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Gallery 601 - Baroque Painting in Italy

Part of European Paintings

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European Paintings Gallery 632

Gallery Highlights

  • Charity
    Charity

    Guido Reni (Italian, Bologna 1575–1642 Bologna)

    Accession Number: 1974.348

  • The Lamentation
    The Lamentation

    Ludovico Carracci (Italian, Bologna 1555–1619 Bologna)

    Date: ca. 1582
    Accession Number: 2000.68

  • Esther before Ahasuerus
    Esther before Ahasuerus

    Artemisia Gentileschi (Italian, Rome 1593–1651/53 Naples)

    Accession Number: 69.281

  • Marcantonio Pasqualini (1614–1691) Crowned by Apollo
    Marcantonio Pasqualini (1614–1691) Crowned by Apollo

    Andrea Sacchi (Italian, Rome (?) ca. 1599–1661 Rome)

    Date: 1641
    Accession Number: 1981.317

  • Samson Captured by the Philistines
    Samson Captured by the Philistines

    Guercino (Giovanni Francesco Barbieri) (Italian, Cento 1591–1666 Bologna)

    Date: 1619
    Accession Number: 1984.459.2

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  • Eighteenth–Century Women Painters in France
  • Neoclassicism
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    May 8, 2013

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    May 10, 2013
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Portrait of Étienne Maurice Falconet (1716-1791)
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690
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Impressionism, Fashion, and Modernity
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 After Photoshop: Manipulated Photography in the Digital Age
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851
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Sleeping Eros
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172
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Photo of Mr. Lam, courtesy of The Family of Sau-Wing Lam
The Sau-Wing Lam Collection of Rare Italian Stringed Instruments -
680
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
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Cambodian Rattan - The Sculptures of Sopheap Pich
209, 249, 251
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Duke Francesco I d'Este
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At War with the Obvious:  Photographs by William Eggleston
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Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
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Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
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At the end of the sixteenth century, artists such as Scipione Pulzone responded to the religious shift of the Counter-Reformation with profoundly pious works. Over the next fifty years, altarpieces developed into the lavish canvases of Guido Reni and Guercino. Cardinals and princes competed to decorate their churches and palaces with vibrantly painted, often theatrically staged pictures that treated subjects from the Bible, on the one hand, and ancient history or mythology, on the other. Altarpieces and gallery pictures shared a monumental format and grandiosity of composition. Antiquity, especially classical sculpture, was an important influence on artists such as Andrea Sacchi. In this period and after, Italy continued to assert its central position in European art.

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