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Gallery 629 - Rubens and Van Dyck

Part of European Paintings

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European Paintings Gallery 629

Gallery Highlights

  • Lucas van Uffel (died 1637)
    Lucas van Uffel (died 1637)

    Anthony van Dyck (Flemish, Antwerp 1599–1641 London)

    Date: ca. 1622
    Accession Number: 14.40.619

  • Rubens, His Wife Helena Fourment (1614–1673), and Their Son Frans (1633–1678)
    Rubens, His Wife Helena Fourment (1614–1673), and Their Son Frans (1633–1678)

    Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)

    Date: ca. 1635
    Accession Number: 1981.238

  • James Stuart (1612–1655), Duke of Richmond and Lennox
    James Stuart (1612–1655), Duke of Richmond and Lennox

    Anthony van Dyck (Flemish, Antwerp 1599–1641 London)

    Date: ca. 1633–35
    Accession Number: 89.15.16

  • Wolf and Fox Hunt
    Wolf and Fox Hunt

    Peter Paul Rubens and Workshop (Flemish, Siegen 1577–1640 Antwerp)

    Date: ca. 1616
    Accession Number: 10.73

  • Venus and Adonis
    Venus and Adonis

    Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp)

    Date: probably mid-1630s
    Accession Number: 37.162

  • Self-Portrait
    Self-Portrait

    Anthony van Dyck (Flemish, Antwerp 1599–1641 London)

    Date: ca. 1620–21
    Accession Number: 49.7.25

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  • Exhibitions & Events (12)

  • Peter Paul Rubens (1577–1640) and Anthony van Dyck (1599–1641): Paintings
  • Portraiture in Renaissance and Baroque Europe
  • The Nude in Baroque and Later Art
  • France, 1600–1800 A.D.
  • Low Countries, 1600–1800 A.D.

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A linguist and diplomat as well as a painter, Peter Paul Rubens was easily the most celebrated artist of his time. Although at home in Antwerp and a favorite of the Habsburgs at Brussels, Rubens also worked in Rome, Genoa, Paris, London, and Madrid. He was, above all, a public painter, in service to royal courts and the Catholic Church. His efficient studio turned out altarpieces and large canvases treating historical, allegorical, and mythological themes as well as hunting scenes. Rubens's younger colleague Anthony van Dyck, working in Antwerp and in London at the court of Charles I (ruled 1625–49), became the premier portraitist in northern Europe. His gracious and fluid manner was influential for the next 150 years, culminating in the canvases of Sir Joshua Reynolds and Thomas Gainsborough.

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