & Architecture
Accession Number: 1971.513.9
Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
(Italian, Bologna 1735–1817 Bologna)
Date: 18th century
Medium: Pen and brown and gray ink, brush and gray wash
Accession Number: 62.635.209
Sketchbook #140
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Medium: Black chalk on paper
Accession Number: 1979.292.818
Design for a Stage Set at the Opéra, Paris
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Graphite
Accession Number: 53.529.61
Magic Loom
Dennis Oppenheim
(American, Electric City, Washington 1938–2011 New York)
Date: 1980
Medium: Graphite and photographic tint on vellum, dry mounted on museum board
Accession Number: 1992.388.5
Design for a Smallsword Hilt
Date: ca. 1780
Medium: Pen, ink, colored wash, chalk on paper
Accession Number: 2011.102
Set design for Ziegfeld Follies, 1927
John Wenger
(American, Russia 1887–1976 New York)
Date: 20th century
Medium: Tempera
Accession Number: 67.632.5
Study of the left hand of Mme de Pompadour
François Boucher
(French, Paris 1703–1770 Paris)
Date: 18th century
Medium: Black chalk with slight touches of red chalk, heightened with white.
Accession Number: 55.214
Design for Wagon, no. 904c
Brewster & Co.
(American, New York)
Date: ca. 1860
Medium: Pen and black ink, watercolor and gouache
Accession Number: 23.112.2028
Sketchbook #141
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925–54
Medium: Black charcoal, crayon, graphite, red chalk, pen, and india ink on paper
Accession Number: 1979.292.787
Designs for the painted decoration of ceiling timbers monogrammed "PB"
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Medium: pen and ink, watercolor, and gold paint on wove paper
Accession Number: 67.827.207
Design for Hall Chimney-piece, Charlemont House, Dublin
Sir William Chambers
(British (born Sweden), Göteborg 1723–1796 London)
Date: 1762
Medium: Pen and brown ink, brush and gray wash
Accession Number: 34.78.2(11)
Drawing After and Architectural Fragment of a Coffered Ceiling
Anonymous, French, 19th century
Date: 19th century
Medium: Graphite on laid paper
Accession Number: 63.712.56
Collect Pond, New York City
Attributed to Archibald Robertson
(American, Moneymusk, Scotland 1765–1835 New York)
Date: 1798
Medium: Watercolor and black chalk on off-white laid paper
Accession Number: 54.90.168
Standing and Seated Figures
Francesco Curia
(Italian, documented Naples 1565/70–1608 Naples)
Date: 1565–1608
Medium: Pen and brown ink.
Accession Number: 1970.101.11
Metal Keyplate for Church
Anonymous, British, 19th century
Date: second half 19th century
Medium: Gouache
Accession Number: 60.632.148(1)
View of Motrone Castle (before its demolition around 1692)
Attributed to Giovanni Francesco Grimaldi
(Italian, Bologna 1606–1680 Rome)
Date: 1606–80
Medium: Pen and brown ink over leadpoint.
Accession Number: 49.63.271
Untitled
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: ca. 1934–37
Medium: Colored pencils, pen and India ink on paper
Accession Number: 1982.147.3
Design for a Stage Set
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Medium: Drawings
Accession Number: 53.668.118
Design for a Ceiling: The Four Parts of the World
Giovanni Antonio Pellegrini
(Italian, Venice 1675–1741 Venice)
Date: 1725
Medium: Brush and gray wash over graphite or lead. Framing lines in pen and black ink. Four sections of paper, two center parts joined together
Accession Number: 59.208.107
Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Medium: Pen and brown ink, brush and gray wash, over traces of black chalk
Accession Number: 52.570.285
Bed Chamber Story, Great Saxham House, Suffolk
Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1779
Medium: Pen, ink, wash and watercolor
Accession Number: 53.555(5)
The Hours
Samuel Shelley
(British, London 1756–1808 London)
Date: ca. 1800
Medium: Pen and bistre
Accession Number: 30.124
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Medium: Pastel on off-white laid paper, mounted on canvas
Accession Number: 1996.279
The Wigglemuch, Number 9
Herbert E. Crowley
(British, 1873–1939 Switzerland)
Date: 1910
Medium: Black ink
Accession Number: 46.128.7
Christopher Isherwood (1904-1986)
