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Gallery 638 - Ruisdael and Dutch Landscape Painting

Part of European Paintings

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European Paintings Gallery 638
European Paintings Gallery 638
European Paintings Gallery 638
European Paintings Gallery 638

Gallery Highlights

  • A Brazilian Landscape
    A Brazilian Landscape

    Frans Post (Dutch, Haarlem 1612–1680 Haarlem)

    Date: 1650
    Accession Number: 1981.318

  • Landscape with a Village in the Distance
    Landscape with a Village in the Distance

    Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam)

    Date: 1646
    Accession Number: 65.181.10

  • Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman (
    Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman ("Starting for the Hunt")

    Aelbert Cuyp (Dutch, Dordrecht 1620–1691 Dordrecht)

    Date: ca. 1652–53
    Accession Number: 32.100.20

  • View of Haarlem and the Haarlemmer Meer
    View of Haarlem and the Haarlemmer Meer

    Jan van Goyen (Dutch, Leiden 1596–1656 The Hague)

    Date: 1646
    Accession Number: 71.62

  • Drawing the Eel
    Drawing the Eel

    Salomon van Ruysdael (Dutch, Naarden, born ca. 1600–1603, died 1670 Haarlem)

    Date: early 1650s
    Accession Number: 71.75

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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
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The seventeenth century in Holland inaugurated the great tradition of European landscape painting. Works by the best-known Dutch artists—Jacob van Ruisdael, his Amsterdam follower Meyndert Hobbema, and Aelbert Cuyp in Dordrecht—were highly prized by collectors in England and France after 1700 and greatly influenced nineteenth-century painters in both Europe and America. Haarlem was the center of naturalistic landscape painting from about 1600 to 1650, with masters such as Jan van Goyen and Salomon van Ruysdael depicting Dutch scenes that often had a local or nationalistic significance. In other cities, especially Amsterdam and Utrecht, views of foreign topography, untamed nature, and pastoral countryside served as psychological relief from city life in Europe’s most urbanized society.

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