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Gallery 801 - Neoclassicism and Romanticism

Part of European Paintings

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European Paintings Gallery 801
European Paintings Gallery 801
European Paintings Gallery 801

Gallery Highlights

  • Joseph-Antoine Moltedo (born 1775)
    Joseph-Antoine Moltedo (born 1775)

    Jean-Auguste-Dominique Ingres (French, Montauban 1780–1867 Paris)

    Date: ca. 1810
    Accession Number: 29.100.23

  • The Abduction of Rebecca
    The Abduction of Rebecca

    Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris)

    Date: 1846
    Accession Number: 03.30

  • Alfred Dedreux (1810–1860) as a Child
    Alfred Dedreux (1810–1860) as a Child

    Théodore Gericault (French, Rouen 1791–1824 Paris)

    Date: ca. 1819–20
    Accession Number: 41.17

  • Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)
    Madame Jacques-Louis Leblanc (Françoise Poncelle, 1788–1839)

    Jean-Auguste-Dominique Ingres (French, Montauban 1780–1867 Paris)

    Date: 1823
    Accession Number: 19.77.2

  • Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)
    Comtesse de La Tour-Maubourg (Marie-Louise-Charlotte-Gabrielle Thomas de Pange, 1816–1850)

    Théodore Chassériau (French, Le Limon, Saint-Domingue, West Indies 1819–1856 Paris)

    Date: 1841
    Accession Number: 2002.291

  • Odalisque in Grisaille
    Odalisque in Grisaille

    Jean Auguste Dominique Ingres and Workshop (French, Montauban 1780–1867 Paris)

    Date: ca. 1824–34
    Accession Number: 38.65

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Related Content

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  • Neoclassicism
  • Nineteenth–Century French Realism
  • Orientalism in Nineteenth–Century Art
  • Romanticism
  • The Legacy of Jacques–Louis David (1748–1825)
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  • Southern Europe, 1800–1900 A.D.

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    July 7, 2013
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    July 11, 2013
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    July 19, 2013
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    July 21, 2013
  • Early Netherlandish Painting: The Legacy of Jan van Eyck
    July 31, 2013

Events:

  • Illusion in European Paintings
    August 2, 2013
  • Marie Antoinette and the French Revolution
    August 6, 2013
  • Illusion in European Paintings
    August 17, 2013
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    August 30, 2013
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
"A Sport for Every Girl" - Women and Sports in the Collection of Jefferson R. Burdick
773
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Velázquez's Portrait of Duke Francesco I d'Este - A Masterpiece from the Galleria Estense, Modena
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The Boxer: An Ancient Masterpiece
The Boxer - An Ancient Masterpiece
153
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Birds in the Art of Japan -
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At War with the Obvious:  Photographs by William Eggleston
At War with the Obvious - Photographs by William Eggleston
852
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Making the Invisible Visible
Making the Invisible Visible - Conservation and Islamic Art
458
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The Cyrus Cylinder and Ancient Persia: Charting a New Empire
The Cyrus Cylinder and Ancient Persia - Charting a New Empire
404
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Objects from the Kharga Oasis
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302
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399
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The Fall of Richmond, Virginia on the Night of April 2nd, 1865
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690
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The Camp of the Seventh Regiment near Frederick, Maryland, 1863
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964–965, 955
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African Art, New York, and the Avant Garde
African Art, New York, and the Avant-Garde -
359
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Living in Style: Five Centuries of Interior Design from the Collection of Drawings and Prints
Living in Style - Five Centuries of Interior Design from the Collection of Drawings and Prints
691–693
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Bashford Dean and the Creation of the Arms and Armor Department
Bashford Dean and the Creation of the Arms and Armor Department -
380
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The Roof Garden Commission: Imran Qureshi
The Roof Garden Commission: Imran Qureshi -
926
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 Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection
Italian Renaissance and Baroque Bronze Sculpture from the Robert Lehman Collection -
960
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Everyday Epiphanies: Photography and Daily Life Since 1969
Everyday Epiphanies - Photography and Daily Life Since 1969
851
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Furniture by Abraham and David Roentgen on loan from the Kunstgewerbemuseum, Staatliche Museen zu Berlin -
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Fabergé from the Matilda Geddings Gray Foundation Collection -
555
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Artistic production in Europe during the first half of the nineteenth century was dominated by the conflict between two aesthetic movements, Neoclassicism and Romanticism.

This gallery features works by the artists generally regarded as the most prominent representatives: J. A. D. Ingres and his students Chassériau and Lehmann; and Eugène Delacroix and his master, Théodore Gericault. Ingres's works were said to elevate the prominence of line over color, exemplified by his Odalisque in Grisaille and the two portraits of M. and Mme. Leblanc. Delacroix's works promoted the expressive use of color and furious, Baroque-style compositions.

This gallery is one of two that comprise The André Meyer Galleries (see also Gallery 802).

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