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Goya (Francisco de Goya y Lucientes) x
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 36.20(12)
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, aquatint, lavis, drypoint, burin, and burnishing on wove paper; complete set of 80 plates from the first edition of 1863;
Accession Number: 51.530.2
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint, lavis and burin on wove paper
Accession Number: 22.60.25(23)
Old woman on a swing (Vieja columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Medium: facsimile
Accession Number: 21.97.1
Plate 32 from 'Los Caprichos':Because she was susceptible (Por que fue sensible.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Aquatint
Accession Number: 18.64(32)
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Medium: Etching and burnished aquatint; posthumous proof on China paper, before 1877
Accession Number: 62.635.798
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, drypoint, and burin
Accession Number: 18.64(43)
Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(50)
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint, and burin. From the first published edition
Accession Number: 16.4.2
It's a Hard Step! (Duro es el paso!), from The Disasters of War (Los Desastres de la Guerra), plate 14
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.16
The Agility and Audacity of Juanito Apiñani in the [Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la [plaza] de Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching
Accession Number: 21.19.20
Gracias á la almorta
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching and burnished aquatint on wove paper
Accession Number: 22.60.25(51)
To the Cemetery, from The Disasters of War; working proof for plate 56
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching and drypoint on laid paper
Accession Number: 53.541
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Medium: Etching, aquatint, lavis, drypoint, burin and burnishing
Accession Number: 24.30.5
Portrait of a Young Man
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1820
Medium: Lithograph
Accession Number: 1993.1046
Plate 79 from 'Los Caprichos': No one has seen us (Nadie nos ha visto.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, burnished aquatint and burin
Accession Number: 18.64(79)
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush and gray wash on laid Netherlandish paper
Accession Number: 35.103.6
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, drypoint and burin
Accession Number: 21.19.17
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Medium: Lithograph
Accession Number: 20.60.4
Plate 57 from 'Los Caprichos':The filiation (La filiacion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching and aquatint
Accession Number: 18.64(57)
Self-Portrait
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1797–98
Medium: Red chalk
Accession Number: 1972.118.295
Si son de otro linage
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, lavis, drypoint, burin and burnisher on wove paper
Accession Number: 22.60.25(61)
Bury Them and Keep Quiet (Enterrar y callar), from The Disasters of War (Los Desastres de la Guerra), plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Medium: Etching, drypoint and burin on laid paper
Accession Number: 32.62.12
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, burnished aquatint, lavis, burin, and burnisher on wove paper
Accession Number: 22.60.25(53)
These Too (Tambien estos), from The Disasters of War (Los Desastres de la Guerra), plate 25
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Medium: Etching, drypoint and burin on wove paper
Accession Number: 22.60.25(25)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint, and drypoint
Accession Number: 16.4.11
Plate 65 from ' Los Caprichos':Where is mother going? (Donde vá mamá?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Medium: Etching, aquatint and drypoint
Accession Number: 18.64(65)
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Medium: Etching, burnished aquatint, lavis, drypoint, and burin
Accession Number: 21.19.30
The Swing
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Medium: Brush, indian ink, and gray wash on laid Netherlandish paper
Accession Number: 35.103.2
A Woman Murdering a Sleeping Man, from Images of Spain Album (F), 87
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Medium: Brush and brown wash on laid paper
Accession Number: 35.103.46
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 36.20(12)
The Disasters of War (Los Desastres de la Guerra); individual plates are numbered 51.530.2(1-80)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 51.530.2
The Same Elsewhere (Lo mismo en otras partes), from The Disasters of War (Los Desastres de la Guerra), plate 23
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(23)
Old woman on a swing (Vieja columpiándose)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: n.d.
Accession Number: 21.97.1
Plate 32 from 'Los Caprichos':Because she was susceptible (Por que fue sensible.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(32)
Well-Known Folly (Disparate conocido), from the Disparates, plate A
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1877
Accession Number: 62.635.798
Plate 43 from 'Los Caprichos': The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(43)
Plate 50 from 'Los Caprichos': The Chinchillas (Los Chinchillas.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(50)
Plate 10 from 'La Tauromaquia': Charles V Spearing a Bull in the Ring at Valladolid (Carlos V lanceando un toro en la plaza de valladolid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 16.4.2
It's a Hard Step! (Duro es el paso!), from The Disasters of War (Los Desastres de la Guerra), plate 14
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.16
The Agility and Audacity of Juanito Apiñani in the [Ring] at Madrid (Ligereza y atrevimiento de Juanito Apiñani en la [plaza] de Madrid)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.20
Gracias á la almorta
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(51)
To the Cemetery, from The Disasters of War; working proof for plate 56
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 53.541
Disparates (Los Proverbios)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1816–23
Accession Number: 24.30.5
Portrait of a Young Man
Formerly attributed to Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1820
Accession Number: 1993.1046
Plate 79 from 'Los Caprichos': No one has seen us (Nadie nos ha visto.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(79)
Lovers Sitting on a Rock
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.6
The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls, plate 17 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.17
Bullfight in a Divided Ring, from the Bulls of Bordeaux
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1825
Accession Number: 20.60.4
Plate 57 from 'Los Caprichos':The filiation (La filiacion.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(57)
Self-Portrait
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: ca. 1797–98
Accession Number: 1972.118.295
Si son de otro linage
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(61)
Bury Them and Keep Quiet (Enterrar y callar), from The Disasters of War (Los Desastres de la Guerra), plate 18
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–14
Accession Number: 32.62.12
Espiró sin remedio
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(53)
These Too (Tambien estos), from The Disasters of War (Los Desastres de la Guerra), plate 25
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1810–20, published 1863
Accession Number: 22.60.25(25)
Plate 7 from 'Los Caprichos': Even thus he cannot make her out (Ni asi la distingue.)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 16.4.11
Plate 65 from ' Los Caprichos':Where is mother going? (Donde vá mamá?)
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1799
Accession Number: 18.64(65)
Pedro Romero killing the halted bull, plate 30 of La Tauromaquia
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1816
Accession Number: 21.19.30
The Swing
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1796–97
Accession Number: 35.103.2
A Woman Murdering a Sleeping Man, from Images of Spain Album (F), 87
Goya
(Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux)
Date: 1812–20
Accession Number: 35.103.46
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