Don Bachardy
(American, born Los Angeles, California, 1934)
Date: 1976
Medium: Graphite and ink wash on paper
Accession Number: 1981.140.1
Designs for Stage Sets (?) (recto and verso)
Herbert E. Crowley
(British, 1873–1939 Switzerland)
Date: 1893–1939
Accession Number: 46.128.128
Man and Woman in a Landscape, possibly Faust and Marguerite
Richard Parkes Bonington
(British, Arnold, Nottinghamshire 1802–1828 London)
Date: ca. 1826–27
Accession Number: 2000.516
Design for a Table
Omer Piret
(French, 20th century)
Date: 20th century
Accession Number: 1982.1184.7
Design for an Ornamental Initial: B
Teodoro della Porta
(Italian, Rome 1567–1638 Rome)
Date: 1567–1638
Accession Number: 1972.135
Design for a Stage Set
Attributed to Pietro Righini
(Italian, 1688–1742)
Date: 1688–1742
Accession Number: 1971.513.9
Description of a Plan with Three Figures and Divan Below
Flaminio Innocenzo Minozzi
(Italian, Bologna 1735–1817 Bologna)
Date: 18th century
Accession Number: 62.635.209
Sketchbook #140
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: 1931
Accession Number: 1979.292.818
Design for a Stage Set at the Opéra, Paris
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.529.61
Magic Loom
Dennis Oppenheim
(American, Electric City, Washington 1938–2011 New York)
Date: 1980
Accession Number: 1992.388.5
Design for a Smallsword Hilt
Date: ca. 1780
Accession Number: 2011.102
Set design for Ziegfeld Follies, 1927
John Wenger
(American, Russia 1887–1976 New York)
Date: 20th century
Accession Number: 67.632.5
Study of the left hand of Mme de Pompadour
François Boucher
(French, Paris 1703–1770 Paris)
Date: 18th century
Accession Number: 55.214
Design for Wagon, no. 904c
Brewster & Co.
(American, New York)
Date: ca. 1860
Accession Number: 23.112.2028
Sketchbook #141
Reginald Marsh
(American, Paris 1898–1954 Dorset, Vermont)
Date: ca. 1925–54
Accession Number: 1979.292.787
Designs for the painted decoration of ceiling timbers monogrammed "PB"
Jules-Edmond-Charles Lachaise
(French, died 1897)
Date: second half 19th century
Accession Number: 67.827.207
Design for Hall Chimney-piece, Charlemont House, Dublin
Sir William Chambers
(British (born Sweden), Göteborg 1723–1796 London)
Date: 1762
Accession Number: 34.78.2(11)
Drawing After and Architectural Fragment of a Coffered Ceiling
Anonymous, French, 19th century
Date: 19th century
Accession Number: 63.712.56
Collect Pond, New York City
Attributed to Archibald Robertson
(American, Moneymusk, Scotland 1765–1835 New York)
Date: 1798
Accession Number: 54.90.168
Standing and Seated Figures
Francesco Curia
(Italian, documented Naples 1565/70–1608 Naples)
Date: 1565–1608
Accession Number: 1970.101.11
Metal Keyplate for Church
Anonymous, British, 19th century
Date: second half 19th century
Accession Number: 60.632.148(1)
View of Motrone Castle (before its demolition around 1692)
Attributed to Giovanni Francesco Grimaldi
(Italian, Bologna 1606–1680 Rome)
Date: 1606–80
Accession Number: 49.63.271
Untitled
Jackson Pollock
(American, Cody, Wyoming 1912–1956 East Hampton, New York )
Date: ca. 1934–37
Accession Number: 1982.147.3
Design for a Stage Set
Eugène Ciceri
(French, Paris 1813–1890 Fontainebleau)
Date: 1830–90
Accession Number: 53.668.118
Design for a Ceiling: The Four Parts of the World
Giovanni Antonio Pellegrini
(Italian, Venice 1675–1741 Venice)
Date: 1725
Accession Number: 59.208.107
Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
(Italian, Florence 1652–1725 Florence)
Date: 1652–1725
Accession Number: 52.570.285
Bed Chamber Story, Great Saxham House, Suffolk
Robert Adam
(British, Kirkcaldy, Scotland 1728–1792 London)
Date: 1779
Accession Number: 53.555(5)
The Hours
Samuel Shelley
(British, London 1756–1808 London)
Date: ca. 1800
Accession Number: 30.124
Hugh Hall
John Singleton Copley
(American, Boston, Massachusetts 1738–1815 London)
Date: 1758
Accession Number: 1996.279
The Wigglemuch, Number 9
Herbert E. Crowley
(British, 1873–1939 Switzerland)
Date: 1910
Accession Number: 46.128.7
Christopher Isherwood (1904-1986)
Don Bachardy
(American, born Los Angeles, California, 1934)
Date: 1976
Accession Number: 1981.140.1
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