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Gallery 604 - Domestic Art in Fifteenth-Century Florence

Part of European Paintings

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European Paintings Gallery 604

Gallery Highlights

  • Portrait of a Woman with a Man at a Casement
    Portrait of a Woman with a Man at a Casement

    Fra Filippo Lippi (Italian, Florence ca. 1406–1469 Spoleto)

    Date: ca. 1440
    Accession Number: 89.15.19

  • The Story of Joseph
    The Story of Joseph

    Biagio d'Antonio (Italian, Florentine, active by 1472–died 1516)

    Accession Number: 32.100.69

  • The Conquest of Naples by Charles of Durazzo
    The Conquest of Naples by Charles of Durazzo

    Master of Charles of Durazzo (Italian, Florentine, late 14th century)

    Date: 1381–82
    Accession Number: 07.120.1

  • The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families
    The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families

    Giovanni di ser Giovanni Guidi (called Scheggia) (Italian, San Giovanni Valdarno 1406–1486 Florence)

    Date: ca. 1449
    Accession Number: 1995.7

  • Cassone with painted front panel depicting the Conquest of Trebizond
    Cassone with painted front panel depicting the Conquest of Trebizond

    Attributed to workshop of Apollonio di Giovanni di Tomaso (Italian, Florence ca. 1416–1465 Florence)

    Date: after ca. 1461
    Accession Number: 14.39

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Related Content

  • Timeline of Art History (7)
  • Exhibitions & Events (12)

  • Art and Love in the Italian Renaissance
  • Birth and Family in the Italian Renaissance
  • Domestic Art in Renaissance Italy
  • Nuptial Furnishings in the Italian Renaissance
  • Paintings of Love and Marriage in the Italian Renaissance
  • Portraiture in Renaissance and Baroque Europe
  • Florence and Central Italy, 1400–1600 A.D.

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    From February 26, 2013
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    From April 16, 2013

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    May 2, 2013
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    May 5, 2013
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    May 8, 2013

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    May 9, 2013
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    May 10, 2013
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    May 11, 2013
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    May 12, 2013
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Portrait of Étienne Maurice Falconet (1716-1791)
Drawings and Prints - Selections from the Permanent Collection
690
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Impressionism, Fashion, and Modernity
Impressionism, Fashion, and Modernity -
899
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Street
Street -
691–693
2nd Fl
 After Photoshop: Manipulated Photography in the Digital Age
After Photoshop - Manipulated Photography
in the Digital Age
851
2nd Fl
Sleeping Eros
Sleeping Eros -
172
1st Fl
Photo of Mr. Lam, courtesy of The Family of Sau-Wing Lam
The Sau-Wing Lam Collection of Rare Italian Stringed Instruments -
680
2nd Fl
Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
1st Fl
Morning Glory
Cambodian Rattan - The Sculptures of Sopheap Pich
209, 249, 251
2nd Fl
Duke Francesco I d'Este
Velázquez's Portrait of Duke Francesco I d'Este - A Masterpiece from the Galleria Estense, Modena
624
2nd Fl
Birds and Flowers of the Four Seasons; Cranes and Flowers of the Four Seasons
Birds in the Art of Japan -
225–232
2nd Fl
At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
852
2nd Fl
Making the Invisible Visible
Making the Invisible Visible - Conservation and Islamic Art
458
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Objects from the Kharga Oasis
Objects from the Kharga Oasis -
302
1st Fl
African Art, New York, and the Avant Garde
African Art, New York, and the Avant-Garde -
359
1st Fl
Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
1st Fl
Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
1st Fl

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Wealthy Florentine merchants and bankers and members of prominent families commissioned portraits for posterity. Marriage was often commemorated with a pair of large storage chests (cassoni) with painted fronts illustrating emblematic stories from Greek and Roman mythology or the Old Testament. Marriage chambers might be decorated with painted panels set into wainscoting or above the backrest of a daybed or bench, and large, ceremonial trays celebrated the birth of an heir (the Museum owns that of Lorenzo de' Medici). Sets of ceramic tableware were acquired and conspicuously displayed. In this gallery, secular art takes its place alongside religious painting as a mainstay of the artist's world.

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