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Goya (Francisco de Goya y Lucientes) x
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Medium: Etching, burnished aquatint, burin and burnisher on wove paper
Accession Number: 22.60.25(38)
Plate 75 from 'Los Caprichos': Is there no one to untie us? (¿No hay quien nos desate?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(75)
It always happens (Siempre sucede), from The Disasters of War (Los Desastres de la Guerra), plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and drypoint on wove paper
Accession Number: 22.60.25(8)
Men Spitting at a Fire
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: Lithograph
Accession Number: 62.600.326
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(43)
What Courage! (Que Valor!), from The Disasters of War (Los Desastres de la Guerra), plate 7
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(7)
Bird Hunters with a Decoy, from Images of Spain Album (F), 105
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush with brown and gray wash on laid paper
Accession Number: 35.103.23
Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(51)
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burnished lavis on wove paper
Accession Number: 22.60.25(21)
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(78)
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(64)
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching, aquatint, and drypoint (?); posthumous proof on China paper
Accession Number: 19.64
A 'Maja' standing against a dark background (Maja)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Medium: Etching, aquatint and burnishing, printed in black ink, with platetone
Accession Number: 23.37.6
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.6
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Medium: Etching,burnished aquatint and/or lavis
Accession Number: 1972.507.1
Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, lavis, and engraving; first edition of seven
Accession Number: 21.19.21
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching on laid paper
Accession Number: 32.62.8
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.1
Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(50)
Nor [do these] either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 10
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burin on wove paper
Accession Number: 51.530.2(10)
Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and burnished aquatint
Accession Number: 18.64(45)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(67)
General Folly, plate 9 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching and burnished aquatint
Accession Number: 24.30.10
Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(17)
This is what you were born for (Para eso habeis nacido), from The Disasters of War (Los Desastres de la Guerra), plate 12
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint and burin on wove paper
Accession Number: 22.60.25(12)
A Man and a Woman on a Mule; Images of Spain Album (F), page 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.21
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.3
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza), The Bullfight, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, and drypoint; third issue of the first edition, 1816
Accession Number: 16.4.4
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush with gray-brown and irongall washes, with scraping on laid paper
Accession Number: 35.103.31
Plate 32 from 'Los Caprichos':Because she was susceptible (Por que fue sensible.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Aquatint
Accession Number: 18.64(32)
Barbarians! (Bárbaros!), from The Disasters of War (Los Desastres de la Guerra), plate 38
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published in 1863
Accession Number: 22.60.25(38)
Plate 75 from 'Los Caprichos': Is there no one to untie us? (¿No hay quien nos desate?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(75)
It always happens (Siempre sucede), from The Disasters of War (Los Desastres de la Guerra), plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(8)
Men Spitting at a Fire
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 62.600.326
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(43)
What Courage! (Que Valor!), from The Disasters of War (Los Desastres de la Guerra), plate 7
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(7)
Bird Hunters with a Decoy, from Images of Spain Album (F), 105
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.23
Plate 51 from 'Los Caprichos': They spruce themselves up (Se repulen.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(51)
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(21)
Plate 78 from' Los Caprichos': Be quick, they are waking up (Despacha, que dispiértan.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(78)
Plate 64 from 'Los Caprichos': Bon voyage (Buen Viage.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(64)
Punctual Folly (Disparate puntual), from the Disparates, plate B
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 19.64
A 'Maja' standing against a dark background (Maja)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date:
Accession Number: 23.37.6
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.6
Old man on a swing (Viejo columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1824–28
Accession Number: 1972.507.1
It Will Be the Same (Será lo mismo), from The Disasters of War (Los Desastres de la Guerra), plate 21
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.8
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.1
Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(50)
Nor [do these] either (Tampoco), from The Disasters of War (Los Desastres de la Guerra), plate 10
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2(10)
Plate 45 from 'Los Caprichos: There is Plenty to Suck (Mucho hay que chupar.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(45)
Esta no lo es menos
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(67)
General Folly, plate 9 from Disparates
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.10
Plate 17 from 'Los Caprichos': It is nicely stretched (Bien tirada está.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(17)
This is what you were born for (Para eso habeis nacido), from The Disasters of War (Los Desastres de la Guerra), plate 12
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(12)
A Man and a Woman on a Mule; Images of Spain Album (F), page 36
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1812–20
Accession Number: 35.103.21
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.3
A Moor Caught by the Bull in the Ring (Cogida de un moro estando en la plaza), The Bullfight, plate 8
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 16.4.4
Construction in Progress (Images of Spain Album, 46)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.31
Plate 32 from 'Los Caprichos':Because she was susceptible (Por que fue sensible.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(32)
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