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465 records
William Hogarth x
Cunicularii, or the Wise Men of Godlimon in Consultation
William Hogarth
(British, London 1697–1764 London)
Date: December 1726
Medium: Etching with engraved title; only state
Accession Number: 32.35(63)
Martin Folkes
William Hogarth
(British, London 1697–1764 London)
Date: 1742
Medium: Etching and engraving; fourth state of four
Accession Number: 32.35(190)
Hogarth's Shop Card
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1720
Medium: Etching and engraving
Accession Number: 17.3.1474
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: 1761
Medium: Etching; second state of two
Accession Number: 91.1.54
A Midnight Modern Conversation
William Hogarth
(British, London 1697–1764 London)
Date: March, 1732
Medium: Etching and engraving; third state of three, printed in red ink
Accession Number: 91.1.77
A Rake's Progress, Plate 4
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Medium: Etching and engraving; third state of three
Accession Number: 29.38.7
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1791
Medium: Etching and engraving
Accession Number: 32.35(250)
Fustium Admonitio (Beaver's Roman Military Punishments, 1725, Chapter 13)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Medium: Etching
Accession Number: 32.35(88)
Gin Lane
William Hogarth
(British, London 1697–1764 London)
Date: 1751
Medium: Copper plate
Accession Number: 21.55.3
The Times, Plate 1
William Hogarth
(British, London 1697–1764 London)
Date: September 1762
Medium: Etching and engraving; third state of three
Accession Number: 17.3.2859
A Harlot's Progress, Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: April 1732
Medium: Etching and engraving; third state of three
Accession Number: 91.1.132
Rich's Glory, or His Triumphant Entry into Covent Garden (December 1732)
After design attributed to William Hogarth
(British, London 1697–1764 London)
Date: November 1, 1809
Medium: Engraving
Accession Number: 17.3.3442-102
The Industrious 'Prentice Performing the Duty of a Christian (Industry and Idleness, plate 2)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; second state of two
Accession Number: 91.1.10
Benefit Ticket for Milward
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1760–1800
Medium: Etching and engraving
Accession Number: 17.3.3442.103
Frontispiece to Nicholas Amhurst's "Terrae-Filius"
William Hogarth
(British, London 1697–1764 London)
Date: June 1726
Medium: Etching and engraving
Accession Number: 32.35(259)
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Medium: Plates: wood engraving
Accession Number: 63.613.6
Shrimp Girl
after William Hogarth
(British, London 1697–1764 London)
Date: March 25, 1782
Medium: Stipple engraving, printed in brown ink
Accession Number: 21.72(3)
Hogarth Painting the Comic Muse or William Hogarth - 1764
William Hogarth
(British, London 1697–1764 London)
Date: 1764
Medium: Engraving; seventh state of seven
Accession Number: 32.35(199)
The Bench
William Hogarth
(British, London 1697–1764 London)
Date: September 1758
Medium: Etching and engraving; fifth state of five
Accession Number: 91.1.53
The Idle 'Prentice Betrayed by his Whore and Taken into a Night Cellar with his Accomplice (Industry and Idleness, plate 9)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Medium: Etching and engraving; second state of four
Accession Number: 32.35(46)
A Rake's Progress, Plate 3
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Medium: Etching and engraving; third state of three
Accession Number: 91.1.85
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Medium: Etching and engraving; fourth state of four
Accession Number: 91.1.63
A Chorus of Singers, or The Oratorio
William Hogarth
(British, London 1697–1764 London)
Date: December 1732
Medium: Etching; third state of three
Accession Number: 32.35(71)
The Stay-Maker
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1782
Medium: Etching
Accession Number: 32.35(149)
A Rake's Progress, Plate 8
William Hogarth
(British, London 1697–1764 London)
Date: [June 25, 1735] reissued 1763
Medium: Etching and engraving; third state of three (retouched 1763)
Accession Number: 91.1.90
Shop Card for Mrs. Holt's Italian Warehouse
William Hogarth
(British, London 1697–1764 London)
Date: before 1772
Medium: Etching and engraving; first state of two
Accession Number: 59.600.271
The Mystery of Masonry Brought to Light by the Gormagons
William Hogarth
(British, London 1697–1764 London)
Date: [first published December 1724] later reissue
Medium: Etching and engraving; third state of three
Accession Number: 32.35(114)
The Idle 'Prentice Returned from Sea and in a Garret with a Comon Prostitute (Industry and Idleness, plate 7)
William Hogarth
(British, London 1697–1764 London)
