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Gallery 154 - Greek Art: Sixth Century B.C.

Part of Greek and Roman Art

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Greek and Roman Gallery 154

Gallery Highlights

  • Marble statue of a kouros (youth)
    Marble statue of a kouros (youth)

    Date: ca. 590–580 B.C.
    Accession Number: 32.11.1

  • Terracotta lekythos (oil flask)
    Terracotta lekythos (oil flask)

    Attributed to the Amasis Painter

    Date: ca. 550–530 B.C.
    Accession Number: 31.11.10

  • Terracotta psykter (vase for cooling wine)
    Terracotta psykter (vase for cooling wine)

    Attributed to Oltos

    Date: ca. 520–510 B.C.
    Accession Number: 1989.281.69

  • Marble stele (grave marker) of a youth and little girl with capital and finial in the form of a sphinx
    Marble stele (grave marker) of a youth and little girl with capital and finial in the form of a sphinx

    Date: ca. 530 B.C.
    Accession Number: 11.185a–d, f, g, x

  • Marble statue of a kore (maiden)
    Marble statue of a kore (maiden)

    Date: late 6th century B.C.
    Accession Number: 07.306

  • Terracotta loutrophoros (ceremonial vase for water)
    Terracotta loutrophoros (ceremonial vase for water)

    Date: late 6th century B.C.
    Accession Number: 27.228

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    January 11, 2013
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Gems of European Lace, ca. 1600–1920
Gems of European Lace, ca. 1600–1920 -
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Designing Nature - The Rinpa Aesthetic in Japanese Art
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British Silver - The Wealth of a Nation
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Extravagant Inventions - The Princely Furniture of the Roentgens
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Faking It - Manipulated Photography Before Photoshop
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 After Photoshop: Manipulated Photography in the Digital Age
After Photoshop - Manipulated Photography
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Card No. 8, from the advertising card series "Cabinet Photos, Allen & Ginter" (H807, Type 2), issued by Allen & Ginter to promote Virginia Brights Cigarettes
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Photo of Mr. Lam, courtesy of The Family of Sau-Wing Lam
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Objects from the Kharga Oasis
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Bashford Dean and the Creation of the Arms and Armor Department
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Fabergé
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555
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The Judy and Michael H. Steinhardt Gallery is unique in the Western Hemisphere in its display of the three major types of Greek freestanding marble sculpture of the sixth century B.C.: the kouros and kore, which served as funerary monuments or dedications, and the pillar-like grave stele. This is also the period when Athens supplanted Corinth as the center of pottery production, exemplified by several works attributed to the Amasis Painter, one of the most skillful and innovative of the black-figure artists.

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