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Gallery 634 - Dutch Paintings in the Altman Collection

Part of European Paintings

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European Paintings Gallery 634

Gallery Highlights

  • Young Man and Woman in an Inn (
    Young Man and Woman in an Inn ("Yonker Ramp and His Sweetheart")

    Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem)

    Date: 1623
    Accession Number: 14.40.602

  • Wheat Fields
    Wheat Fields

    Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam)

    Date: ca. 1670
    Accession Number: 14.40.623

  • Young Herdsmen with Cows
    Young Herdsmen with Cows

    Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht)

    Date: ca. 1655–60
    Accession Number: 14.40.616

  • Merrymakers at Shrovetide
    Merrymakers at Shrovetide

    Frans Hals (Dutch, Antwerp 1582/83–1666 Haarlem)

    Date: ca. 1616–17
    Accession Number: 14.40.605

  • Self-Portrait
    Self-Portrait

    Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam)

    Date: 1660
    Accession Number: 14.40.618

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  • Genre Painting in Northern Europe
  • Johannes Vermeer (1632–1675)
  • Low Countries, 1400–1600 A.D.

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    July 7, 2013
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    July 19, 2013
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    July 31, 2013

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  • Illusion in European Paintings
    August 2, 2013
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    August 6, 2013
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    August 17, 2013
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    August 30, 2013
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
1st Fl
Morning Glory
Cambodian Rattan - The Sculptures of Sopheap Pich
209, 249, 251
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Duke Francesco I d'Este
Velázquez's Portrait of Duke Francesco I d'Este - A Masterpiece from the Galleria Estense, Modena
624
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The Boxer: An Ancient Masterpiece
The Boxer - An Ancient Masterpiece
153
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Birds and Flowers of the Four Seasons; Cranes and Flowers of the Four Seasons
Birds in the Art of Japan -
225–232
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At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
852
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Making the Invisible Visible
Making the Invisible Visible - Conservation and Islamic Art
458
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The Cyrus Cylinder and Ancient Persia: Charting a New Empire
The Cyrus Cylinder and Ancient Persia - Charting a New Empire
404
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Objects from the Kharga Oasis
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302
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Land Marks -
399
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The Fall of Richmond, Virginia on the Night of April 2nd, 1865
Drawings and Prints - Selections from the Permanent Collection
690
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The Camp of the Seventh Regiment near Frederick, Maryland, 1863
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964–965, 955
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African Art, New York, and the Avant Garde
African Art, New York, and the Avant-Garde -
359
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Living in Style: Five Centuries of Interior Design from the Collection of Drawings and Prints
Living in Style - Five Centuries of Interior Design from the Collection of Drawings and Prints
691–693
2nd Fl
Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
1st Fl
The Roof Garden Commission: Imran Qureshi
The Roof Garden Commission: Imran Qureshi -
926
1st Fl
 Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection
Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection -
960
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Everyday Epiphanies: Photography and Daily Life Since 1969
Everyday Epiphanies - Photography and Daily Life Since 1969
851
2nd Fl
Poudreuse
Furniture by Abraham and David Roentgen on loan from the Kunstgewerbemuseum, Staatliche Museen zu Berlin -
553, 533
1st Fl
Fabergé
Fabergé from the Matilda Geddings Gray Foundation Collection -
555
1st Fl

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Benjamin Altman (1840–1913) was a New York department store magnate who, in little more than a decade of activity, became one of the greatest collectors in American history. Beginning in 1905, he purchased works by masters ranging from Botticelli and Memling to Velázquez, Vermeer, and, especially, Rembrandt. His paintings may be found in the Metropolitan's Italian, early Netherlandish, Flemish, and Spanish galleries, and he also made extensive bequests to the departments of Asian Art and European Sculpture and Decorative Arts. His collection of Dutch painting was particularly strong and is shown largely intact in this gallery. Two major genre pictures by Hals strike a comic tone that contrasts with the dignified portraits preferred by other Gilded Age collectors. In the field of Dutch landscape, Altman followed conventional taste, purchasing one outstanding picture each by Ruisdael, Hobbema, and Cuyp.

Evelyn Borchard Metzger Gallery
The Benjamin Altman Collection

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