Date: December 30, 1747
Medium: Etching and engraving; second state of two
Accession Number: 91.1.15
Columbus Breaking the Egg
William Hogarth
(British, London 1697–1764 London)
Date: April 1752
Medium: Etching and engraving; first state of two
Accession Number: 32.35(56)
Fustigatio (Beaver's Roman Military Punishments, 1725, Chapter 1)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Medium: Etching
Accession Number: 32.35(86)
Cunicularii, or the Wise Men of Godlimon in Consultation
William Hogarth
(British, London 1697–1764 London)
Date: December 1726
Accession Number: 32.35(63)
Martin Folkes
William Hogarth
(British, London 1697–1764 London)
Date: 1742
Accession Number: 32.35(190)
Hogarth's Shop Card
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1720
Accession Number: 17.3.1474
The Five Orders of Periwigs
William Hogarth
(British, London 1697–1764 London)
Date: 1761
Accession Number: 91.1.54
A Midnight Modern Conversation
William Hogarth
(British, London 1697–1764 London)
Date: March, 1732
Accession Number: 91.1.77
A Rake's Progress, Plate 4
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Accession Number: 29.38.7
Key with List of Performers to: The Indian Emperor, or, The Conquest of Mexico, Act 4, scene 4
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1791
Accession Number: 32.35(250)
Fustium Admonitio (Beaver's Roman Military Punishments, 1725, Chapter 13)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Accession Number: 32.35(88)
Gin Lane
William Hogarth
(British, London 1697–1764 London)
Date: 1751
Accession Number: 21.55.3
The Times, Plate 1
William Hogarth
(British, London 1697–1764 London)
Date: September 1762
Accession Number: 17.3.2859
A Harlot's Progress, Plate 5
William Hogarth
(British, London 1697–1764 London)
Date: April 1732
Accession Number: 91.1.132
Rich's Glory, or His Triumphant Entry into Covent Garden (December 1732)
After design attributed to William Hogarth
(British, London 1697–1764 London)
Date: November 1, 1809
Accession Number: 17.3.3442-102
The Industrious 'Prentice Performing the Duty of a Christian (Industry and Idleness, plate 2)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 91.1.10
Benefit Ticket for Milward
Copy after William Hogarth
(British, London 1697–1764 London)
Date: 1760–1800
Accession Number: 17.3.3442.103
Frontispiece to Nicholas Amhurst's "Terrae-Filius"
William Hogarth
(British, London 1697–1764 London)
Date: June 1726
Accession Number: 32.35(259)
Gems of Wood Engraving, From the Illustrated London News with a History of the Art, Ancient and Modern
Written by William Andrew Chatto
(British, Newcastle upon Tyne 1799–1864 London)
Date: 1849
Accession Number: 63.613.6
Shrimp Girl
after William Hogarth
(British, London 1697–1764 London)
Date: March 25, 1782
Accession Number: 21.72(3)
Hogarth Painting the Comic Muse or William Hogarth - 1764
William Hogarth
(British, London 1697–1764 London)
Date: 1764
Accession Number: 32.35(199)
The Bench
William Hogarth
(British, London 1697–1764 London)
Date: September 1758
Accession Number: 91.1.53
The Idle 'Prentice Betrayed by his Whore and Taken into a Night Cellar with his Accomplice (Industry and Idleness, plate 9)
William Hogarth
(British, London 1697–1764 London)
Date: September 30, 1747
Accession Number: 32.35(46)
A Rake's Progress, Plate 3
William Hogarth
(British, London 1697–1764 London)
Date: June 25, 1735
Accession Number: 91.1.85
The Times, Plate 2
William Hogarth
(British, London 1697–1764 London)
Date: May 29, 1790
Accession Number: 91.1.63
A Chorus of Singers, or The Oratorio
William Hogarth
(British, London 1697–1764 London)
Date: December 1732
Accession Number: 32.35(71)
The Stay-Maker
After William Hogarth
(British, London 1697–1764 London)
Date: February 1, 1782
Accession Number: 32.35(149)
A Rake's Progress, Plate 8
William Hogarth
(British, London 1697–1764 London)
Date: [June 25, 1735] reissued 1763
Accession Number: 91.1.90
Shop Card for Mrs. Holt's Italian Warehouse
William Hogarth
(British, London 1697–1764 London)
Date: before 1772
Accession Number: 59.600.271
The Mystery of Masonry Brought to Light by the Gormagons
William Hogarth
(British, London 1697–1764 London)
Date: [first published December 1724] later reissue
Accession Number: 32.35(114)
The Idle 'Prentice Returned from Sea and in a Garret with a Comon Prostitute (Industry and Idleness, plate 7)
William Hogarth
(British, London 1697–1764 London)
Date: December 30, 1747
Accession Number: 91.1.15
Columbus Breaking the Egg
William Hogarth
(British, London 1697–1764 London)
Date: April 1752
Accession Number: 32.35(56)
Fustigatio (Beaver's Roman Military Punishments, 1725, Chapter 1)
William Hogarth
(British, London 1697–1764 London)
Date: after 1725
Accession Number: 32.35(86)
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