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Six Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.40 recto
Portrait of Girl in Flower Bower, Walking Draped Female Figure, Angel, Dead Mother and Child, Three Draped Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Wash, graphite, on paper
Accession Number: 53.182.33 recto
Madonna With Christ and John Baptist [?]; Three Cherubs; Standing Classical Female Figure, Holding Bowl (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.73 recto
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.55 recto
Unfinished Standing Classical Male Nude; Cardinal Bentivoglio after Van Dyke; Mother and Child; Equestrian Figure (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.20 recto
Two Sketches of Females Looking out of a Window; Seated Female; Mother Playing with Child; Seated Male and Female Looking at a Book (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.18 recto
Five Dogs; Two Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.65 verso
Two Female Nudes; Seated Male Nude (after Michelangelo?); Three Equestrian Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Pen, iron-gaul ink and graphite on off-white laid paper
Accession Number: 53.182.26 recto
Groups of Putti; a Girl and Dog; Massacre of Innocents [?] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.70 verso
Doric Rotunda Interior with Curtains; Four Figure Studies, Including a Female Nude Bather with Putti, and a Martyrdom [of St. Bartholomew?] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.14 verso
William Gwynn
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Medium: Oil on canvas
Accession Number: 94.23.1
After Reynolds; Mother and Three Children; Draped Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.29 recto
John Finley
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Medium: Oil on canvas
Accession Number: 94.23.2
Stephen Decatur
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1835
Medium: Engraving on chine collé; second state of three
Accession Number: 30.15.47
Four Portrait Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.5 verso
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.77 verso
Five Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink on paper
Accession Number: 53.182.36 verso
Five Half-Length Female Figures, One at a Spinet (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.8 recto
Diagram of the Colors Used to Paint the Portrait of Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Medium: Brown ink and oil on paper
Accession Number: L.1994.29.6
Four Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.40 verso
Composition with Two Highlanders (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.21 verso
One Standing Woman; Two Seated Women in Fashionable Attire, All 3/4 Length; Two Female Heads in Bonnets (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.10 recto
Seated, Bearded Man [Falstaff?]; Lucretia [? and ?]; Three Dancing Putti (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.24 recto
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Medium: Oil on canvas
Accession Number: L.1993.45
Seated Male (after Van Dyke); Soldier on Horseback; Soldiers on Horseback; Dying Figure; Soldiers on Horseback; Dead Figure; Military Scene (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.29 verso
Musidora
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1813–35
Medium: Oil on wood
Accession Number: 21.48
Portrait of a Cleric; Standing Man in Animal Skins; Portrait of a Woman; Man's Head (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.81 recto
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.50 verso
Composition with Bathing Venus Pudica Type; a Triton; a Fleeing Figure (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.13 verso
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Medium: Ink, wash, on paper
Accession Number: 53.182.83 verso
Six Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.40 recto
Portrait of Girl in Flower Bower, Walking Draped Female Figure, Angel, Dead Mother and Child, Three Draped Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.33 recto
Madonna With Christ and John Baptist [?]; Three Cherubs; Standing Classical Female Figure, Holding Bowl (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.73 recto
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.55 recto
Unfinished Standing Classical Male Nude; Cardinal Bentivoglio after Van Dyke; Mother and Child; Equestrian Figure (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.20 recto
Two Sketches of Females Looking out of a Window; Seated Female; Mother Playing with Child; Seated Male and Female Looking at a Book (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.18 recto
Five Dogs; Two Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.65 verso
Two Female Nudes; Seated Male Nude (after Michelangelo?); Three Equestrian Figures (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.26 recto
Groups of Putti; a Girl and Dog; Massacre of Innocents [?] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.70 verso
Doric Rotunda Interior with Curtains; Four Figure Studies, Including a Female Nude Bather with Putti, and a Martyrdom [of St. Bartholomew?] (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.14 verso
William Gwynn
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Accession Number: 94.23.1
After Reynolds; Mother and Three Children; Draped Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.29 recto
John Finley
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1821
Accession Number: 94.23.2
Stephen Decatur
Asher Brown Durand
(American, Jefferson, New Jersey 1796–1886 Maplewood, New Jersey)
Date: 1835
Accession Number: 30.15.47
Four Portrait Sketches (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.5 verso
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.77 verso
Five Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.36 verso
Five Half-Length Female Figures, One at a Spinet (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.8 recto
Diagram of the Colors Used to Paint the Portrait of Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: ca. 1838
Accession Number: L.1994.29.6
Four Figure Studies (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.40 verso
Composition with Two Highlanders (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.21 verso
One Standing Woman; Two Seated Women in Fashionable Attire, All 3/4 Length; Two Female Heads in Bonnets (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.10 recto
Seated, Bearded Man [Falstaff?]; Lucretia [? and ?]; Three Dancing Putti (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.24 recto
Queen Victoria
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1838
Accession Number: L.1993.45
Seated Male (after Van Dyke); Soldier on Horseback; Soldiers on Horseback; Dying Figure; Soldiers on Horseback; Dead Figure; Military Scene (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.29 verso
Musidora
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1813–35
Accession Number: 21.48
Portrait of a Cleric; Standing Man in Animal Skins; Portrait of a Woman; Man's Head (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.81 recto
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.50 verso
Composition with Bathing Venus Pudica Type; a Triton; a Fleeing Figure (from Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.13 verso
(From Sketchbook)
Thomas Sully
(American, Horncastle, Lincolnshire 1783–1872 Philadelphia, Pennsylvania)
Date: 1810–20
Accession Number: 53.182.83 verso
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